Dork Zabunyan,
Arab Uprisings and Impersonal Images
/
Tom McDonough,
The Language of Negation: From Montage
to Détournement in the Situationist International
/
Mica Gherghescu,
“Malaise.” The Displacements of a Word
/
Gabriella Coleman,
Our Weirdness is Free
/
Antek Walczak,
Shit Happens: The Incredible Chronicle of OWS Yet Hardly Have Ye Begun to Fight
/
Caroline Busta and Amy Yao,
This Way to the Cupcake Party
/
Visual Insert: Flyers from the Occupy Wall
Street Movement
/
Robert McKenzie,
On Alex Bag and Patterson Beckwith's, “Cash from Chaos/Unicorns & Rainbows”
/
Karl Holmqvist,
On “Pacific Standard Time, Art in Los Angeles,
1950 - 1980”
/
Melanie Ohnemus,
On Judith Hopf's, “end rhymes and openings”
Karl Holmqvist,
On Isa Genzken's “Die kleine Bushaltestelle”
/
Benjamin Thorel,
On David Douard's, “Innerspace:
Jean Comandon/David Douard”
Marwan Makki,
On Uncreative Writing
by Kenneth
Goldsmith
/
limited edition:
Nick Mauss and Ken Okiishi.
Launched in 2009 in Paris, May revue examines, once or twice a year, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.
It features essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts.
