The result of a series started in 2008, all of The Naked Eye photographs are looks between the fanned pages of paperbacks that date back to the 1950s–1970s. This first exhaustive monographic publication of an ongoing series reveal a particular taste for mass-market celebrity biographies and movie novelizations featuring photo sections and pulpy paper stained by brightly-dyed edges.

Issue 2 features an extensive look at the Louvre Abu Dhabi in the context of universal museums worldwide by Kanishk Tharoor; Marina Fokidis on artists and galleries in Athens after economic crash; rising costs and problematic leadership in art school today; Amy Winehouse documentary and structural changes in film after a turn toward digital; interviews with architect Liz Diller and artist Agnieszka Kurant, reviews from New York, L.A., Tokyo...

3rd issue of Julien Blaine's art and poetry journal is dedicated to Cimendef, the legendary maroon from Bourbon Island.

A series of short visual stories designed with refinement by Japanese artist Koyama, whose subtle's pencil stroke, narrative use of geometric forms and application to render textures contributed to build a most fascinating artist's book.

A tale on the search for an ancestral relic that has the power to annihilate the universe. At the crossroads of an adventure novel, a science-fiction narrative, and a punk story.

Special offer for the purchase of the 2 volumes of Pierre Denan's Pourquoi Tom Cruise – Récit prompteur.

A collaboration between Toiletpaper and Kenzo (limited edition of 2000 hand numbered copies).

6th issue of the art and research magazine is dedicated to Jean-Christophe Averty.

Inspired by Persian tapestry, Kour Pour's paintings are highlighting the artist's interest in the cyclic life of images, shifted back-and-forth between the online realm and the material world. This first monograph includes images of all the paintings on display, some installation views and a photographic documentation of the art work's making process, along with an essay by the curator Nicola Ricciardi.

First monograph. An overview of French artist Corinne Laroche's work and artistic process since 1995, with two essays and an interview.

This seventh issue gathers six polymorphic texts about the many aspects of drunkenness and intoxication in art and society (with Sébastien S. Th. Biset, Antoine Boute, Emmanuel Giraud, Pierre Hemptinne, Tom Marioni, Véronique Nahoum-Grappe).

This reference monograph on New York artist Lisa Beck, who develops since more than 30 years an abstract language which is as playful and discreet as it is effective and sharp, presents a significant body of work ranging from the 1980s to the present, and also offers to revisit Beck' recent solo exhibitions (with essays by Samuel Gross and Bob Nickas).

After the infamous split in the Situationist International in 1962, the Danish artist J. V. Martin was unexpectedly put in charge of the group's Scandinavian section. This book is the first presentation of Martin's strange trajectory within the SI, in which he would remain a member until the group's dissolution in 1972.

Catalogue.

With Rubber Man (2015), Khvay responds to the colonial legacy of land use and its effects on Cambodia's indigenous forests and culture today.

The first issue of Even features New York Times classical music editor Zachary Woolfe on Björk and music in the museum; Elisabeth Lebovici on Joan Jonas, representing the US at the 2015 Venice Biennale, an interview with Luc Tuymans, reviews on São Paulo's galleries and museums today, Reena Spaulings, an avant-garde exhibition space in New Delhi...

Anicka Yi, Bunny Rogers, Eric Mack, Chen Tianzhuo, KAWS, Darja Bajagić, Sam Falls, art's obsession with brands, the great German painter Albert Oehlen, an essay by John Corbett, an interview of Fredi Fischli and Niels Olsen by Dan Graham, a defense of Art for All...

A lively improvisation lead by a quartet of instrumentalists blending drone and chamber music.

Reissue of the first album recorded by the Polish composer in 2008 at the age of 21: a work composed to breviary prayers and hymns for two voices (vocalist Maja Sieminska and Wesołowski himself), string quartet and electronics.

A retrospective of Stéphanie Nava's drawings in five exhibitions (with an essay by Marie de Brugerolle).

