Peter Hujar
by Stefan Kalmár,
The Not-Spot by
Nick Currie,
The Art of (Leadership) George W. Bush by Alison Gingeras,
Selfie Poetics by Andrew Durbin,
Robert Heinecken
by
Andrew Berardini,
Art After the End of Art: Exhibit B by
Jens Hoffmann,
The Whole Earth Show Revisited by Chelsea Haines,
Bilging a Wetter Fly's Lap by Alex Benenson,
Tyler Coburn, Jenny Jaskey, Michael Portnoy, Fernando Ortega and Fly Electocutor Device,
Otobong Nkanga
by
Hans Ulrich Obrist,
From Performance To Post-Performance by
Marie Canet,
Marie de Brugerolle, and Catherine Wood,
Whatever Happened to the Sisterhood by Jennifer Allen,
Hannah Weinberger
by Nikola Dietrich,
Than Hussein Clark
by Simon Castets,
James Ferraro
by Christopher Y. Lew,
Sidsel Meineche Hansen
by Anna Gritz,
Jasper Spicero
by Kevin McGarry,
From New York, Southward: A Counter-Memorial by Thomas J. Lax,
Mario Schifano by Flavia Frigeri,
Bunny Rogers
by
Harry Burke,
Phillip Zach
by Sophie von Olfers,
Jamian Juliano-Villani
by Jonathan Griffin.
Mousse is a bimonthly contemporary art magazine. Established in 2006,
Mousse contains interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of distinctive articles in a unique tabloid format.
Mousse (Mousse Publishing) also publishes numerous catalogues, essays and curatorial projects, artist books and editions (see the corresponding
publisher's page).
