France

The first ever reissue of the piece recorded by Asger Jorn & Jean Dubuffet in 1960-61 in Paris.

2020, as Martial Raysse's most recent sculpture is about to be presented to the public for the first time, Jeanne Barral, who posed for it, traces in this fairy auto‑fiction the stages of her artistic collaboration with the master. How did the model become a subject?

Four artist's posters.

A book of interviews with Sylvère Lotringer.

Catalogue of the graduation exhibition 2020 "Centaur's Requiem" at MO.CO. Esba (Montpellier School of Fine Arts), curated by Céline Kopp).

The catalogue of the first edition of the Montpellier Biennale.

Design creations made at the École nationale supérieure d'art et de design de Limoges, showing the area opened by ceramics to question the process of creation and the field of production of objects within an art and design school.

At the invitation of Frédéric Paul, nine artists from both sides of the Atlantic cast an eye on the work of American abstract painter Shirley Jaffe (1923-2016).

The third issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Bonimenteur, which is approached differently by the seven contributors.

Transcripts of unpublished lectures and writings by the French architect-urbanist Marcel Lods (1891-1978).

The last album, posthumous, of Ghédalia Tazartès, entirely conceived by himself: a melting pot of unreleased tracks which cover a large part of his career.

The last album, posthumous, of Ghédalia Tazartès, entirely conceived by himself: a melting pot of unreleased tracks which cover a large part of his career.

Soundscapes, drones, disruptive aberrations, textures and perplexingly absorbing interactions between French guitarist, graphic and sound artist Xavier Mussat and saxophonist Quentin Rollet, performing live at Instants Chavires, in Montreuil, France, in 2020, for eight diverse and unusual improvisations.

A pair of contemporary music giants re-release a long-lost 2003 live recording, previously available only as a CD-R.

An alphabet book of the commonplaces of journalistic writing bringing forward its propagandist impact.

A gallery of portraits of people listening to a work by Frédéric Acquaviva in progress, laid out like a flip book.

A rereading of Tatiana Trouvé's work based on her drawing practice.

Seven films on the architecture of the Centre de création contemporaine Olivier Debré in Tours and on the exhibitions that have marked its recent history.

An overview and perspective of the different aspects of Etienne Bossut's practice.

A series of drawings made on a digital tablet offering a detailed entry into the expanded universe of Hugo Pernet's painting.

An excerpt from the Album of a Pessimist by the suicidal writer Alphonse Rabbe, whose exaltation and licentiousness were made for Nurse With Wound, who musically accompanies the text.

The photographic works of the artist Tiane Doan na Champassak's grandmother, Alsatian married to a Vietnamese in Baden Baden in 1913.

A sort of anti-monograph in several episodes proposed by the artist Simon Nicaise around his project of Tour de France of trades and practices.

First monograph.

A hybrid edition (a vinyl record with a newspaper and an insert) extending the artist's research on the links between sound, architecture and the history of spiritism.

Ronan Bouroullec's ceramic bas-reliefs.

ORLAN hybridizes fragments of her face with portraits of Dora Maar, Picasso's companion.

The 2020 edition of the Tour de France was canceled before being eventually postponed. Tour is a series of 101 photographs shot by Louis Canadas on the race's official route, during this period of uncertainty. Words are from Fanny Taillandier.

Following Palo Alto's previous Difference and Repetition – A Musical Evocation Of Gilles Deleuze 2LP/CD this limited 7'' edition features The Tears of Nietszche on side A with Richard Pinhas as guest musician and Vecteur d'abolition on side B with the voice of Gilles Deleuze.

A book-exhibition that brings together the practice of three artists from the contemporary publishing scene around the figure of Mary Ellen Solt (1920-2007), an American artist whose works of concrete poetry enter into graphic and conceptual resonance with the three artists' own publications.

Artist's book.

Baptiste Brévart and Guillaume Ettlinger discuss with Julie Sicault Maillé their artistic practice as a duo.

Conceived entirely by the artist on the occasion of the homonymous solo exhibition at MAXXI, Rome, this volume documents Thomas Hirschhorn's research on Pixel-Collage, an impressive cycle of works realized between 2015 and 2017.

David Hominal breathes new vitality into the exercise of still life, through a series of paintings of dead leaves.

First monograph, with a wide selection of of Claire Tabouret's works (paintings, drawings, and sculptures), two essays and a set of literary quotes chosen by the artist (new expanded edition).

Le Zoo vidé ("The Emptied Zoo") is an artist's project about large land mammals that Agnès Rosse went to visit in zoos, in their natural environment and at the National Museum of Natural History: a protean set of texts, videos, drawings, paintings and objects made in various places between 2009 and 2018.

The second issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Moped Rider, which is approached differently by the seven contributors.

This collective publication is a singular invitation to discover or deepen the universe of Tabita Rezaire, at the intersection of new technologies, decolonial healing, spirituality and the political history of science. Through numerous contributions from poets, theorists, artists and her friends and relatives, she invokes the wisdom of the womb: the mother womb, the earth womb, the cosmic womb, for us to receive its grace.

An anthology of the theoretical and critical texts on experimental cinema and moving images written by Yann Beauvais in parallel with his films and his activities as programmer and curator.

Jean-Marie Massou's double album presenting, in a raw way, the recordings made at the end of the 1970s in a giant tank.

Facsimile scores and documents about the work recorded by Luc Ferrari during summer 1977 and premiered in 1979 during Festival d'Automne at Centre Pompidou, Paris.

An unpublished text by Luc Ferrari from 1982, in which he expresses some of his hopes and concerns about what would become La Muse en circuit that same year. Forty years later, the present director Wilfried Wendling wrote a text in echo.

Edited from the composer's archives, historical documentation about the project & genesis of the work inspired by The Divine Comedy by Dante (1973).

The third collaboration between Félicia Atkinson and Jefre Cantu-Ledesma—their first album produced together in the same studio: an electroacoustic, poetic, fluid and sensitive dialogue between the two experimentalists.

A collection of twelve octosyllabic sonnets to accompany us throughout the year. The rhythm of the verses directly echoes the passage of time, days, weeks, months.