A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure
Bob Nickas..
This new volume by legendary photographer Ari Marcopoulos unveils a selection of more than 600 black and white and color photographs taken between 2008 and 2018, reproduced chronologically. Spanning a decade, it offers a personal diary gathering together portraits of his family and friends, trees and graffiti, landscapes and urban scenes, allusions to contemporary American life (the "Obama-Trump" era) and his own visual obsessions. His self-taught style brings his subjects in close and captures, without sentimentality or voyeurism, the intimate essence of their daily lives and the spontaneity of his interactions with culture luminaries and the artistic milieu.
Populated with idiosyncratic characters, each of Marcopoulos' photographs is particular to a unique time and place; yet his images reach us through their expression of familiar themes. Like all great photographers, Marcopoulos has the ability to distill a riveting and timeless image from the flux of activity that surrounds us. As Bob Nickas writes in his newly commissioned essay for this monograph, "Picture-making for him must be a necessity, an aspect of being alive, of holding on to people and places. This, of course, is an impossibility, though surely one of the key factors in its pursuit [ … ] Ari Marcopoulos may only appear in a few of these pictures, but of course he is in every one of them."
Born in Amsterdam in 1957, Ari Marcopoulos came to
New York in 1979 and quickly became part of the downtown art scene that included up-and-coming artists such as Jean-Michel Basquiat,
Keith Haring, and
Robert Mapplethorpe. Since then,
Marcopoulos has become recognized as a key documentarian of contemporary culture as it unfolds: recording the emerging hip-hop scene, shooting snowboarders hurtling down a vertical mountain face, or chronicling the vicissitudes of his own family life, Marcopoulos' works unerringly capture the zeitgeist.
Marcopoulos appears to have an uncanny connection with the people he photographs, from
Andy Warhol to Kiki Smith,
John Cage to LL Cool J, and many other characters both celebrated and unknown. His self-taught style brings his subjects in close and captures, without sentimentality or voyeurism, the intimate essence of their daily lives. Populated with idiosyncratic characters, each of Marcopoulos' photographs is particular to a unique time and place; yet his images reach us through their expression of familiar themes such as the meaning of family, the solitude of nature, and the quest for adventure. Like all great
photographers, Marcopoulos has the ability to distill a riveting and timeless image from the flux of activity that surrounds us.
