This artist's book is a written rendering of monologues included in The Zone, a performance based on a series of narratives staged within the exhibition space of the Iberê Camargo Foundation in Porto Alegre in 2018.

Will Benedict, Kahlil Joseph, Mahfuz Sultan, Ari Marcopoulos, Lynda Benglis, Camille Blatrix, Jesper Just, Lex Brown, Matt Copson, Fin Simonetti, Autumn Knight, Iman Issa, Nevine Mahmoud, Berenice Olmedo, Igor Simić...

Retrospective catalogue spanning Morris's early years, covering the 1960s and 1970s through a selection of works, historical essays, interviews with collaborators, and texts by the artist.

Co-editors: Nicolas Maigret and Maria Roszkowska, intervioews with Špela Petrič, Tega Brain, Joyce Hinterding, Kat Austen, Thomas Thwaites, Melle Smets; The Sound of Disappearance and The Sonic Sublime; reports of ISEA 2019 Lux Aeterna, 58th Venice Biennale and Liechtenstein Brunch, 18th Media Art Biennale WRO “Human Aspect”.

The first vinyl edition of Shea's classic album, celebrating the 25th year of its release: a crafty piece of complex narrative audiocollage, combining samples and acoustic instruments, inspired by Chinese philosophy, easy listening, and experimental music.

This issue proposes to examine some of the points of contact between music and hacking.

This catalogue stems from an eponymous project on the Israel Museum in Jerusalem. The artist brought out an impressive photographic recension of artifacts, revealing the forgotten stories and fascinating polyphony of the museum's collections.

A very subjective and alternative cartography of Luxembourg (a social design, publishing and bottom-up creation project led by Dutch graphic designer Annelys Devet).

A conversation between painter Pierre Soulages and prehistorian Michel Lorblanchet about parietal art and the origins of art.

Stafan Kalmár and Lia Gangitano on Lutz Bacher; Melissa Anderson on Lily Tomlin; Annie Godfrey Larmon on Beverly Pepper; Institute of Queer Ecology; 40 Fall 2019 exhibitions previews; Simmon Denny; Anthony Byrt; Sam McKinniss; Zarina; Diébédo Francis Kéré...

The story of fifty years of the international festival of photography.

Artist's book: a catalogue of Alex Hanimann's photographic explorations over the past twelve years, with interview by Hans Ulrich Obrist and two essays.

A collection of essays and lectures that aim to provice insights, analysis and reflections about global identity dynamics, with particular attention to cultural production, the hybridization of languages and postcolonial narratives.

Summer issue, featuring Yuji Agematsu, Genesis Belanger, Adam Gordon, Candice Lin, Jannis Marwitz, Kaari Upson...

Three rare pieces by a composer best known for his work for the stage, dance and theater, a perfect introduction to the work of a fascinating figure of 20th century electroacoustic music.

An overview of study programs teaching socially engaged art.

This catalogue accompanies the group exhibition curated by Meg O'Rourke at Eykyn Maclean gallery in New York. With Viennese architect Adolf Loos's eponymous 1908 diatribe against excessive ornamentation as its guide, the exhibition draws on the tenets set forth by Loos—simplicity, purity, freedom—with particular attention to their philosophical implications and their persistence into the latter twentieth century.

Soil Affinities explores the connections of (post)colonial history and the movement of plants for agriculture, from Aubervilliers, a northern suburb of Paris, to formerly French West Africa (Mali and Senegal). This publication and Uriel Orlow's eponymous project retrace the lines and networks of earthly connections between plants and humans through images, maps, texts, and interviews conducted in France, Senegal, and Mali over the span of two years.

The sixth volume of the “Archives” series, which is dedicated to landmark exhibitions and curatorial practices, brings together two films by Belgian filmmaker Jef Cornelis on the opening of the Castello di Rivoli in 1985, whose inaugural exhibition was conceived by curator Rudi Fuchs, and the 1987 edition of Skulptur Projekte Münster, organized by Kasper König and Klaus Bussmann.

