Belgian composer Gobert presents a chisselled and chaotic form of “Chamber Electronic Music”, for piano and laptop, in duos with pianist Nao Momitani and his [KNAPP] bandmate, Gilles Doneux, for Sub Rosa: a subtle mix of electronic composition and contemporary touches.

A previously unheard masterpiece of Israeli multimedia artist Ami Shavit, inspired by the Yom Kippur war, in Sub Rosa's Early Electronic Music series.

New monograph: a retrospective of Cécile Bart's main projects since fifteen years, from the multiple configurations of her painting/screen to her most recent immersive works, with three interviews.

A composition for improvising sextet by Austrian double bassist, composer and improviser Werner Dafeldecker, providing a structure that doesn't curtail the qualities of the musicians, yet forces them to listen very closely to each other and make focused decisions about parameters that are often overlooked in completely free improvisation.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman for the Jeu de Paume and the CAPC, Anna & the Jester in Window of Opportunity is published in conjunction with the exhibition of work by Julie Béna, which takes the form of an architectural tale.

An anthology of critical texts and essays on art and literature written and published by Alexandre Mare during the last ten years: Proust, Man Ray, Oppenheim and Crevel; Bataille, Rivière, Oates and Guyotat; Mallet-Stevens and Breuer; Schulz and von Stroheim; Mansour, Hugnet, Caillois and Duprat; Pynchon, Exley, Robbins, Huncke and Kerouac&hellip

A novel.

Interviews with Oscar Tuazon, Jaque Fragua & Brad Kahlhamer, Ruth Cuthand, Janaina Tschäpe (by Francesco Clemente), Jessica Grindstaff (Phantom Limb Company), Tomoko Sauvage, Cecilia Vicuña, Alicia Kopf; portfolios by Ragna Robertsdottir / Monique Verdin & Raymond Jackson; fictions by Eliva Wilkan and Laura van den Berg; essay by Stefan Helmreich…

Singing songs while playing ding dongs, Charlemagne Palestine's solo voice over the bells of his studio carillon is a premiere in his recorded works, and possibly the first voice/carillon record in musical history. All the little shamanic stuffed deities inhabiting the carillon added their souls to the spirit of the reverberating songs, including a song in memory of Mika Vainio.

Initiated from the Book of Air project, Vvolk is one of the only acoustic ambient orchestras in the world.. Composed of 18 musicians led by brothers Stijn and Bert Cools, the orchestra is known for it's whole night laying down concert. This album, the third in the“Book of Air series”, is a slow paced 60 minute piece composed by Stijn Cools.

This monographic catalogue explores the artistic activity of Virginie Barré over the last ten years, focusing on her video works and their poetic themes from childhood to dreams.

This publication is the first in a series of books dedicated to the exhibitions at the Fondation Salomon in Annecy, France. It examines the work of French artist Charles Le Hyaric with an essay by art historian and critic Ann Hindry.

Charlotte Birnbaum meets with Gilbert & George to discuss The Meal—a culinary performance organized in 1969 by the British duo, with David Hockney as the guest of honor. Also included here are photos and memorabilia from the singular event (the sixth publication in the On the Table series, that explore the encounter between food and art).

This reader addresses the concept of “contemporaneity”, the temporal complexity that follows from the coming together of different temporalities in the same present. It asks how these temporal qualities can be made known in the context of contemporary art research and particularly through practices that involve exhibitionary forms.

Drawing together discourses on contemporaneity and new materialisms, this book examines a material conception of temporality that makes it possible to develop a critique of the philosophical discourse on presence. Claiming that “there is no now,” Ebeling develops an archaeology of contemporaneity according to which the traces of the contemporary can only be secured through visual or material operations, not historical ones.

A critical analysis of the use of the term contemporary in scholarly and disciplinary discourses through the hypothetical project of a literary history of “the contemporary.”

Second full-lenght release by German sound-poet and writer Michael Barthel on Tochnit Aleph. A 60-minute piece recited from memory. Recorded April 2018 straight to tape without overdubs. Raw, unsettling, poetically incorrect.

