New York

Artist Oraib Toukan presents an informal register of modernist Palestinian architecture—an assemblage of images and stories collected from 2013 to 2015 in the cities of Nablus, Ramallah, Jerusalem, Bethlehem, and Jericho.

Craig Kalpakjian is a pionneer in the use of digital software for artistic purposes. This first monographic book is an in-depth look at Kalpakjian's work Black Box, an installation featuring a robotic dog taking pictures. The artist examines this work in cunjunction with declassified CIA and Army Intelligence interrogation manuals. The publication includes an interview with Bob Nickas, and essays by curator Paul Wombell and Gilles Deleuze.

A critical perspective on Guyton's work.

Sam Anderson's body of work examines the existential conditions of human life on the basis of her own biography and stories from her social milieu. This catalogue documents her first solo shows at SculptureCenter in New York and the Kölnischer Kunstverein in Cologne. It features both new and older works, including sculptures, installations and video works.

The third volume of a five-chapter publication series, this catalogue celebrates a new iteration of the artist's color spectrum series that congregates his art, the architecture of the Cincinnati Contemporary Arts Center, and the public as collaborators in an all-encompassing experience.

The fourth of a five-chapter publication series by Ugo Rondinone, this catalogue documents the iteration of Ugo Rondinone's Vocabulary of solitude at the Berkeley Art Museum and Pacific Film Archive in the summer of 2017.

The complete Landscape Paintings.

The complete Horizon Paintings.

The complete Sun Paintings.

An overview of American artist Amy Sillman's most recent bodies of work, including diagrams, drawings, animations, sculpture, and large-scale abstractions that combine painting with digital prints on canvas, shown serially in panoramic installations. Layering and dynamic movement pervades these works, whose concerns shift between the tragic-comic and the vexed histories and techniques of painting.

Interviews with Lucy Dodd (by Rashid Johnson), Cate Giordano, Celeste Dupuy-Spencer, Jlin, Branden Jacobs-Jenkins, Milford Graves, Meredith Monk and Jim Hodges, Don Mee Choi and Christian Hawkey, Friederike Mayröcker; portfolio by Laura Bruce; fictions by Klaus Kertess, Wendy Xu, Pierre Senges, Constance DeJong; an essay by Nuar Alsadir, and more.

Shot in South Africa in 1992, Moyra Davey's Gold Dumps and Ant Hills is a series of black-and-white photographs of mounds left behind by two types of excavation—one human and one animal. For Davey, the pairings of gold dumps and ant hills “invite not only our imagined associations but, as South African landscapes, our received, politically charged associations as well.” The photographs are presented here in book form for the first time.

Catalogue spanning the last ten years of works by the American painter whose practice revolves around linguistic issues and reflexive material practices in art. The publication includes texts by artists, curators and scholars, documentation of the exhibition at the Blaffer Art Museum by a group of local high-school students and a magazine dedicated to Rayne's 2013 book-object Almanac.

Interviews with Amit Dutta, Lisa Sanditz, Nina Katchadourian, Anoka Faruqee & Michelle Grabner, Suzanne Bocanegra, Adrienne Truscott, Marcus Steinweg, Mike Wallace, Lucy Ives; portfolio by Renee Gladman; a text by Kristen Gleason, the winner of BOMB's 2017 Fiction Contest; an essay by Jennifer Kabat; Édouard Louis's “New York diary”; books and shows reviews, and more.

The American illustrator's new series, field with characters that operate in a kind of abstract epic or post-Columbian codex that blurs pure myth and daily life. Leines' output reflects the 80's pop culture, modern art and a global range of graphic influences.

Catalogue dedicated to a video project on the practice of gospel mime within the African-American church. This subject is an opportunity for Jemison to express her interest in language and gesture, and on the discursive dimension of African American culture.

This reader brings together American and French scholars to discuss the recent paradigmatic shifts from anthropocentric theories toward new models of realism, objectivity, and even metaphysics, occurring in the realm of contemporary art and philosophy—with the school of thought called New Existentialism as a guiding topic.

Artistic practices in New York's alternative art spaces (1969-1985).

This monograph dedicated to Wyatt Kahn encompasses his painting production from 2011 to 2017, and introduces his recent exploration of photography.

A collection of essays on art and literature—most of them unpublished in French—by the American poet, performance artist, and critic.

This publication, edited by Enzo Cucchi, gathers drawings by Alex Katz and words by his son Vincent. It is a project that takes shape through the intimate relationship between the three subjects.

New expanded edition of a major text by the American choreographer-dancer.

Interviews with Steffani Jemison, Amitav Ghosh & Curt Stager, Ron Athey, Stephin Merritt, Rita Ackermann, Bryan Hunt, David Levine, Hari Kunzru & Sjón, George Saunders, portfolio by Su Hui, novel excerpts by Mathias Énard, João Gilberto Noll, and Andrew E. Colarusso, poetry, comic book artist Austin English, reviews, and more.

This catalogue brings together a selection of early paintings by the american artist, accompanied by an essay illustrated with archival images.

