An anthology of the international avant-garde poetry journal created in 1796 by Julien Blaine.

This book documents an installation by Eric Baudelaire revisiting the political and personal saga of the Japanese Red Army as an anabasys—an allegory of a journey that is both a wandering into the unknown and a return back home.

Walter Zanini, Vincent Honoré and Margarida Mendes, Jean-Max Colard, Ed Fornieles, João Mourão et Luís Silva, Jack Lavender, Rolf Nowotny, Judith Hopf, Avery Singer, Marie Angeletti, Quinn Latimer and Anne Dressen, The Still House Group...

4th issue of the art and research magazine is dedicated to the “realized” utopia of Monte Verità.

The possibility of concrete truth as a working hypothesis, for an art that not only represents and documents, but engages in specific political and social situations—and for an activism that searches for intelligent, creative means of self-empowerment.

A selection of writings by artist, poet and political activist Jimmie Durham, one of the most influential figures of recent decades: essays and conferences on art and society, critical reflections on “Eurasia”, the history of US-American Indian relations, and observations on the city and nature. A recurrent theme is his interrogation of the ideological complicity between monumental architecture and scripture – “architexture”– as the foundation of Eurocentric belief and tool of others' disenfranchisement.

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

Artist's book.

A visual archive of movement.

A perspective on contemporary video and multimedia creation through the various works produced by students and invited artists-professors for the 16th edition of the “Panorama“ program at Le Fresnoy, curated by Matthieu Orléan.

Works, authors and rights: music and dance in globalization.

An epistemology of performance.

Education and totalitarianism, in Central and Eastern Europe: a multidisciplinary reflection on totalitarianism as a political and anthropological project which, paradoxically, puts the question of education at the center of its concerns.

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

Thirteen sonnets written by the artist between 1974 and 2013.

Martial Raysse and cinema.

Lucie Béguin, Asmaa Betit, Feng Li, Jean-Christophe Marquez, Géraldine Martin & Charlotte Mas / Edwin Fauthoux-Kresser / Violaine Laveaux / Yohann Gozard / Barthélémy Toguo, Frédéric Bruly Bouabré, Mounir Fatmi, Najia Mehadji, Yazid Oulab, Chéri Samba, Malick Sidibé, Pascale Marthine Tayou / Hervé Bréhier / Figure(s) & paysage(s) / Alexandre Atenza / Francisca Martínez, Charuwan Noprumpha, Andrés Donadio.

Georges Rey / Florence Bonnefous / Éric Troncy / Yves Aupetitallot / Elein Fleiss, Dominique Gonzalez-Foerster, Bernard Joisten, Jean-Luc Vilmouth, Olivier Zahm / Nicolas Bourriaud / Renaud Jerez / Roy Genty / Annie Godfrey Larmon / Nick Mauss / Neil Beloufa / Jacob King / Vincent Normand / Damon Sfetsios, Elise Duryee-Browner / Jana Euler.

One year in the art world.

Imposture, falsification and diversion.

Representation of pain in the art of the twentieth and twenty-first centuries.

A study of social utopias (of European origin, mainly French) in Latin America in the 19th century: a contribution to the defense of utopia as a driving force of human progress, against all forms of utilitarianism and pragmatism.

The legendary French trumpeter is back after 20 years with its special atmosphere and feeling, and a lot of guests—a real event.

The legendary French trumpeter is back after 20 years with its special atmosphere and feeling, and a lot of guests—a real event.

This catalogue documents the theoretical and practical research stemming from a project inspired by the legendary exhibition “Art by Telephone” held at the Museum of Contemporary Art in Chicago in 1969, extending it today with contributions from new artists. The works were first orally conveyed by telephone to then be interpreted, activated, and produced by art students.

Capture is such a productive fictitious rock band, that nobody can consume everything. It produces new music, words, images, videos and derived products every hour. Capture reverses the consumerism ideology and the relation between desire and objects. This publication documents the project.

This richly illustrated catalogue presents the work of Florence Louise Petetin in all its variety: paintings, drawings, graphic works, performances, texts, video, etc. In appendix, a selection of texts and poems by the artist.

A real, potential and fictitious museum by Michel Giroud.

This record highlights Leo Kupper's earliest unique compositions produced during the 1960's when he was ardently seeking out structures distinctly applicable to purely electronic sounds.