First ever release of the sound poetry pieces by French lettrist artist Gérard-Philippe Broutin. The remarkable lettrist text-sound pieces contained on this CD were written during the early 1970's and recorded and broadcast at Radio France in September 1976. With introductory texts by Jean-Pierre Gillard.

Recording of a sound performance executed in October 2016 in the exhibition space of Berlin record store Rumpsti Pumsti. Using sanding machines and a hammer, the Mexican artist destroyed one copy of each publication ever released by Tochnit Aleph label. Without an audience present, the action was documented with two dynamic microphones.

A 1971 detective audio play based on a real murder trial from the early 20th century. The court records are read out by two girls, accompanied by narrative background sounds and a piano piece. Liner-notes (in English and German) by Gerhard Rühm.

This catalogue stems from the artist's eponymous video project dedicated to Argentine pianist Margarita Fernández. The publication reproduces two texts from seminars given by Fernández, in which she gives an analysis of the filmic and musical writing taking the example of Robert Bresson's use of Franz Schubert's Sonata in A major.

From Audra Wolowiec's activation through caretaking of Ann Hamilton's Guggenheim show to the collaboratively written fiction of Shelly Oria and Nelly Reifler, Bomb #145 seeks to reconfigure our ideas of authorship, participation, and other willful acts of co-presentation. This issue also has additional features and new literature from J.P. Sniadecki, Las Nietas de Nonó, Sherwin Bitsui, Diana Hamilton, Bomb's 2018 poetry contest winner, Savannah Cooper-Ramsey, and many others.

3 vinyl LP edition presenting solely unreleased recordings of Panhuysen's famous long string installations. It documents the period 1982-2012, and includes a posthumous track from 2017. With liner notes by Rolf Sachsse and Stephan Wunderlich, and richly illustrated inner sleeves.

This first novel tells the story of performing art producers who travel around the world looking for new artists. The protagonists will be confronted with the realities of globalization, its promises, its violence and its lures. An enlightening reflection on the role and limits of creation in the transformation of the world.

Alain Freudiger on Max Frisch, Camille Paulhan on Jérémie Bennequin, Estefanía Peñafiel Loaiza et Marianne Mispelaëre, Warren Lambert, Erik Bullot on Michael Snow, Sylvie Lagnier on Jean-Marie Pontévia, Jacques Sicard, Denise Le Dantec, Julio Ramon Ribeyro, Stéphane Marte, Baptiste Gaillard, Fabien Clouette & Quentin Leclerc ; dossier “The Skin” (Caroline Parietti, Heidi Bucher, Kazumichi Hashimoto, Jacques Roman, Christine Bergé, David Collin), Jean-Guy Coulange, Philippe Baudouin...

Special offer for the purchase of two volumes dedicated to correspondence of Gustave Courbet.

First monograph.

The ToiletMartin PaperParr wall calendar 2019 features photographs conceived by Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari, a back-to-back of images made in collaboration between the three artists. In a hotly anticipated follow-up to the first ToiletMartin PaperParr magazine, this calendar presents a selection of the best images conceived by the three artists.

Interviews with Chris Martin, Cy Gavin, Tauba Auerbach, Sam Hillmer, Amy Jenkins, Florian Meisenberg, John Akomfrah, Simone Forti, Ottessa Moshfegh, Anna Moschovakis…

Climate change and land art in the American West; restoring the Lo Manthang temples in Nepal; Museums and the logic of social media; interviews with Torbjørn Rødland, Jason Moran; fashion designer Martin Margiela celebrated in two Parisian exhibitions; on Brazilian women artists; portfolio by photographer Wiktoria Wojciechowska…

This publication examines the role of natural resources in the occupation of the Western Sahara, a territory considered by the United Nations to still be awaiting decolonization. Its liberation from colonial rule has come to a standstill due to Morocco's continued military occupation of a part of the territory. The protracted conflict has dramatic consequences for the Sahrawi people of Western Sahara.

