This catalogue presents the artist's Sail Paintings series—32 hybrid compositions reminiscent of a boat's sail. This monumental publication (30 x 40 cm) is designed as a graphic extension to the project.

A lexical survey on compositional practice in contemporary dance.

Richard Tuttle and color.

An oral performance (concept, texts and voice by Karl Holmqvist).

The catalogue of the eponymous exhibition by Laure Prouvost at Pirelli HangarBicocca: a multimedia project—installations, videos and projections, sculptures and found objects—revolving around the story of Prouvost's “grandfather”, a fictional prolific conceptual artist.

Oiseaux-Tempête's fourth studio album embraces the new, leaving aside the nomadic evocations of the previous albums to unfold as a twilight and prophetic orchestra around G.W. Sok's punctuated voice.

First monograph dedicated to the young American painter, whose expressive and colorful universe draws on the everyday life in the margins, from bohemians to non-conformists. The publication also presents the Gray's theatrical works and associates the artist's two practices.

Comprised of a series of texts, drawings and photographs, this catalogue documents and expands on the multimedia installation by "Natascha Süder Happelmann" (Natascha Sadr Haghighian), an artistic reflection on ruinous space (catalogue of the German Pavilion at the 58th Venice Biennale).

A collection of colorful paintings inspired by science fiction and classical Antiquity. A prequel to the artist's ongoing Megalith series of publications that acts as a PH sample of his broader painting, collage, and print studio practice.

A collection of musical compositions derived from film interviews with conceptual artists, including Martha Rosler, Art & Language, Andrea Fraser, Ed Ruscha, Shilpa Gupta, Sol LeWitt, Lawrence Weiner and Yvonne Rainer.

The everyday life of Stefan Marx in Berlin, in a 300-page volume of drawings.

A comprehensive documentation on Ruth Ewan's installation at CAPC, a tangible plastic version of the revolutionary calendar.

First retrospective monograph overviewing the Danish video artist's body of works for over a decade.

The seminal tale of Iannone's advocacy for sexual liberation.

The first comprehensive publication of the Swedish polymath Catherine Christer Hennix's written work in a two-volume set.

A dictionary designed as a tool for analysis and resistance to the new realities of neurocapitalism. With 285 definitions stemming from the fields of political philosophy, media studies and neuroscience.

The first part of a larger novel in several episodes: a text about the perception of time and how some places mark people's minds.

Our Happy Life investigates the architectural implications of the new happiness emotional paradigm by dissecting and questioning the political, economic, and emotional conditions that generate space today.

A new series of photographic works by Shirana Shahbazi.

First monograph.

This publication reflects upon the exhibition of Stefan Brüggemann's nihilist statements read, sung, and screamed by Punk icon Iggy Pop, sculpting aurally the spaces of a seemingly empty gallery covered in densely painted black paneling paintings.

The catalogue of Alban Muja's project for the Kosovo Pavilion at the 58th Venice Biennale.

Horizons presents a group of approximately seventeen large-scale works from the last thirty years by British abstract artist Ian Davenport, from the earlier pieces made with industrial materials of the '80s, till the more complex multicolored works of the last years.

Magic Centre revolves around the Indonesian publishing company of the same name, which was mostly active in the 1960s. It serves the artist as a lens through which he examines the social and political changes that reshaped his country during the years Magic Centre was in business.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

This book traces Jennifer Caubet's work during her residency at the Centre International de Recherche sur le Verre et les Arts plastiques (Cirva), from 2017 to 2019.

New monograph, presenting over thirty new works produced specifically for a large-scale curatorial project, with an in-depth essay by Tristan Garcia.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

Published on the occasion of the 58th Venice Biennale and curated by Hyunjin Kim, History Has Failed Us, but No Matter explores the history of modernization in East Asia through the lens of gender and the agency of tradition.

Kali Malone's critically acclaimed album "The Sacrificial Code" is a major work featuring almost two hours of concentrated pipe organ pieces with profound emotional resonance.

Kali Malone's critically acclaimed album "The Sacrificial Code" is a major work featuring almost two hours of concentrated pipe organ pieces with profound emotional resonance.

This book traces this evolution of Laura Lamiel's work. It presents a chronology of her exhibitions from the last 20 years alongside an anthology of critical writings, a previously unpublished interview with the artist and two original essays that offer a new analysis of her work.

Masayuki Takayanagi's legendary “lost” album.

This manual provides the current state of knowledge on the functioning of nature in an urban environment: its ecology.

The script of Harmony Korine's new movie The Beach Bum.

This catalogue documents Claudia Comte's project for the 2016 edition of the Printemps de september, based on a selection of 600 parts from the aeronautics industry.

Palais magazine is devoting its issue #29 to the exhibition “City Prince/sses”, presented at the Palais de Tokyo from 21 June to 8 September 2019. Artists, fashion designers, filmmakers, musicians, DJs, tattoo artists, experimenters: about fifty creators coming from Dhaka, Lagos, Manila, Mexico City and Tehran are investing the Palais de Tokyo which has become an imaginary city, multiple and complex, open, messy, thundering and creative.

The catalogue for Francis Alÿs's first large-scale solo museum exhibition in China at the Rockbund Art Museum provides an insightful and critical look into Alÿs's practices.

This collection assembles key essays of Reiner Schürmann centering on the concepts of anarchy and the singularization to come. Setting out from the question of the status of practical philosophy at the end of metaphysics, these texts track the crucial role of Schürmann's engagement with the work of Michel Foucault between 1983 and 1991.

A visual and poetic proposal that looks back on the different journeys and collaborations realized by Marco Godinho during the preparation of his installation for the Luxembourg pavilion of the Venice Biennale 2019.

A dialogue of the drums.

One of Levinas' rare statements focusing on the fine arts.

A travel diary / a screenplay.

New works on paper.

During Mac DeMarco's European Tour in the fall 2017 Stefan Marx joined the band for a few stops to draw on stage during Mac DeMarco's live performance. Hiding in the back of the band, he got time to capture a unique view on the five musicians, the whole performance, some behind the scenes moments and the audience. This artist book contains most of the drawings from these concerts and is compiled by Stefan Marx, it is his 26th publication with Nieves.

Retrospective monograph, 2007-2018.

This album contains seven compositions, created by the Opening Performance Orchestra, Blixa Bargeld, Luciano Chessa and Fred Möpert. All the pieces relate to the theme of Futurism and employ intonarumori, instruments invented and used more than a century ago by the Italian Futurists in their noise compositions.

This album contains seven compositions, created by the Opening Performance Orchestra, Blixa Bargeld, Luciano Chessa and Fred Möpert. All the pieces relate to the theme of Futurism and employ intonarumori, instruments invented and used more than a century ago by the Italian Futurists in their noise compositions.

The development of photography in its first years of existence: an history of the dissemination of photography as a form of documentation and an instrument of discovering and understanding the world and its people, through a wide selection of historic images taken in the Americas, Africa, the Middle East and Asia, between 1842 and 1896.

Interview with one of the great figures of art photography today, in which Sophie Ristelhueber reflects on her own carrer and practice.