Claire Fontaine,
Weed and the Practice of Liberty / Marina Vishmidt,
The Paradox of Self-Abolition: a Mapping Exercice /
Melissa Gordon,
Presence and Absence / Anna De Filippi,
Narrative Without End /
Alex Martinis Roe,
An Exercise in the Practice of affidamento / Lucia Aspesi on Marinella Pirelli's films /
Claire Fontaine on Human Strike / Rhea Anastas,
Introduction to Double Bind / LGG$B, insert / Jacob Stewart-Halevy on
Marie Angeletti / Emmanuelle Chérel on
Colonial Collect and Affect, Crawling Doubles / Jack Gross on
Credits by Hannah Black / Maija Timonen sur
Jason Bourne / Kari Rittenbach on the 9th Berlin Biennale and “Painting 2.0: Expression in the information Age,” /
Jeanne Graff, Short Story / Limited Edition: Hans-Christian Lotz.
Launched in 2009 in Paris, May revue examines, once or twice a year, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.
It features essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts.
