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Masters of Reality

Steve Rushton - Masters of Reality
The first collection of texts by Steve Rushton, exploring the interrelations between art, anthropology, social sciences, psychology, media, politics, and economy.
Masters of Reality brings together the first collection of texts by Steve Rushton. Second in a series of publications on contemporary art inaugurated by the Piet Zwart Institute, the book explores the interrelations between art, anthropology, social sciences, psychology, media, politics, and economy. Central to Rushton's research is an investigation into the conception of feedback, social control, and the culture of “self-performance.” Through his writings and collaborative work with artists, he has developed and articulated a thorough analysis of the techniques and processes of information management and subjectivization in Western society since the second half of the twentieth century.
The structure of this book articulates a clear relationship between diverse subjects and sources, drawing from archival materials produced within a broad range of discursive fields and practices: military experiments in social psychology, press statements by various politicians and governments, anthropological research data, theories of cybernetics, writings by thinkers such as Henri Bergson and Gregory Bateson, television culture, and work by artists and writers such as Ant Farm and Don DeLillo. These investigations take structural form through three strands: the first comprises texts on art and media linked to theories of cybernetics, the second thread shows texts that emerge from Rushton's collaborative projects with Rod Dickinson and Thomson & Craighead, and the third is a collection of fictional and allegorical texts, giving narrative form to the thinking, observations, and analysis found throughout the book.
Steve Rushton is a founding member of Signal:Noise, an experimental cross-disciplinary research project that aims to explore the influence of cybernetics and information theory on contemporary cultural life by testing out its central idiom, “feedback”, through debates, artworks, publications, performances, events and exhibitions. The project is lead by Steve Rushton, Dexter Sinister (David Reinfurt and Stuart Bailey), Marina Vishmidt, Rod Dickinson and Emily Pethick.
Rushton has been a writer for a range of projects with artists, including Closed Circuit (Rod Dickinson in collaboration with Steve Rushton 2010), Who, What, Where, When, Why & How (Rod Dickinson in collaboration with Steve Rushton 2009), A Short Film About War (script in collaboration with Thomson & Craighead 2009), the Channel 4 project Flat Earth (script in collaboration with Thomson & Craighead 2007).
Publications include Signal Noise Bulletin 1, AIR Berlin (2010), the series How Media Master Reality for First / Last Newspaper, issues 1-6, Dexter Sinister (2009), New Walden, HB2, Issue 1, CAC, Glasgow (2008), Experience, Memory, Re-enactment, Piet Zwart Institute, Rotterdam/Revolver, Frankfurt (with Anke Bangma and Florian Wuest) (2005), The Milgram Re-enactment, Revolver, Frankfurt (2003). He has written for a variety of art magazines including Dot Dot Dot, Metropolis M, Mute, Casco Issues and was founding editor of London-based everything Magazine (1992-2001).
 
published in December 2012
English edition
12 x 18 cm (softcover)
192 pages (20 b/w ill.)
 
18.00
 
ISBN : 978-3-943365-22-1
EAN : 9783943365221
 
in stock


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