Microbial oceanography as a means to better understand the conditions of life (and survival) in the Anthropocene era.

Between a film diary and a manifesto on the creative process, this book is a wild and enchanting journey in Karen Dalton's footsteps, the cult singer and her breathtaking voice, friend of Bob Dylan and forgotten muse of the '60s, and offers an investigation combining texts, photographs, drawings and archives, at the crossroads of the worlds of art, music and cinema. The book is accompanied by Emmanuelle Antille's film A Bright Light – Karen and the Process on DVD (special offer).

First monograph on artist and photographer Aurélie Pétrel.

First monograph on artist and photographer Aurélie Pétrel.

First monograph of the French-Swiss artist Delphine Renault, presented by a critical essay by Karine Tissot.

Portraits and landscapes from the cinematographer famed for his work with Sam Mendes and the Coen brothers.

A trove of unseen and uncommon Ansel Adams photographs, assembled by Mike Mandel from archival collections.

An eclectic compilation of smart-phone snapshots from the past four years of the photographer's daily adventures.

Exhibition catalogue.

A "poly-autobiographical" musical combinatory poem inspired by the life stories of a group of musicians whose testimonies Alessandro Bosetti has collected, exploring the shifting and multiple dimension of identities through voice expression, between electro-acoustic research, jazz and experimental opera.

The twelfth volume of the Critical Spatial Practices series focuses on “Don't Follow the Wind,” the acclaimed collaborative project situated in the radioactive Fukushima exclusion zone.

The latest album by Iranian-American electronic music producer Sote is an all electronic affair, harmonically maximalist, predominantly symphonic-synthetic, requiring active listening.

G for Gong looks at the artistic practice of Singaporean video artist and theater director Ho Tzu Nyen. An extension of the artist's large-scale solo exhibition in 2019, this book not only explores Ho's distinctive artistic approach but also dives deeper into the themes of his work.

In response to recent discussions about the value assigned to artworks, art critic and theorist Isabelle Graw introduces the term "value reflection", focusing on the artistic production of three individuals—Francis Ponge, Jack Whitten and Banksy.

Snapshots of a photographer's inner life.

"Night Music" unearthes Sven-Åke Johansson's very first recordings from 1964—made with his Tandberg tape recorder in the Kronenburg Bar, a dive bar in the red-light district in Münster/Westfalen (West Germany). There he performed jazz versions of popular songs and standards with Uwe Wegner (piano) and Gerold Flasse (double bass), sometimes joined by Dutch singer Jenny Gordee. Young Udo Lindenberg was a frequent guest at the Kronenburg Bar

In this provocative intellectual biography, architectural historian Mark Wigley makes the surprising claim that the thinking behind modernist architect Konrad Wachsmann's legendary projects was dominated by the idea of television.

A vast expanse of intricate ambience, texture, and tone that encounters Stephen O'Malley exploring quiet, introspective depths.

Special offer for the purchase of the 6 books / DVDs.

First monograph of the Beninese painter.

Each of the stories that make up this collection of narratives has as its starting point a phrase that must be taken literally, in its literal sense. The writing then develops its poetic and imaginary potentialities.

Alter Architecture Research Collective's manifesto (contributions by Andreas Rumpfhuber, Tiqqun, Mariapaola Michelotto, Giorgio Agamben and Julian Siravo).

This book merges memoir and social critique in an original fashion. By combining personal observations with a general systemic analysis, it thereby seeks to propose a new genre of writing.

Unlike previous Gerhard Rühm editions on Tochnit Aleph which portrayed his phonetic poetry and longform radio-plays, the pieces on this edition are more conceptual, actionistic and (mostly) sound-based works recorded between 1962 and 1987.

A slice of 1970s Americana in the suburbs of Long Island, from one of the era's most iconic documentarians.

Featuring interviews with Martine Syms, Erica Baum, Billy-Ray Belcourt, Carolyn Lazard, Trenton Doyle Hancock, Nathalie Léger, and Rufus Wainwright.

