Claire Fontaine,
Weed and the Practice of Liberty / Marina Vishmidt,
The Paradox of Self-Abolition: a Mapping Exercice /
Melissa Gordon,
Presence and Absence / Anna De Filippi,
Narrative Without End /
Alex Martinis Roe,
An Exercise in the Practice of affidamento / Lucia Aspesi on Marinella Pirelli's films /
Claire Fontaine on Human Strike / Rhea Anastas,
Introduction to Double Bind / LGG$B, insert / Jacob Stewart-Halevy on
Marie Angeletti / Emmanuelle Chérel on
Colonial Collect and Affect, Crawling Doubles / Jack Gross on
Credits by Hannah Black / Maija Timonen sur
Jason Bourne / Kari Rittenbach on the 9th Berlin Biennale and “Painting 2.0: Expression in the information Age,” /
Jeanne Graff, Short Story / Limited Edition: Hans-Christian Lotz.
Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, once a year, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields.
An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.
Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also
intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisment typical of our time. This implies a dialogue with forms of critique produced in other fields.
