Women (female artists)

Giovanna Silva explores the architectural heritage of the Philippines, illustrating the relationship between architecture and history, through the architectural exuberance of a power long marked by corruption and nepotism.

A study of clouds through photographs, drawings, essays, and interviews.

This publication explores the key tenets of artist Nicoline van Harskamp's research and practice, such as the contemporary use and modification of languages, a treatment of names as spoken language rather than spelled identity markers, and the practice of self-naming.

This first monograph of the international net art pioneer allows us to (re)discover this always contemporary artistic practice, inviting us to plunge into the specificities of the internet medium (flows, URLs, protocols, etc.), and sketching a media archaeology.

Drawing book, with an introductory text by Liliane Giraudon and a feminist manifesto by the artist.

Émilie Notéris focuses her analysis on artworks created by women in the twentieth and twenty-first centuries, in a book that is at once literary, aesthetic and political.

First comprehensive monograph.

First monograph.

This book revolves around the cycle Topography of Terror, initiated by artists Elisa Caldana and Diego Tonus in 2017, and presents the making-of process behind Topography of Terror (19.12.2016) and Never Again, the first two episodes of the cycle.

An essay on the singular universe of the director, scenographer, choreographer, puppeteer and visual artist Gisèle Vienne.

Artist's book.

In her third poetic collection, Rosalie Bribes deepens the themes tackled in the two previous volumes: criticism of consumer society, illusions, pretences; search for a truth that can give meaning to human existence.

Catalogue of Ambera Wellmann's first monographic exhibition in a public institution, presenting a set of about ten recent paintings, several of which were created for the occasion.

Michel Beretti, author, Jérôme Lamy, sociologist, and Élise Parré, artist, joined in a yearlong research project initiated by the Observatoire de l'Espace (the cultural laboratory of the French Space Agency) around the birth of the French space technology and its first spaceport in Hammaguir, Algeria.

The first published edition of Germaine Dulac's What is Cinema?, almost 75 years after its creation, illuminates the vital role of this pioneer of the 1920s French avant-garde, as an innovator of modern cinematic thought, who was reflecting, early on, in a sustained and analytical way about what cinema is.

The latest instalment in Mads Emil Nielsen's sequence of graphic scores and recordings, including the Danish composer's own subjective translations of visual materials and sound pieces accompanied by visual notations: published as a limited edition art print folder, Framework 3 consists of risographed scores and recordings on 10" vinyl and CD—with recordings by Nielsen, along with graphic scores by Katja Gretzinger and contributions by Nicola Ratti.

A clothbound companion to Marina Abramovic's tribute to Maria Callas, a performance that recreates the iconic opera diva's famous onstage death scenes.

A comprehensive look at the unique artistic work of German photographer Annette Kelm and the visual idiom she has developed over the course of her career.

Reference monograph: the most comprehensive introduction to the Korean artist's postcolonial and feminist approach.

An observation on evolution of material plasticity, a story about plastic whose native land is Mesoamerica (artists' book).

Artist's book / catalogue

Artist's book.

Oracular Transmissions weaves together three of the most recent collaborative projects Etel Adnan and Lynn Marie Kirby have completed through processes of exchange and translation: Back, Back Again to Paris (2013), The Alhambra (2016), and Transmissions (2017).

This vinyl record brings together three pieces that play mischievously with the voice as a sound source, narrative source or diverted object: "Huellas Entreveradas" (2018), "La Baballe du Chien Chien à la Mé-Mère" (2001) and "Deux Dents Dehors" (2007).

Two pieces that evolve with grace and inspiration in the vast domain of the sound world, each with their own agenda.

Eiko Ishibashi"s first album for Black Truffle, produced for the 'Japan Supernatural' exhibition at The Art Gallery of New South Wales, Sydney, focusing on ghost stories and folklore from the Edo period onwards.

The 14th issue of Nakako Hayashi's graphic journal, on the theme of collage.

An exploration of the work of sculpture and conceptual artist Carol Bove, by art critic Martin Herbert.

Monographic catalogue examining the forcefield of relations artist Joyce Campbell has activated between photography, philosophy, ecology, material history, science fiction, and the care and reading of sacred and symbolic landscapes, over the course of her near three-decade career.

New edition of an artist's book first published in 2009, gathering essays, short stories and images (leporello ). The publication reflects the artist's long-term critical interrogations on archives, historiography and institutions.

The graphic translation of the text at the heart of the Fatamorgana project (2016–2019), alongside a variety of related materials, including project notes and contributions. The books also provides online access to photographic, video, and sound materials, along with technical specifications for all of the project's component elements.

Artist's book stemming from a performance by the Swiss feminist artist, featuring newspaper cut-outs evoking the female sex (limited edition).

À La Becque is a semi-digital sonorous publication documenting the meeting of three musicians during their brief stay at La Becque, an artist residency in La Tour-de-Peilz (Switzerland). Both a digital album and artist book, the publication comprises 12 pages printed on a risograph, and includes a hyperlink to download seven improvisations (keyboards, voice, synthesizers and objects; 38 minutes).

A photographic diary by Giovanna Silva guiding us through the United Nations Office headquarters in Geneva.

A vibrant stage adaptation of Louis Calaferte's book by Virginie Despentes accompanied by the rock band Zëro.

A free reflection on the influence of Bertolt Brecht in the work of Nina Hagen, this hybrid text approaches two great popular figures of German culture through an unusual prism, through the margins, and paints a portrait of Nina Hagen as we have never seen her before.

First monograph dedicated to the work of French visual artist Manon Harrois, built around two interviews conducted by François Quintin.

Monograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe.

Monograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe.

Springing from a decades deep body of work, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improvisor Okkyung Lee returns with Yeo-Neun, her first outing with Shelter Press, and arguably her most groundbreaking and unexpected album to date.

First French translation of Shulamith Firestone's first novel.

First monograph.

An anthology of texts on contemporary art during the second decade of the twenty-first century.

This publication documents the artistic research for Sansour's project for the Danish Pavilion at the 58th Venice Biennale: a dark science fiction narrative set after an eco-disaster, evolving into an intimate dialogue about memory, exile and nostalgia.

A research on the verbal transcription of sound and an inventory of the first sound productions of Alice, the daughter of Camille Llobet (artist's book).

The catalogue of the duo's exhibition at CAPC, featuring a new site-specific work and a series of performed or filmed actions. A project about situations of reversal, confronting the exogenous realities of the enterprise, the working-class, and the museum.

Artist choreographer Myriam Lefkowitz talking to Susan Gibb and Julie Pellegrin about the evolution of her practice, and its turn to dance as a sensory trigger for relations between bodies and places.

Artist and teacher-researcher Marie Preston speaks with Nora Sternfeld and Julie Pellegrin about her practice as a crossroads for art, education and cooperative working.