Architecture / urbanism

The third volume of Rémy Zaugg's complete writings (1972-1978): analysis and critical evaluation of forms of representation and of perception.

The fourth volume of Rémy Zaugg's complete writings (1973-1980): a collection of texts on Donald Judd and minimalist sculpture.

The first volume of Rémy Zaugg's complete writings (1963-1968/1988): entitled The Making of a painting, this transcript of Zaugg's diary revolves around the notion of artistic discourse, and how it is directly influenced by paintings.

The tenth volume of Rémy Zaugg's complete writings (1982-2004): the publication gathers texts, interviews, and correspondences on ethics, as well as a series of interviews on cross-cutting themes and projects. It features also a chronology, a list of exhibitions, and a bibliography.

The fifth volume of Rémy Zaugg's complete writings (1980-2005): a series of texts of utmost importance, related to the great pictorial and philosophical researches of the 1980s. Alongside these texts, the publication features a collection of interviews and letters to friends, colleagues, art dealers, curators, and art collectors.

The sixth volume of Rémy Zaugg's complete writings (1982-1993): featuring some of the most influential texts written by the Swiss artist on art museum.

The seventh volume of Rémy Zaugg's complete writings (1984-2004): the publication brings together texts that formulate a practice and a criticism of exhibition that goes beyond genres and mediums, using concrete projects in given architectonic situations.

The heighth volume of Rémy Zaugg's complete writings (1988-1989): a portrait of Jean-Christophe Ammann.

The ninth volume of Rémy Zaugg's complete writings (1986-2005): a reflection on the artist's projects for public spaces, illustrated with personal statements and sketches.

The second volume of Rémy Zaugg's complete writings: five texts from the 1970s which highlight the influence of semiology (de Saussure, Barthes, Levi-Strauss…). on Zaugg's theoretical thought and practice.

A biographical essay on the Baroque Brazilian architect and sculptor from the 18th century, Aleijadinho.

This publication stems from The Devil's Peak (in beige), an installation created in the Californian desert of Amboy by Maxime Bondu and Bureau A (Leopold Banchini & Daniel Zamarbide). The project deals with how the absence of water conditions life in the desert.

Venice: a cultural and urban investigation on a city with two faces, between the reality and the logo.

Collective publication bringing together artists, designers, and specialists to reflect on digital creativity within the city. Extending the investigations from the 11th meeting of the UNESCO Creative Cities Network, it questions digital and data practices in urban territory.

For two years, Eric La Casa has been recording the urban sonic environment of Paris from the windows of his own apartment. Between a temporary inventory and a musical documentary, Paris Quotidien is the result of this long experiment. Includes a 60-page documentation booklet with photographs.

This book presents proposals for the transformation of Ernst-Reuter-Platz, a city square in Berlin. They are the results of a process of auditory artistic research and design developed according to a new radical approach on the relationships between aural activity and environment.

The current fascination with fiction across art, design, and architecture (including one of Umberto Eco's final interview).

This volume looks at a central aspect of Livio Vacchini's research: his drawings. The publication gives an overview of the Swiss architect's work with an unpublished selection of drawings—plans, cross sections, and facades. It also features an essay by architect Roberto Masiero.

A poetic exploration of the mechanisms of thought in the act of building.

In (ZUS), a visual essay by the French photographer Benoît Fougeirol, views of and views from eleven of the “Zones urbaines sensibles” (Sensitive Urban Zones) on the peripheries of Paris reveal harsh paradoxes of modern society. The series is accompanied by a text by author Jean-Christophe Bailly.

A radical reading of the Spanish city of Valencia, drawing on the works of urban ecology pioneer Patrick Geddes.

A history of the hidden and the forbidden in the urban landscape, born out of a research project conducted on Genoa's night life.

This prospective study places Africa and the city of Durban at the heart of a project to reconnect the interrupted paths of modernity and of people's emancipation. A singular reflection on architecture and spaces interlocking contemporary issues and dystopian narratives.