What happened to the boy Tadzio on the Venetian Lido beach in Thomas Mann's and Luchino Visconti's Death in Venice? British director Peter Greenaway relates Tadzio's future.

Austrian painter Oskar Kokoschka's love for Alma Mahler was so great that he had a life-sized model of her made. The OK Doll, by Peter Greenaway, is the script for an unrealized film about the doll that Kokoschka lived with for three years.

Jean-Luc Godard and art (a return on Godard's controversial project at the Centre Pompidou in 2006).

For its ten-year anniversary, the magazine addresses the fascination and obsession towards the conquest of space. The issue invites Italian authors to discuss the subject of outer space, and artists in residence at the French Space Agency document their projects (Pierre Senges, Charles Pennequin, Jean Lambert-wild, Vannina Maestri, Éric Pessan).

Essays and conversations about the practice of exhibition making; artistic projects and conversations of artists and curators (Ruba Katrib and Anthea Hamilton, Anna Gritz and Richard Sides, Diego Perrone by Cecilia Canziani, Parker Ito by Liv Barrett, George Henry Longly and Nicoletta Lambertucci, Michele Abeles and Margaret Lee, Ian Cheng, Tilman Hornig, Sara Cwynar...).

The social dimensions of artist's books.

Edouard Baribeaud, documentation céline duval, Hendrik Hegray, Jean-Baptiste Mondino, Claude Parent, Dominique Perrault, Yvan Salomone, Virginie Yassef, Erwin Wurm...

A collection of texts by Voltairine de Cleyre and Emma Goldman, two visionary anarchist women at the turn of the twentieth century.

First monograph.

Artist's book.

A tribute to Monique Antelme (Danielle Cohen-Levinas, Jean-Luc Nancy, Maurice Nadeau; testimonials...); Blanchot and the Jewish issues (Danielle Cohen-Levinas with Jean-Luc Nancy, Edmond Jabès, David Banon, Michael Holland, Ginette Michaud, Jacques Derrida and Maurice Blanchot); studies (Christophe Bident on Blanchot and Leiris, Pascal Gibourg, Francesco Vitale on Derrida); reading notes.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

The collected essays presented here form the compartments of Hans Ulrich Obrist's curatorial toolbox, along with elucidating his views on stewardship, patronage, and art itself. Influences and interlocutors cited and discussed here include, among others, Alexander Dorner, Édouard Glissant, Claude Lévi-Strauss, Jean-François Lyotard, Dominique de Menil, Josef Ortner, Cedric Price, Sir John Soane, and Harald Szeemann.

On Art and Film, Art and Moving Images, Ross Birrell and David Harding, Yve Laris Cohen, Con Jobs, Douglas Coupland, Heinrich Dunst, Jimmie Durham, Ed Fornieles, Brennan Gerard and Ryan Kelly, Patrick Jackson, Wyatt Kahn, Amar Kanwar, Isabel Lewis, Liberation through Laziness, Heather Phillipson, Organic Photography, Torbjørn Rødland, Surrealism and Tags, Philippe Thomas, Brad Troemel, The Artist as Curator (Richard Hamilton and Victor Pasmore, John Cage)...

Art and teaching.

Richard Nonas / Claire-Jeanne Jézéquel / Hans Segers / Sylvie Bonnot / Les Ateliers du Plessix-Madeuc / Lionel Redon / Claire Tabouret / Peter Soriano / Ulla von Brandenburg / Marianne Berenhaut.

Special issue (two of two): sixteen exhibitions held in 2013 as part of the "Ulysses" curatorial program coordinated by the FRAC Provence-Alpes-Cote d'Azur, on the occasion of Marseille-Provence 2013.

Ella Kruglyanskaya, Christian Falsnaes, Ned Vena, Haroon Mirza, Loretta Fahrenholz; the deployment of off-camera commentary as a conceptual device in moving image works; the controversial work of Francesco Vezzoli; Kaspar Müller, Simon Castets, the art scene in Shanghai, Christina Ramberg, Albert Oehlen, Matthew Barney...

A collection of essays in which Chantal Pontbriand examines themes of being-in-common in today's world and their relation to the development of art practices.

A reflection on the notion of transmission (but also on the issues involved in an exhibition catalogue).

This script by Peter Greenaway follows Russian director Eisenstein to Guanajuato, Mexico, where he worked for ten days on Que Viva Mexico. Ten days that shook Eisenstein face to face with sex and death which changed the man and the filmmaker.