"Alter-" is Automatisme's reaction to altermodernism in sound art.

Frank Bretschneider's most radical work: a self-generating composition for synthesizer modules whose sole sound source is the movement of two VU meter needles. The resulting percussive sounds coalesce into rhythmic combinations—all random, without repetition. A meditation on infinite rhythmic variation.

A clothbound companion to Marina Abramovic's tribute to Maria Callas, a performance that recreates the iconic opera diva's famous onstage death scenes.

A study on the role of research and knowledge production in today's contemporary art, and the growing relevance of art as conduit of knowledge.

Summer issue inclues interviews with Amoako Boafo, Nicolas Party, Brenda Goodman, Odili Donald Odita, Jenny Offill, Craig Taborn, Ricardo Phillips, and Jibz Cameron; poetry by Safia Elhillo and Nathaniel Mackey; prose by Lydia Davis, Marie-Helene Bertino, and Saidiya Hartman; and more.

An exploration of the work of sculpture and conceptual artist Carol Bove, by art critic Martin Herbert.

How have artists over the past 150 years related to migration and exile? And what role can a museum play in times of mass migration?

Against globalization's noxious exploitation of maritime resources, Ingo Nierman provides new practical, technological, and metaphysical scenarios to renew the relationship between men and the sea.

Vinyl EP from Silk Saw's 12th album, blending sweet and bitter in languorous and enigmatic melodies that float on intriguing pounding polyrhythms.

A series of drawings that retrace a trip to California, where the multiplied and labyrinthine architecture invites the visitor to wander between reality and fiction.

A portrait of Claude Ollier (1922-2014), writer of the Nouveau Roman, where memories, reflections, hypotheses and descriptions are intertwined, with a notebook of photographs composed by Camille Rosset.

The new Tom James Scott record, the first document of his solo work since 2017.

This publication explores the legacy of Renzo Martens' landmark film Enjoy Poverty: a provocative work establishing how poverty became Congo's most lucrative export.

This publication is the outcome of a touring assembly platform bringing together writers, curators, and art practitioners to reflect on exhibition practices and histories in China and Southeast Asia.

The catalogue of the first exhibition in France of the Japanese performers' collective contact Gonzo.

Teruyuki Kurihara's full-length album on Mille Plateaux is inspired by nature, particularly the cycles of "destruction and creation", characterised by industrial and experimental music cast in minimalist fashion.

Texts by / interviews with Chitra Ganesh, Tania Cypriano, Charles Atlas, Netta Yerushalmy, Vi Khi Nao, Amani Al-Thuwaini, Andrea Hasler, Bruce Boone.

An anthology of texts by the influential American critic and curator. The publication includes essays on artists, exhibitions, and curating, catalogue texts, and interviews.

An anthology of texts on contemporary art during the second decade of the twenty-first century.

This publication documents new spatial notational systems developed by architect Nina Valerie Kolowratnik to help Indigenous communities from New Mexico to protect and regain traditional lands.

The inaugural publication of the “Research/Practice” series focuses on an artistic research by Michael Rakowitz on the aftermath of a canceled show by Leonard Cohen initially scheduled in Palestine.

This publication documents the artistic research for Sansour's project for the Danish Pavilion at the 58th Venice Biennale: a dark science fiction narrative set after an eco-disaster, evolving into an intimate dialogue about memory, exile and nostalgia.

A previously unreleased concert recording from 1983 by Das Moabiter Duo (Sven-Åke Johansson and Thomas Kapielski). An eclectic improvisation associating drums, electronics and concrete music, offering a snapshot of the experimental Berlin scene of the 1980s.

The catalogue of the duo's exhibition at CAPC, featuring a new site-specific work and a series of performed or filmed actions. A project about situations of reversal, confronting the exogenous realities of the enterprise, the working-class, and the museum.