Nitsch's Sixth Symphony for large orchestra performed and recorded November 1, 1980 at Museum des 20. Jahrhunderts, Vienna.

New composition by Berlin-based sound artist Stefan Roigk: a highly dynamic and eclectic ride between directed feature, audio-art and faked diary.

First part in the reissue series of all Selten Gehörte Musik records. This is the reissue of the first LP from 1973. Recordings of the 3rd Berliner Poetsworkshop (First Berliner Musicworkshop) with Dieter Roth, Gerhard Rühm, and Oswald Wiener, Berlin 12th & 13th July 1973.

Third part in the reissue series of all the legendary Selten Gehörte Musik records from the 70's. Originally published as a 3LP-Box by Hansjörg Mayer in 1975, the Münchner Konzert 1974 is performed by all-star artist line-up of Dieter Roth, Gerhard Rühm, Oswald Wiener, Hermann Nitsch and Günter Brus.

This publication examines the impact of Oskar Hansen within contemporary visual culture and the redefined role of the viewer since the 1960s.

An excursive analysis of the potential of narration within the paradoxes of cinematic representation.

First monograph.

A complex and mysterious work by Swiss electro-acoustic artist Israël Quellet for symphonic bass drum, symphonic tympanies, organ, tibetan horn, homemade horn, triangle, tubular bells, shocks inside the church, anvil metal tank and church bells. A challenging listen, but so rewarding.

“Livre VI” of the (SIC) journal takes the form of a book by Dutch-speaking Belgian philosopher Dieter Lesage (director of RITS | School of Arts). “Art, Research and Politics. Essays in Curatorial Criticism (1999-2014)” spans fifteen years of Lesage's critical interventions in the field of art, politics, and culture, analyzing and unraveling curatorial rhetorics and strategies which during that period marked the so-called art world.

Jason Matthew Lee, Daniel Baumann, Marylin Minter, Magali Reus, Know Wave Radio, Beatrice Gibson, Catherine Ahearn, K-Hole, Jamian Juliano-Villani, Alessandro Bava, Zhao Yao; a reconsideration of female identities and role models; Ida Ekblad; 100 pages of visual contributions by artists, curators and image-makers...

Special offer for the purchase of the set of issues of 20/27, the reference French magazine of critical texts on art, published since 2008: 67 texts, 1792 pages, 1500 images.

An unique artist's book based on Paul Sietsema's 16 mm eponymous film, with laser-cut portals and transparent screenlike pages.

“Ce qui ne sert pas s'oublie” (“What cannot be used is forgotten”) accompanies and extends the reach of the exhibition of the same title. Both deal with the mutating statuses of objects in relation to possible historical narratives, especially those related to colonial past and present and the layers of cultural, spiritual, and identity production that stem from them.

A “monologue” by the Cambodian photographer who offers an intimate reflection on the traumas of the recent history of his country.

A magazine dedicated to art and theater (artistic director : Paulina Ołowska).

Documentation of Inferno, a prophetic short film on the inauguration and the destruction of a replica of Solomon's Temple in São Paulo

A large selection of drawings from Brauntuch's early carreer, based upon iconographic resources from the Third Reich.

The work of Corinne Wasmuht calls into question painting's status in the digital age. Her panorama-like pictures depict futuristic science-fictional landscapes and structures the artist refers to as mirages. This catalogue features beautiful reproductions of Wasmuht's new and recent paintings, installation views and a conversation with Sabine Eckmann.

Long-range acoustic hallucinations for violin (Anthony Pateras) and piano (Erkki Veltheim).

Six audio explorations for mixed electro-acoustic quintet.

A suite of musique concrète composed in the personnal studios of the composers from 2013 to 2015.

First monograph.

This LP edition is an attempt at collecting various elements of Hans Rudolf Zeller's work. All recordings have been made within the last 10 years, yet many of the underlying concepts date back to the 1960s or 1970s.