Marxist geographer David Harvey opened his 2016 lecture at Harvard with a fact: between 2011 and 2013 China consumed 50 percent more cement than the United States had in the entire twentieth century. In Abstract from the Concrete, he asks why.

This publication presents five architectural environments that have been conceived through auditory and literary practices.

A fragmentary reference volume that explores the chronology of architecture-relevant legislation, focusing on Zurich, but looking at controversial legislation across Switzerland.

The limits of the participatory game in nowadays democracies.

New monograph: a photographic documentation on the site-specific works Under the Water at the Centre Pompidou Metz and gallery Kamel Mennour, completed with visual archives covering over thirty years of practice (1979-2015), and a focus on the artist's roof installations from 1995 to 2015.

Catalogue of a project designed for Maison de la culture du Japon in Paris as part of the “Transphere” Exhibition cycle. Atelier Bow-Wow and Didier Fiuza Faustino have long explored the issue of the habitat, inventing innovative and often provocative “machinery / habitats”. Here they have come together to create a “magical environment”.

Andreas Tschersich's photographic portraits of peripheral areas around the globe capture the uniformity of these transitional spaces that form the hidden face of urbanity.

This artist's book presents a series of polaroids taken from inside a moving car's trunk portraying a dream-like sunbathed Los Angeles landscape, or indeed, an image that is now firmly imprinted in the collective imagination—asphalt, cars and palm trees silhouetted against expansive skies.

A richly-illustrated monograph spanning twenty years of works by architects Dominique Lesbegueris and Christine Raynier. The publication includes an interview with the duo and a collection of poetic texts by Ève Delalysse, Stéphane Nowak Papantoniou, Véronique Bergen, Liliane Giraudon, Fédé Aranburu, Amandine André, Jean-Jacques Viton, Sarah Kérina, and Laura Vazquez.

Vortex Populi is a visual essay focusing on five works by Didier Fiuza Faustino in which the French artist and architect reflects on public space and popular struggle through an examination of the use of crowd control barriers in clashes between protestors and authoritarian forces.

Echoing his exhibition in the Château de Versailles, Xavier Veilhan opens the doors of seven modernist houses, from California to Europe. Through his contemporary works he creates a dialogue with the singular architecture of these places (original soundtrack by Nicolas Godin / Air).

Luxembourg underground: this artist's book offers a vertical journey through the city's subsoil structure.

Slide Shows is a three-volume box set, with over 1.500 original drawings and texts in which Friedman gives his own personal understanding of the multiple ways of thinking the world through a series of “cartoons.”

From image to object: ten essays on English Pop Art and the New Brutalism in architecture.

Felicity D. Scott reconsiders the learnings of Bernard Rudofsky on vernacular architecture in the light of his relation with Japan.

Carlo Mollino's photographs of a Japan in between tradition and modernity during the 1970 Universal Exposition.

Fourth and final volume of the anthology (1975-2000), focusing on painting, sculpture, installation, and architecture.

Conversations between Swiss architect Luigi Snozzi and the philosopher Fabio Merlini.

German photographer Heinz Peter Knes offers a new photographic perspective on the furnishing of the CAPC museum of contemporary art in Bordeaux, one of the famous interior designer Andrée Putman's most accomplished projects and a milestone in the history of design.

The publication documents a project developed by artist Brandon LaBelle which attempts to instigate conversations between sound and architecture through a set of audio recordings of the artist's apartment in Berlin.

A topographical book by architect Tobias Engelschall that gathers photographs of 100 Berlin buildings, capturing their transformation through time.

An ambiguous portrait and evocative rendition of Clive Entwistle's life, the artist's grandfather and architect. Halfway between biography and monograph, this publication reaches beyond these genres to resemble an artist's book of poetry and prose fiction.

The art of hair salon window-dressing in Switzerland.