For   Fall 2025, Spike is getting to the bottom of the vintage aura around   contemporary culture: Nostalgia.
	Are we doomed to ever-shorter cycles of   cash-cow retromania, until AI memory-wipes us with pure simulation? Or   is the root problem of our endless déjà vu actually the expectation that   art "make it new," itself just so much nostalgia for a long-gone   modernism? We're working out what the present owes to the past, if our   goal is to conjure a better culture for tomorrow. 
	Featuring Jeppe Ugelvig's essay on the art world's uses and misuses of nostalgia; Simon Reynolds and Adina Glickstein talk exhausting the past; e-girl/theorist Alex Quicho critiques the end of newness; filmmaker Johan Grimonprez identifies with the hijacker in his 
dial H-I-S-T-O-R-Y (1997); a portrait of kitsch-savant painter 
Friedrich Kunath; cultural critic 
Rosanna McLaughlin on missing the white cube; Artist's Favorites by 
Diego Marcon; ex-dealers Margaret Lee and Jeff Poe escape the art game; Whitney Mallett on rebranding celebrity through book culture; making analog-ish art "under" the internet with Marc Kokopeli, Bedros Yeretzian, Flora Hauser, and Nicole-Antonia Spagnola; Sean Monahan forecasts our old-fashioned future; art historian Lynn Zelevansky on "New York/New Wave" at P.S.1 Contemporary (1981); artist 
Maja Bajevic's Yugostalgic report from Sarajevo; and Tea Hačić-Vlahović getting dewy-eyed catching up to her mother's age; plus, reviews of exhibitions by 
Mark Leckey, 
Wolfgang Tillmans, Women's History Museum, and more.