United States

Art and Identity Special Summer (triple) issue.

This catalogue documents Charlemagne Palestine's eponymous solo exhibition, including his early video works, sculptures, paintings, installations, and sound scores.

The first monograph dedicated to the chronicler of New York's underground, Still, Looking – Works 1969-2016 explores the interrelation between Sullivan's photographic work and his paintings & drawings. Includes essays by art historian William J. Simmons and critic Linda Yablonsky.

A collection of texts defining utopia as a place existing only within the domain of language, Utopia gives a synthesis of historical utopias and a snapshot of the 1970-1980's poetic scene.

New monograph: Josephine Meckseper's work exposes the paradoxes of consumer culture through the combination of mass-produced objects with images and artefacts of historical and political events.

Special section “The New Look: Art and Fashion Photography” featuring Philip-Lorca diCorcia, Heji Shin, Petra Collins, Laurie Simmons, among others, Summer 2016 Previews of 45 shows worldwide, Jonathan Rosenbaum on Jacques Rivette, Rhea Anastasia at Hauser Wirth & Schimmel, A Cinema of Resistance: Jean-Marie Straub and Danièle Hulet, Brian Dillon on Yan Xing, plus exhibition reviews from New York, Chicago, Cologne, Warsaw, Auckland, Sao Paolo, and more.

New monograph.

Details from Heaven and Hell is the new chapter of Matt Mullican's cosmology, whose first models dates from 1973, and has evolved over the years and materialized in various media and performances.

Richard Serra, Mary Heilmann and Terry Winters on Ellsworth Kelly, Thomas Eggerer on Monika Baer, Douglas Crimp talks with Thomas Beard about “Queer Cinema before Stonewall,” Maggie Lee on her video Mommy, sex and art from Fragonard to Manet, Claire Bishop on Peter Fischli & David Weiss, and exhibition reviews from Los Angeles, London, Düsseldorf, Paris, Beirut, Hong Kong, Rio de Janeiro, and more.

Dorothy Iannone tells her Fluxus Story in a Berlin recording from 1979.

Elisabeth Bronfen gives a clever analysis on one of the most influential show of the 21th century, arguing that, beyond the retro-revival, Mad Men builds a comment on the state of the US nation and on the mirage of the American Dream.

Tony Oursler and Greil Marcus on David Bowie, Jackson Pollock's late work, the Met Breuer, Cameron Rowland, an exclusive portfolio from Rosemarie Castoro, plus Magali Reus's Top Ten, the band Porches, and exhibition reviews from New York, Berlin, Lisbon, Milan, Prague, Athens, Delhi, Mexico City, and more.

In more than two hundred artworks, the American artist's reference monograph focuses on the fundamentals of her painting, strongly impregnated by notions of time, profusion, systemising and commitment.

Our computers' artistic taste, Anri Sala's show at New Museum, re-opening the Louvre after the Paris attacks, Neïl Beloufa on world domination and in-flight entertainment systems, the future of Brooklyn and the dangers of sawdust, Chantal Akerman's rent-controlled Manhattan, the curatorial skills of Brazil's tax police, reviews from New York, Oslo, and Warsaw, a portfolio by Mathieu K. Abonnenc...

A complete documentation on Marnie Weber's first feature film, a strange kind of carnival that emerges from the American cultural repressed.

First monograph dedicated to Virginia Overton, whose minimalist sculptural practice emergeas a direct response to her physical presence in the exhibition space.

A collection of monographic texts and essays by the artist.

Thirty-seven texts by Tom Burr.

Released in parallel of an exhibition at Kunstverein München, this USB card gathers a collection of electronic works by Dexter Sinister produced from 2008 to 2015.

Seven meditations for clarinets, pianos and electronics: The Long Exhale catalogues psychoacoustic experiments and sparse acoustic excursions undertaken between 2014 and 2015 by Australian composer/performers Anthony Burr (clarinets, ARP 2600) and Anthony Pateras (piano, prepared piano).

Artist Marc Horowitz has photographed each page of an art catalogue by Phillips, the famous auction house in New York, having placed on the pages the residues of junk food: an irreverent work staging the encounter between art and consumption (artist's book).

An unpublished novel by one of the great figures of Land art.

In over 40 years, Sue Williams' art has continuously explored and challenged the fantasies of feminism, sexuality, gender, and culture. This first comprehensive monograph dedicated to the American artist follows her work from the early 1980s to her most recent paintings.

Artist's book in two volume.

Taken in the "forgotten borough" of Staten Island between 1983 and 1984, the photographs in Christine Osinski's Summer Days Staten Island create a portrait of working-class culture in an often overlooked section of New York City.