A trilogy on the artistic development in Asia from 1998 to 2018.

Daphné Le Sergent's “Geopolitics of Oblivion” exhibition focuses on the technical language. The catalogue takes the form of a photography-drawing manual built on the notion of separation.

Autobiographical fiction telling forty years of radio creation.

Special offer for the purchase of the two volumes of the retrospective catalogue of Le Consortium contemporary art center.

The 2018 edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans.

First monograph: an overview of the artist's career, spanning more than a decade of work.

This vinyl LP associates a visual project and a musical piece by the multidisciplinary German artist. Müller's interest with Wagner's composition Rheingold forms the basis of the sound piece, which consists of a mix of layers of Rheingold recordings. Vinyl sleeves features facsimiles of four ash-painted postcards from the series Not a bird.

In 1991, German art group The Oval Language built a multimedia artwork exploring the irrational impact of Leipzig's Monument to the Battle of the Nations to German generations throughout the years. This LP reproduces the sound layer of the event and includes a recording of a live performance at the HGB Leipzig. Inner sleeve contains photos of each stage of the project and texts.

Tonaliens investigates the inner dimensions and outer limits of just intonation, exploring the harmonic space with voice, brass, invented instruments, sine waves and live electronics. This record brings together two live performances from 2015 in Amsterdam and Berlin. With liner notes by band tuba Robin Hayward, and detailed photos and screenshots.

This catalogue revolves around a project by Damir Očko inspired by the works of Brecht and Orwell. The Croatian artist produced a video collage reflecting on the impoverishment of language in the public space.

A hundred black and white portraits of students from ECAL – University of Art and Design Lausanne, made between 2013 and 2016 by photographer and teacher Anoush Abrar.

The self-titled 2nd release of the trio featuring Anthony Pateras, Scott Tinkler and Erkki Veltheim, a stochastic / carnatic free improvisation session recorded in Melbourne's Church of All Nations.

This catalogue presents an unpublished series of work by Tomoko Yoneda: the Japanese photographer has followed in the footsteps of Albert Camus, through Algeria and France, carrying on her reflection on the memory of places by way of her sensitive and poetic photographs. It is a subtle evocation of the youth of the author of “The Stranger.”

Interviews with LaToya Ruby Frazier and Fred Moten, Sergio De La Pava, Nina Hoss, Barbara Hammer, Joseph Keckler, Lydia Ourahmane, Kaneza Schaal, Hank Willis Thomas and Kambui Olujimi, and Summer Wheat; portfolio by Ville Kumpulainen; poetry and fiction; an essay by Terrance Hayes; journal by Yun-Fei Ji; exhibitions and books' reviews…

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

Original motion picture soundtrack by Schneider TM for Omer Fast's acclaimed first feature film Remainder. A heuristic creative approach characterised the collaboration between Omer Fast and Schneider TM, where music and images beautifully intertwined in a compelling sonic structure.

Contemporary views on Egon Schiele; the controversial artistic treasury of the Gurlitt Collection; Macron's victory explained in literature; interviews with Giuseppe Penone and Lucy McKenzie; Glasgow: Britain's true artistic capital; photography in India; Tokyo's urbanistic issues; “Negative” section with Robert Menasse's Die Hauptstadt, Tonya Harding, Google, ballet's gender-free future, and a marriage advice for an American at Kensington Palace; portfolio by photographer Michele Borzoni.

The review of the Museum of Contemporary Arts in Grand-Hornu (MAC's) inaugurates its new formula with the theme of the museum and its criticism by artists. This issue showcases a selection of contemporary and international artistic projects reflecting on the concept of museum. With artists Yto Barrada, Christoph Büchel, Jacques Charlier, LaToya Ruby Frazier, Tamar Guimarães, Jompet Kuswidananto, Wesley Meuris, Rei Naito, Ryue Nishizawa, Noah Purifoy, Dayanita Singh, Fiona Tan, and Fred Wilson.