Women (female artists)

First French translation of the Kusama's psychedelic novel, published first in 1978 during the exile of the artist in New York.

First monograph of the artist, presenting her figures of unfired clay, which grotesquely exaggerate the characteristic traits and trademarks of female sexuality.

First monograph devoted to the Spanish artist, between an artist's book and an exhibition catalogue.

First monograph (works 1999-2004).

An assemblage of photographs taken from distinct series. The tensions and correspondences resulting from the editorial choices broaden the scope of images (artist's book).

Gathering images and texts, this artist's book sums up two years of work with French disabled war veterans.

An exploration of the body in contemporary culture (artist's book / collection of texts).

An imaginary odyssey through Réunion Island and Antarctica, inspired by the life of explorer Ernest Shackleton.

Artist's book (photographies).

More than one hundred images of the inside of kepi hats from legionnaires at the Aubagne Foreign Legion, France (artist's book).

Marcel Duchamp met Lydie Sarazin-Levassor at the end of March 1927. On 7 June, they were married. Francis Picabia acted as a witness and the ceremony was filmed by Man Ray. On 25 January 1928, they divorced. Lydie Sarazin-Levassor tells the story of their marriage, presents us with “her” Marcel, and relates her encounters with Jacques Doucet, Constantin Brancusi, Henri-Pierre Roché, Man Ray and Kiki de Montparnasse, Jean Cocteau, the Ballets Russes, the Duchamp family, Jean Crotti, Mary Rumsey, Katherine Dreier and Robert Desnos, and describes the atmosphere at the Villons' (in Puteaux, just outside Paris), the Picabias' (at Mougins, in the South of France) and the Sarazin-Levassors' (in Étretat, on the Normandy coast).

A book of sentimental structure of architectural souvenirs gathered during various trips. A collection of images of cities and edificies in alphabetical order beginning with Acapulco-Agra-Albuquerque…

A study, by five women, on the artistic representations of the female body (essays by Chrystel Besse, Marie-Joseph Bertini, Arlette Fontan, Françoise Gaillard, and Elvan Zabunyan).

Geneviève Asse's reflections on her pictorial and graphic work (limited edition accompanied by a numbered and signed stencil).

Gloria Friedmann writes about the main questions raised by its work: nature, animal kingdom and ecology; work and war, the origins of mankind and art. Limited edition with a felt-tip drawing printed on a restaurant tablecloth paper and enhanced by hand.

Gloria Friedmann writes about the main questions raised by its work: nature, animal kingdom and ecology; work and war, the origins of mankind and art.

The first monograph dedicated to the collaboration between two artists.

This catalogue is the most comprehensive treatment of Michaela Melián's œuvre to date and constitutes, with numerous essays and illustrations, a long due documentation of the German artist's work.

First monograph.

Dominique Gonzalez-Foerster's films and video works.

First monograph.

Dominique Gonzalez-Foerster's films and video works.

An artistic reflexion on science and images.

This small book accompanies the video Belles Rives (2001), with a selection of screen shots.

First monograph (available in English edition).

French edition (available in English).

First monograph on Korean artist, with installations views and two critical essays.

A series of installations by French artist.

Unpublished text, signed original woodcut, unique for each copy

Christo and Jeanne-Claude rectifie the most comon errors about their work and about their life.

Christo and Jeanne-Claude correct the most common errors about their work and about their life. This publication features an original litograph signed by the artists.

A poetic odyssey on solo piano.

A one-hour interview with Noël Akchoté. Joëlle Léandre talks about her career, her beginnings, her struggles as a woman musician and improviser.

An intimate and unsettling diary featuring 56 self-portraits drawn in black and coloured pencils, extensively annotated by the artist.

Monograph.

Monograph dedicated to an iconic couple of the design scene from the 1990's. Their use of uncommon materials with Baroque influence contributed to the development of the “Barbare” style which had a strong impact on contemporary French design aesthetics.

Monograph dedicated to an iconic couple of the design scene from the 1990's. Their use of uncommon materials with Baroque influence contributed to the development of the “Barbare” style which had a strong impact on contemporary French design aesthetics.

Oil and wax on aluminium; interview.

Poem by Sherrie Levine; texts by Susanne Anna, Christian Bernard, Michel Assenmaker, Erich Franz and Susan Kandel.

Exhibition catalogue.

The texts in Group.sex discuss political groups and languages, abstract radicalism and art, feminism and bohemianism, social hierarchies, and telematic friendship.

Monograph.

The journal of one of the first women artists of the history of painting.

An artist's book focusing on the question of copy (reproductions of Huysmans and Degas' works).

An unpublished text inspired by the motifs of the labyrinth and the mirror, with sections written backwards. Accompanied by an original signed artwork on mirror.

Booklet published on the occasion of the first French exhibition of the American video artist. The publication includes a text by Collier Schorr, biographical and bibliographical notes.

A whimsical artist's book by Pardo and White with word "Dodgers" running through book.

Exhibition catalogue (Hanne Darboven, Gretchen Faust, Isa Genzken, Marthe Wéry, Laurie Parson, Jessica Stockholder, Judith Barry, Annette Messager, Cindy Sherman, Rosemarie Trockel, François Vergier).

The complete script of the film The Cook, the Thief, His Wife and Her Lover, a tragic tell about revenge and an allegory for Thatcherism. Greenaway reveals himself not only as a great creator of cinematographic splendors but also as an authentic writer who seeks literary imagery and metaphor.