A sound dialogue between eRikM and Anthony Pateras.

The publication presents a series of works and two critical texts stemming from Bertrand Lamarche's project on the occult figure of Baphomet.

This catalogue presents an exploration of artistic imaginaries in the age of artificial intelligence. A series of essays examine these new aesthetics through various historical, contemporary and conceptual perspectives. The publication also includes a series of projects by artists such as Ian Cheng, Cécile B. Evans, Avery K Singer, Luca Trevisani…

This publication presents a project by Linda Fregni Nagler about the photographic “School of Yokohama”, which emerged during the Meiji era in Japan. Over the past ten years, the artist has collected hand-colored photographs of this period representing Mount Fuji. She re-photographed them, printed them and colored them by hand, according to colorization method of that time.

The ninth solo album of the American composer and percussionist reflects his move to Manhattan, where he produced Stadium. Starting with urban field recordings, he then builds on these environments to create subliminal spaces for his percussion, keyboards and acoustic instruments. Central to his work, his drumset and acoustic percussion performances are pushed to new levels with mesmerizing string and brass arrangements.

The ninth solo album of the American composer and percussionist reflects his move to Manhattan, where he produced Stadium. Starting with urban field recordings, he then builds on these environments to create subliminal spaces for his percussion, keyboards and acoustic instruments. Central to his work, his drumset and acoustic percussion performances are pushed to new levels with mesmerizing string and brass arrangements.

This publication accompanies two exhibitions of recent sculptural work by the artist Magali Reus: “Hot Cottons” at Bergen Kunsthall and “As mist, description,” at the South London Gallery. Featuring an essay by writer and curator Laura Mclean-Ferris and a poetic response by writer and poet Quinn Latimer as well as a fully illustrated overview of Reus's work, this catalogue provides an in-depth exploration of the artist's recent sculptural practice.

This publication emerges from Uriel Orlow's Theatrum Botanicum (2015–18), a multi-faceted project encompassing film, sound, photography, and installation, which looks to the botanical world as a stage for politics, in South Africa and Europe. It brings together documents on the project, and a series of commissioned essays.

The sculptures of Kathleen Ryan, by Andrew Berardini; Zoë Paul; the emo-romantic turn, by Michal Novotný; the experimental theatre of Reza Abdoh; Jennifer Bolande by Marie de Brugerolle; Virgil Abloh; Takesada Matsutani by Hans Ulrich Obrist; women artists in the Middle-East, by Omar Kholeif; Phoebe Berglund & Madeline Hollander; exhibition making in the Anthropocene, by Chris Sharp; João Laia by Joshua Simon…

Focusing on a lesser known aspect of Walter Pfeiffer's practice, this monograph explores the Swiss photographer's graphic works throughout the decades: large-scale hyper-realistic pencil drawings, drawings in China ink, colored pencils and watercolors, characterized by a joyful sensuality that emanates from his portraits of friends and his floral still lifes.

This issue of Cura. asks the question: how can we be revolutionary? Through a kaleidoscopic range of visions, images and actions, artists figure out the production of a new social body and challenge the establishment. With: Alex Da Corte; Jeremy Deller's Social Parade; Simon Castets; Martha Wilson's performances; Petra Cortright on Paul Chan; interview with Jamian Juliano-Villani by Hans Ulrich Obrist; conversations between and Daniel Steegmann Mangrané and Rivet, Jean-Marie Appriou and Rebecca Lamarche-Vadel, Sophia Al-Maria and Lena Saraj; Ramaya Tegegne…

A collaboration between Andrea Neumann (composer, inside piano, mixer) and Mads Emil Nielsen (composer, electronics).

In a rapidly changing Beirut, neglected dwellings are condemned to disappear as a result of land speculation. This multi-layered transdisciplinary project aims at examining the transformations that these obsolete architectures undergo. The study, carried on site, based on archives, testimonies and oral history, also proposes new artistic perspectives towards the city.

