Art & new technologies / digital art / interactive art / net art / media art / AI

This first monograph of the international net art pioneer allows us to (re)discover this always contemporary artistic practice, inviting us to plunge into the specificities of the internet medium (flows, URLs, protocols, etc.), and sketching a media archaeology.

Between 2017 and 2020, researchers in the fields of art, design, computer science, psychology, sociology, digital humanities and mathematics explored the historical publication of the artist Paul Klee, which appeared in 1925 at the Bauhaus. The research work led to the project being part of a logic of patrimonialisation and transmission of knowledge based on digital technologies.

Oracular Transmissions weaves together three of the most recent collaborative projects Etel Adnan and Lynn Marie Kirby have completed through processes of exchange and translation: Back, Back Again to Paris (2013), The Alhambra (2016), and Transmissions (2017).

This monographic catalogue maps and decodes fifteen years of an artistic practice oriented towards DIY strategies and new technologies, investigating manifold spaces of reflections with a powerful political and theoretical radicality.

Co-editor: Rachel O'Dwyer; interviews with Kyriaki Goni, Tiziana Terranova, Roel Roscam Abbing and Dennis De Bel, Tim Shaw, Surya Mattu; Dreaming otherwise: the past and future of community wireless networks; We Organise You Music, So You Don't Have To; reports: FAEN 2019, Mud Muses, Nam June Paik exhibition...

First French translation of Shulamith Firestone's first novel.

Stemming from a series of works by Sidsel Meineche Hansen, this monographic catalogue offers a range of perspectives on urgent issues around gender, sexuality and labour in the digital age.

How can we today situate the artist or, more broadly, the act of creation using artificial intelligence?

Co-editors: Nicolas Maigret and Maria Roszkowska, intervioews with Špela Petrič, Tega Brain, Joyce Hinterding, Kat Austen, Thomas Thwaites, Melle Smets; The Sound of Disappearance and The Sonic Sublime; reports of ISEA 2019 Lux Aeterna, 58th Venice Biennale and Liechtenstein Brunch, 18th Media Art Biennale WRO “Human Aspect”.

Presented as a work-in-progress, this text on American artist Rindon Johnson's video practice offers a reflection on the widening creative possibilities in the multimodal digital landscape, while discussing the political and personal aspirations of a new generation of artists and critics.

A transdisciplinary discussion on the influence of computer-based technologies on the conditions of biological research.

This artist's book is the book-form of a work by Matt Mullican, "The Meaning of Things (who feels the most pain?)" (2014), con sisting of 676 collages and texts on sheets of standard printing paper.

Publication documenting the award-winning web series Revisiting Genesis by Oreet Ashery. This documentary fiction on mourning in the digital age explores complex issues such as gender and death, digital reincarnation, and women artists.

Box set comprising five books, a vinyl and a supplementary dust jacket, each highlighting different practices and transformative developments occurring in the realm of writing and speaking today as triggered by digital communication.

First time release of these live-recordings by Phill Niblock from 2007 and 2019 (organ, played by Hampus Lindwall, and tapes).

Exhibition catalogue.

A proposal for a radio project on the diffusion of world music in the digital age, focusing on the concept of “seismographic sound”.

Julio Le Parc and the practices generated by digital creation.

This bilingual publication retraces a journey and a set of studies, graphic creations and texts that lead to a process of drawing research in a digital environment.

Coéditrice : Rachel O'Dwyer ; entretiens avec Pip Thornton, Joana Moll, Mendi et Keith Obadike; ASurveying Surveillance Capitalism, Decode: Data Cooperatives, Our voices granted to machines ; Transmediale 2019, Master/Slave exhibition, Leonardo 50 years anniversary...

The complete writings of an influential figure.

A very special overview of the work of a new media art pioneer: snapshots from all over the world, paintings, collages, graphic and ornamental works, and various artifacts from the artist's collections, which include everything from old magazines to fabric patterns.

