Sixteen visual artists give their vision of Clair Obscur's album We Gave A Party For The Gods And The Gods All Came.

Six Keren Cytter's scripts for films.

Soundtrack for an exotic elevator, innocent muzak, only a priori, an orchestra with sequins and cheap junk (the soundtrack of Pierre Beloüin's eponymous installation).

Photographic portrait of the near surroundings of Ruhrschnellweg, freeway 40 in Bochum, Dükerweg with allotments, car tuning, cemetery, Burger King, noise barrier and fire station.

A sound and visual construction between two static shots on the axis of a street lined with bungalows: the crossroads of a busy street, with trucks and cars; the main street of an average city in North America, the immersion of the camera into the highway flows...

A static shot of a railroad bridge with a suburban train in one way then another, evoking the positioning in space and the passage of time.

The camera explores a port area and progresses along the sand or gravel mounds, between two static shots on a double drawbridge downtown. A film about the juxtaposition, separation and collection of elements.

The camera follows the walls of a warehouse and pauses before each closed opening, producing a series of "paintings" that punctuate shots of the city, its organization and flow.

A sound, linguistic and visual composition unfolds from a meeting room located in the heights of a skyscraper at La Défense in Paris. A film about the inside/outside relationship, the built environment as the natural environment for men.

Three buildings beside water, a map of a North American city, the flow of a highway with distant hills in the background, a slow passage on a suspension bridge towards a business center: a film about the passage of time and displacement.

A few piano chords on warehouses shots where human presence is discreet. A film about economy, its organization and its laws, the prima of the structure on what animates it.

Special offer for the purchase of the 7 DVDs by Peter Downsbrough.

Reference monograph.

Including newly commissioned essays, this reference monograph attempts to remap Miller's entire oeuvre by articulating its development through various series, media, and aesthetic strategies.

First comprehensive German edition of legendary texts by Robert Morris.

Profane carrots on the National Archaeological Museum of Athens' most famous pieces.

First monograph.

A facsimile of the sketchbook made by the two artists for their first duo exhibition.

Reference monograph.

The catalogue raisonné of Marcia Hafif's works during the Italian period, with about 500 paintings and drawings from the 70's, with a long interview and an essay by Eric de Chassey: an indispensable tool for anyone who, today, wishes to understand the evolution of occidental abstraction, through this woman painter figure, emblematic of the era's mutations.

First monograph: an overview of Lamouroux's wide range of practices (architectural installations, sculptures, works on paper, photos, videos), with two essays and an interview.

A collection of essays and interview by an artist who captures the attention of 70,000 people each day through e-flux, as well as unitednationsplaza, Martha Rosler Library, and other traveling projects.

Three musics for films and installation—one of the most beautiful albums by Simon Fisher Turner.

Monograph.

A triptych tribute.

An adventurous sonic exploration of the voice, cello and electronics.

Mirka Lugosi's retrospective including her first drawings, her custom bondage photos and her appearence in French noise band Entre Vifs. Layout by Gilles Berquet.

The second opus in the story of the "paintless painter"'s clandestine pictorial actions.

Two long time out of stock references, remastered at le Laboratoire Central.

Artist's book.

New expanded edition of a pamphlet against the High Quality Environmental standard for sustainable buildings in France. Architect Rudy Ricciotti argues that this standard only serves the interests of liberal economy.

The confrontation between the radically poetic world of Julien Blaine and the radically technological world of Rudy Ricciotti's Pont du Diable (a footbridge spanning the Hérault gorges in the south of France, both a superb aesthetic gesture and a genuine technological feat).

First monograph (available in English edition).

First monograph.

Latest works by legendary French sound-poetry pioneer Henri Chopin.

Reference monograph: an overview of the Swiss artist's practice since the mid-1980s.

An audio work by Peter Downsbrough, in collaboration with two musicians of the Buffle collective Xavier Garcia-Bardon and Benjamin Franklin.

Eleven performance-based projects by Dora García, documented through letters, emails and other elements from the artist's private correspondence with various interpreters of performances, whether they were direct collaborators of simple spectators.

Signed and numbered print (1-25) from the "Beyrouth, photographs" series (1984).

Luxurious retrospective monograph, conceived in close collaboration with the artist, with three essays, an illustrated and commented chronology, major works since the beginning of the 80s, as well as many documents and exhibition views.

John Miller's photographic diary.

Artist's book.

A set of photographs and texts / a large original photograph.

Artist's book.

First monograph.

The live recording of the performance given by the artists at NBK, Berlin, 17 August 2008

Artist's book (limited edition).

The sound of a 4.3 meters high wind chime recorded in the dome of Secession in Vienna.

Issue #7 of THE international with Rita Ackermann, featuring drawings, collages, photographs and new paintings that were inspired by and created during Rita Ackermann's stay in Texas.

Artists' book.