Art & science

First monograph.

Publication documenting a project installation by German artist Margit Busch, the joint recipient of the 2016 Kunsthalle Wien Prize. Busch's project sheds light on the meeting points of scientific, philosophical, artistic, and practical discourses.

Catalogue bringing together documentation on key projects by Nicholas Mangan along with a newly commissioned work investigating monetary currencies. Featuring an in-depth series of conversations between the artist and the Barcelona-based curatorial collective Latitudes, and essays by Ana Teixeira Pinto and Helen Hughes, this publication is richly illustrated with documentation of Mangan's artworks and historical source material.

This artist book is at the intersection of art, archaeology and genetics. It translates several years' research in the fields of archaeology, genomics and ethics into a publication at the interface of art and science. It consists of three essays by specialists and an interview, images from the Inrap collection and views of the artist's installation at La Maréchalerie, a contemporary art center in Versailles, France.

An artist's book / catalogue exploring the new role of the image in a world modeled by visual artifacts.

This publication is part of an artistic and performative project conceived by artist Raphaële Bidault-Waddington and critic Sylvain Menétrey. Part poetic neologism, part scientific concept, the semiospace, as a linguistic creation, seems to mirror Bidault-Waddington's practice—the creation of hybrid objects at once cognitive models borrowed from science, and exuberant fictions.

Espace(s) #13 inaugurates the new formula of the French Space Agency's review. This issue explores the potential of the archive as a material for new artistic or literary narratives.

A set of charades invented by Alain Séchas and illustrated with original drawings.

A set of charades invented by Alain Séchas and illustrated with original drawings, with an original artwork signed by the artist.

Poet Harry Burke recounts an extreme and barely legal experiment led by artist Raphael Hefti in a mountain village in Switzerland in 2008 (artist's book).

First monograph.

Documenting Ian Cheng's latest “live simulations”—virtual living ecosystems in autonomous evolution—this monograph engages in a dialogue between art, new technologies and neurosciences.

What language should be used to describe a place? This question is the starting point and the core question of Claudia Losi's project and namesake book, a collection of transversal contributions, from art to geography, from semiotics to psychology, which interrogates the way we perceive places and the role of our imagination in such a process.

Counterculture & cyberculture: exploring human potential from psychotropic substances to technological advances.

The catalogue of Daito Manabe & Motoi Ishibashi's first exhibition in France. On this occasion they created an installation using LED lights and smartphones—a new work combining the real and the virtual, the seen and the unseen. This volume also gives an overall comprehension of Manabe and Ishibashi's practice: together they merge art and technology in projects that are at the cutting edge of innovation.

A pocket, non illustrated mid-career catalogue raisonné of a practice now spanning over two decades.

With its title echoing to Gilles Deleuze works The Movement Image and The Time Image, The Image-Matter, between philosophy, contemporary art and science, offers tools to create new mental images to understand this new vision of the world shaped by nanotechnologies and help us to do the necessary metamorphosis of our imaginary.

With its title echoing to Gilles Deleuze works The Movement Image and The Time Image, The Image-Matter, between philosophy, contemporary art and science, offers tools to create new mental images to understand this new vision of the world shaped by nanotechnologies and help us to do the necessary metamorphosis of our imaginary.

Transcript of a lecture given at the Musée de la Civilisation, Québec, in 1993, in which the scientist Ilya Prigogine suggests an understanding of time that isn't just a measuring variable but a real dimension whose most fertile property would be its irreversibility.

This catalogue documents the encounter between Eliasson's sensorial artworks and the baroquean atmosphere of Prince Eugene's Winter Palace in Vienna.

Benjamin H. Bratton's kaleidoscopic theory-fiction links the utopian fantasies of political violence with the equally utopian programs of security and control. Equal parts Borges, Burroughs, Baudrillard, and Black Ops, Dispute Plan to Prevent Future Luxury Constitution charts a treacherous landscape filled with paranoid master plans, failed schemes, and dubious histories.

Artistic and literary creations on the theme “cyborgs and robots.”

Released in parallel of an exhibition at Kunstverein München, this USB card gathers a collection of electronic works by Dexter Sinister produced from 2008 to 2015.

Between 1946 and 1953, the Macy Conferences brought together a diverse and interdisciplinary community of researchers who together developed the basics of the new science of cybernetics. This publication contains the complete transcription and protocols of all contributions of one of the most important event in the contemporary history of science.

An unpublished novel by one of the great figures of Land art.

A never-before-published selection of Paul-Armand Gette's lectures given between 1972 and 2015.

A travel notebook covering the artist's stay in Kerguelen Islands, Indian Ocean.

Taking as a starting point the description of an exhibition project, the British artist reflects on the creative process, serendipity, and writing as an exploratory tool in conceiving and creating a work.

Proposals for an ecology of diagnosis.

A tale on the search for an ancestral relic that has the power to annihilate the universe. At the crossroads of an adventure novel, a science-fiction narrative, and a punk story.

A photographic account of Carsten Höller's journeys to the Democratic Republic of the Congo for the purpose of a film about Fara Fara music.

First French translation of the two famous essays in which Jack Burnham draws the profile of an “aesthetic systems.”

How the impact of code on everyday life has become comparable to that of speech and writing.

A reflection on the domination of the software industry on our use of computers, which calls for a stimulating reinterpretation of materialism.

Geographer, orientalist and philosopher Augustin Berque exposes the eastern foundation of his reflection on mesology, redefining the being (and the human subject) in its relation to the environment.

This collection of essays seeks to comprehensively address the concept of “neighborhood technologies” by establishing a platform for the thorough discussion of neighborhood concepts and notions across scientific cultures—e.g., computer science, mathematics, sociology, media and cultural studies, theater studies, and architecture.

Reference monograph.

Outer space as the place for dreams, revolts, and revolutions: forty authors and artists explore utopian and political possibilities beyond earth.

A unique multidisciplinary approach to Visual Studies.

A catalogue / artist's book as puzzling and conceptually elaborate as the exhibition it accompanies.

This audio art book documents an experiment in binaural sound by French artist Loris Gréaud performed around the world over five years. Using binaural beats, Crossfading guides the listener to the threshold of sleep. The book includes MRI images of the artist listening to the piece.

A notebook that combines text and collages to trace the imaginary history of the natural history museum created by Loris Gréaud at the Dallas Contemporary.

A notebook that combines text and collages to trace the imaginary history of the natural history museum created by Loris Gréaud at the Dallas Contemporary. Limited edition accompanied by a real butterfly, on black cardboard, unique piece.

A collection of hallucinatory epic poems inspired by crime novel & science fiction.

Artist's book featuring a selection of photographic archive from the European Organization for Nuclear Research: without the context of the archive or explanatory legends, the content becomes abstract and hypothetical, and plays with the representational capacity of the image and with the reception of information.

Since his historical research on the line, anthropologist Tim Ingold has been working closely with laboratoire des intuitions on diagrams. This unpublished text follows a working session at the Kandinsky Library at Centre Pompidou, Paris.

First monograph: thirty-four watercolors summarizing Lionel Renck's three years research at ESAAA art school.

Catalogue / artist's book.