A dictionary designed as a tool for analysis and resistance to the new realities of neurocapitalism. With 285 definitions stemming from the fields of political philosophy, media studies and neuroscience.

The complex architectures of the new “memory palaces”, from libraries, archives and museums to the IT structures, databases and server farms that feed the flow of data on the network.

Large format catalogue documenting a multichannel installation by Florian Hecker at Kunsthalle Wien, transformated into a resonating space, with texts by curators, researchers, theorists, and art historians.

Anniversary special issue: a return on 25 years of reviews.

Surveying the causes championed by feminists in the post-internet era.

The chronicles of the digital poetry movement, by one of its pioneers and main actors in France.

An expanded reflection around the optical principles, the light and the visual perception that constitute the main axes of Flavien Théry's artistic research.

Interviews with Cornelia Sollfrank, Lílian Campesato, Hyphen-Labs, Faith Holland, Mary Flanagan, Spideralex, Linda O'Keeff; Sonic Territories, monumental loudspeakers to the people; books, DVDs and CDs reviews...

Artist's book with which Lauren Huret looks at the question of erasing images on the Internet.

This publication celebrates 10 years of Poptronics, a French online media dedicated to net-culture: net-art, video games, music and sound art, hacktivism, post-digital art… For its tenth anniversary, Poptronics brought up a collective archive of its materials, revisited by the French digital art scene.

Special issue dedicated to Brazilian poet Augusto de Campos.

This catalogue presents an exploration of artistic imaginaries in the age of artificial intelligence. A series of essays examine these new aesthetics through various historical, contemporary and conceptual perspectives. The publication also includes a series of projects by artists such as Ian Cheng, Cécile B. Evans, Avery K Singer, Luca Trevisani…

Second volume of the catalogue dedicated to the collection of digital art at the Espace Multimedia Gantner, presenting 23 new acquisitions as well as a glossary and two unpublished texts on the place of digital art in contemporary art and the issues related to conservation and restoration.

This illustrated essay creates a dialogue between the works of Fluxus artist Jean Dupuy and dadaist Marcel Duchamp around their shared interest with eroticism.

Issue coedited with Rachel O'Dwyer, media and communications Research Fellow at Trinity College Dublin; interviews with Olivier Sarrouy, Furtherfield (Ruth Catlow & Marc Garrett), Holly Herndon and Mat Dryhurst, Martín Nadal, Ami Clarke, Sarah Friend; A token called ART; How is the Blockchain Transforming the Art World?; reports on the Meta.Morf 2018 – the 5th Trondheim Biennale, and Transmediale 2018.

Affiliated with Vaporwave—a sub-genre of electric music and art which criticizes and mocks 1990s internet imagery—artist Chloe Feinberg takes a new turn with this series of black & white erotic illustrations.

This comprehensive monograph on Teresa Burga acknowledges the recent reassessment of the multidisciplinary artist's work as a pioneering voice in Peruvian contemporary art.

Publication reflecting on the work of contemporary artists who explore the collision between the digital and physical worlds. These artists take a step back, using decontextualization, rematerialization and displacement tactics to examine the future of our world. Through a collection of interviews with and essays by artists and theoreticians, this book develops the reflections generated during the eponymous exhibition.

A visual tour de force (artist's book).

This study traces the history of a cultural and artistic landscape that has taken shape since the year 2000, with the Internet. Omar Kholeif aims to put into context a new language for seeing, feeling, and being that has emerged through post-millennial technologies, and argues for a nuanced understanding of the post-digital condition.

A survey of the eponymous project, which materialized between 2012 and 2017 in different remote places around the world—an annual gathering initiated by artist Angelo Plessas for a community of cultural practitioners concerned with our post-technological life.

This catalogue documents three video works by the Belgian-American artist Cécile B. Evans, in which she explores the impact of digital technology on human condition.

A French history of digital animation.