The publication documents a project developed by artist Brandon LaBelle which attempts to instigate conversations between sound and architecture through a set of audio recordings of the artist's apartment in Berlin.

In the fall of 2013, Dan Graham and Mieko Meguro traveled with Donatien Grau to a town in the French Alps to meet Michel Butor, one of the foremost innovators of postwar literature. This is their conversation.

A compact monograph containing gathering a visual documentation, two essays and a conversation with Tony Conrad, whose multi-faceted contributions since the 1960's have influenced and redefined music, filmmaking, minimalism, performance, video and conceptual art.

The result of a series started in 2008, all of The Naked Eye photographs are looks between the fanned pages of paperbacks that date back to the 1950s–1970s. This first exhaustive monographic publication of an ongoing series reveal a particular taste for mass-market celebrity biographies and movie novelizations featuring photo sections and pulpy paper stained by brightly-dyed edges.

A series of geometrical abstractions forming symbolic totems that draw on the annals of visual history.

A project by internationally working documentary photographer Claudio Cambon that tells the story of the last voyage, dismantling, and recycling of an American merchant vessel in Bangladesh in the late 1990's.

Issue 2 features an extensive look at the Louvre Abu Dhabi in the context of universal museums worldwide by Kanishk Tharoor; Marina Fokidis on artists and galleries in Athens after economic crash; rising costs and problematic leadership in art school today; Amy Winehouse documentary and structural changes in film after a turn toward digital; interviews with architect Liz Diller and artist Agnieszka Kurant, reviews from New York, L.A., Tokyo...

A selected survey of Liam Gillick's groundbreaking projects, installations, methods, and practices, which challenged the orthodox presentation and reception of art through the 1990's.

In the series of works In Places Jason Kahn explores a variety of places and investigate them through their sounds. Influenced by Henri Lefebvre's theories, Kahn the musician experiences the daily rythms of life and how space is formed and reflected.

In this catalogue, Charles Mayton interrogates the techniques, vocabulary and conventions of painting, exploring the essence of the table.

The Four Seasons Forever is the catalogue of Sam Falls' one year show which presents 13 sun-printed photograms of vinyls on colored textiles exhibited in a dramatic stage-like atmosphere, with parts of Vivaldi's masterpiece playing according to the season (artist's book, the first in a series published in limited editions by Flash Art).

This monumental first retrospective monograph dedicated to Louis Michel Eilshemius brings together works from over 70 institutions and private collections, providing the reader with a profound insight into the oeuvre of this unusual artist. In an expansive essay, Stefan Banz examines for the first time the questions of whether and to what extent Eilshemius influenced Duchamp's artistic thinking.

The French translation of David Grubbs's long-awaited study of the role that sound recordings play in representing experimental music of the 1960s.

The first book entirely dedicated to the sculptures of multimedia artist Doug Aitken, this volume offers an overview of his 3D works and includes a specially commissioned text by acclaimed novelist Steve Erickson.

First monograph: an overview of the evolution of New York-based artist Michael Williams' work.

Musician Kamran Sadeghi took field recordings from an anthropological research on Tierra del Fuego as a starting point to compose his digital musical score for a video installation by Mario Pfeifer.

This artist's book documents a dialog, exchange, and collaboration between Per-Oskar Leu and Benjamin Tiven, from summer 2013 through the winter of 2015.

America's decoration frenzy: graveyard cemeteries, ghosts, guillotines, skeletons in coffins, dismembered body parts, giant spiders... Halloween horror-themed scenes shot at daylight (artist's book).

In 69 / 96, Fredi Fischli, Niels Olsen and Bob Nickas enter an inter-generational dialog about exhibitions that is both personal and art historical, presenting works from 1969 and 1996 (catalogue).

Three art historians offer perspectives and analyses on Monkman's work that address history and genre painting, the queered Romantic landscape, the shifting and unfixed subject, race, sexuality, conquest and sovereignty, and modern versus discontinuous temporality.

A 300 page pulp book, compiling a series of 230 short texts by Justin Lieberman in alphabetical order, as well as an essay telling the story of a now-destroyed installation piece, to which the texts were originally related: “The Corrector's Custom Pre-Fab House”. The texts, with their sarcastic tone, can be read autonomously: they are a meditation on capitalism and material culture, between poetry, description and fiction.

This reference monograph on New York artist Lisa Beck, who develops since more than 30 years an abstract language which is as playful and discreet as it is effective and sharp, presents a significant body of work ranging from the 1980s to the present, and also offers to revisit Beck' recent solo exhibitions (with essays by Samuel Gross and Bob Nickas).

Summer Winter East West discusses Martin Beck's engagement with display not only as a tool of presentation but also as a form of communication—within and beyond the realm of the exhibition.

Comprehensive monograph of the Californian artist and political activist.