Minimal Art / minimalism

A reconstruction of the book project from the artist's archives.

Reading of One Million Years (Past and Future 51 – 62) by male and female voices (250 copies limited edition wood boxed set of 24 audio CDs).

Pauline Oliveros's early and definitive contribution to the tape and electronic music of the late fifties and sixties.

Monograph / catalogue documenting recent, actual and future exhibitions dedicated to Mosset's latest works or to a whole radical and minimalist œuvre.

Catalogue published, as a second volume, after the world tour of an exhibition by On Kawara Consciousness. Meditation. Watcher on the Hills, gathering the complete documentation produced for the exhibitions and presenting the installations views.

Baldessari's cinema works on DVD.

Olivier Mosset's writings and discussions.

Facsimile reissue of the original graphic poetry book self-published in 1975 by Guy de Cointet.

The 1990s in eleven "Date Paintings" As one of the most important Conceptual artists, On Kawara features in most of the surveys on post-war art. This book, conceived in close collaboration with On Kawara himself, takes a very intimate form in comparison to many monographs published recently. This seems an appropriate manner in which to discover eleven paintings created over a decade, letting the viewer complete their reading with personal associations, historical events, or academic interpretations. “Perhaps,” writes Thierry Davila in his text, “art is simply a particular way of taking time … So the work, the on-going creation is essentially a question of using time … ” Seen from this perspective On Kawara has invented a simple and striking way to make art, by taking time, taking his time. He found a way to use the calendar to make a kind of “non-individual” art work. In his Date Paintings, time itself has become a piece of art. The work is pure realism, the existence of time put in painting, thus rendering it—up to a certain point—viewable and readable.

159 minutes of minimal electronic music, readings, soundtracks from the archives of Angus MacLise 1963-1976.

Paintings and photographies.

Walsh has produced many artist's books and prints that function as an experimental field for his paintings. The first documentation on this body of work.

Paintings is both an artist's book and a document on the work of the New York painter.

The first critical edition treating a fundamental text by one of the principle actors of Fluxus.

The first English language monograph on Lo Savio.

First artist's book by Morris.

Booklet published on the occasion of a 1996 exhibition commissioned by Paul McCarthy and featuring the work of three European artists exiled in California: Guy de Cointet, Bas Jan Ader and Wolfgang Stoerchle. The publication includes texts by McCarthy and Cornelia Butler, biographical and bibliographical notes.

A monumental monograph: works (1964-1995), texts (around thirty since 1970), the most important solo and group shows since 1969.

How to exhibit the architecture? Two Swiss architects answer this question (a conversation with Rémy Zaugg).

In his influential 1986 text, Swiss artist Rémy Zaugg (1943–2005) laid out fundamental ideas on the art museum. For him, the museum is an everyday tool that enables the encounter between viewer and work—raising the question of the kind of architecture appropriate for such a space (available in English edition)

Exhibition catalogue.

Preliminary graphic designs for paintings.

Artist's book: an album of twelve black and white boards realized specially for the project.

Exhibition catalogue.

Portrait of On Kawara by René Denizot.

Five by seven, nine works by Richard Tuttle for Yvon Lambert.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.