This publication reflects on the education and mediation programs at documenta 14. Organized as a lexicon, it gathers contributions by members of the programs, curators, artists, and educators.

An artistic, political and collective project by Nicolas Floc'h, based on a principle of participation and co-realization, which points, at different levels, to the multiple relationships between social groups and public institutions that structure and frame them, while also questioning the symbolic or economic value of an artwork.

Issues 13 to 15 of the critical review dedicated to graphic design. Compilation includes studies on Peter Bil'ak's essay on the exhibition of graphic design; the posters produced by M/M (Paris) for CDDB-Théâtre de Lorient; and the collaboration between studio Spassky Fischer and Marseille's MUCEM.

A compilation of Lina Bo Bardi's tenure as director of Habitat, a publication self-dubbed “the magazine of the arts in Brazil”. Between 1950 and 1954, Habitat documented Bo Bardi's early thoughts on Brazilian culture, as well as reflecting her very personal take on modernism. Edited and designed by Julia, with contributions by Tamar Guimarães, Claudia Leisinger, Tony de Marco, Lara Viana and Tuca Vieira.

Artist's book: an illustrated collage-book made up of recurring visual elements from Franco-Belgian comics. The publication is designed in the traditional format of the bande dessinée.

Catalogue of the eponymous group exhibition on the theme of romantic relationships in the digital age. Curator Cloé Perrone's introductory text is followed by a series of works by Antoine Catala, Catharine Czudej, Cecile B. Evans, Pakui Hardware, Camille Henrot, Ingo Niermann & Alexa Karolinski, Lili Reynaud-Dewar, Avery Singer and Anna Uddenberg.

French translation of the Tulane Drama Review's 1965 issue on the happening (with John Cage, Dick Higgins, Allan Kaprow, George Maciunas, Robert Morris, Claes Oldenburg, Yvonne Rainer, La Monte Young…).

Mark Thomas Gibson questions the long-lost quest for utopia in the USA through a narrative that brings together the high and low visual languages of painting and comics.

Addressing the current upswing of attention in the sciences, arts, and humanities to the proposal that we are in a human-driven epoch called the Anthropocene, T. J. Demos critically surveys that thesis and points to its limitations, trough a series of cases study taken from contemporary visual culture.

Collection of black & white photographs celebrating Italian actress and filmmaker Asia Argento in Paris. The volume is risograph-printed and enclosed in a silk-screened slipcase. With a quite striking foreword by no-wave priestess Lydia Lunch.

This publication documents a site-specific work by Giovanni Anselmo at the Carlo Scarpa space of the Querini Stampalia Foundation, in the framework of the Venice Biennale.The project takes the form of a route of trajectories and directions, weights and energies which represent five moments in which a meaning is implied: the visitors become participants. It is a work in progress because it is lived and lives through the viewer.

For two years, Laurence Rasti photographed Iranian homosexual refugees who transit through the city of Denizli in Turkey, waiting to join a host country where to live their sexuality freely. The resulting photographic series explores the sensitive concepts of identity and gender, while juxtaposing the gravity of the situation with lighter and hopeful moments.

The catalogue of the Albanian Pavilion at the 57th Venice Biennale presents the work of painter and video artist Leonard Qylafi, whose practice has recently been focusing on processes of change and recollection. The featured works investigate the history of Albania and reflect on the nature of the image as such.

At an Uncertain Distance from the Ground by Jordi Mitjà is structured around a series of notes, sketches and photographs taken by the artist between 2010 and 2015.

This publication comprises a series of interviews with contemporary artists, musicians, and writers who are in dialogue with Beirut and Cairo.

Magali Reus' recent series and new sculptures.

Monographic catalogue: a selection from the italian artist's most recent works—acrylic drawings, watercolours, and the Mirrors series.

The two authors of this publication, each by means of their own specific medium, question the relation of humanity to digital technologies. In his text, Pacôme Thiellement describes the digital alienation to come; Lauren Huret's collages revisits the time when personal computers entered the domestic space.