A biographical essay which explores the origins and influences of Charlemagne Palestine, as well as themes related to his life and artistic practice—spirituality, music, performance, avant-gardism—together with an acute analysis of his main works. The study is followed by an interview with the artist, which provides a clever balance between personal anecdotes and reflection.

A biographical essay which explores the origins and influences of Charlemagne Palestine, as well as themes related to his life and artistic practice—spirituality, music, performance, avant-gardism—together with an acute analysis of his main works. The study is followed by an interview with the artist, which provides a clever balance between personal anecdotes and reflection.

Three-volume box set dedicated to Peter Campus's work, one of the most important pioneers of video art (Catalogue of the first monographic exhibition of the artist in France at Jeu de Paume; facsimile of an out of print exhibition catalogue from 1974; Augmented Reality book including all Campus's work since 1971).

This catalogue brings together works and archival material from Lassnig's New York days. Along with her paintings, watercolors and drawings, the publication gathers documenation on animated films she created in collaboration with the Women/Artists/Filmmakers, Inc. group. It also includes a text by Elisabeth Bronfen, “A Mysterious Point of Certainty: Maria Lassnig's Body-Awareness Painting.”

New monograph.

Interviews with Lynda Benglis, Roe Ethridge, Becca Blackwell, Antonio Campos & Robert Greene, Angie Keefer & Liz Magic Laser, Laura Kurgan, Michael Palmer & Rosmarie Waldrop, China Miéville, “artists on artists” section with Aki Sasamoto by David Everitt Howe, Jibade Khalil-Huffman by Thom Donovan, Ellen Cantor by Nicola Tyson, featuring fictions by Maria Fusco and Thalia Field, poetry, portfolios, reviews, and more.

An important work by American artist Mel Bochner yet strangely it remains little-known.

An erotic coloring artist's book juxtaposing scenes of intimacy and loneliness in the city at night.

The eighth volume of the Critical Spatial Practice series focuses on Jill Magid's “The Barragán Archives,” a multiyear project that examines the legacy of Pritzker Prize—winning architect Luis Barragán (1902-1988), and questions forms of power, public access, and copyright that construct artistic legacy.

Ben Vida's new LP represents the conclusion of one body of work, Damaged Particulates, and the beginnings of a new long form project titled Reducing the Tempo to Zero, in which the american artist return to the durational drone based forms that he first experimented with in his early days.

Selected from Bernstein's entire body of work, a compilation of graffiti-inspired charcoal drawings involving male external genital organs.

Interviews with Sarah Oppenheimer, Njideka Akunyili Crosby, Jen Bervin and Dianna Frid, Mel Chin, Marina Rosenfeld, Okwui Okpokwasili, Nell Zink, Laia Jufresa, “Artists on Artists” section with Audra Wolowiec by Emmalea Russo, James Esber by David Geers, Laura Owens by Claudia La Rocco, fiction and poetry, portfolio by Olga Chernysheva, books' reviews, end page by Jonathan Horowitz...

Fall 2016 exhibition previews, featuring 45 noteworthy shows worldwide. Plus, Kerry James Marshall on Marvel's Black Panther, Alan Licht on Martin Creed's “The Back Door,” the art of Willem de Rooij, Amy Taubin on the art of Bruce Conner, a special dispatch on art in Dakar, Jill Magid discusses her new work, and Hannah Black reviews the 9th Berlin Biennale…

Bomb's Summer Issue: interviews with Lawrence Paul Yuxweluptun, Wadada Leo Smith, Dmitry Krymov, Patricia Treib, Lee Clay Johnson, Jesse Ball & Catherine Lacey, Jason Simon, Vince Staples, “artists on artists” section with Frederick Terna by Stephen Westfall, Brandan “Bmike” Odums by Zachary Lazar, Rebecca Smith by John Newman, David Brody by Elliott Green, portfolio by Steel Stillman, fiction and poetry, exhibitions and books' reviews…

Retrospective monograph on all Beckman's video works since the 1970s.

A compilation of insightful, first-hand accounts of art making, art criticism, and exhibition organizing from the early-1970s to the present.

First major publication to contextualize feminist artist Bernstein's vast oeuvre within the history of art, feminism, and the American socio-political climate of the late-20th century.

Brazil's artists face multifront crisis, Jordan Wolfson's distressing robot ballet, official repression and crowd-sourced censorship against Istanbul's galleries and artists, interviews with Kaari Upson and Ian Cheng, Malick Sidibé's Bamako nights, Beyoncé's Swiss inheritance, architecture's charity cases, where not to eat in Paris, reviews from Boston, London, Los Angeles, and New York, and a portfolio by Pilar Mata Dupont…

Art and Identity Special Summer (triple) issue.

The first monograph dedicated to the chronicler of New York's underground, Still, Looking – Works 1969-2016 explores the interrelation between Sullivan's photographic work and his paintings & drawings. Includes essays by art historian William J. Simmons and critic Linda Yablonsky.

A collection of texts defining utopia as a place existing only within the domain of language, Utopia gives a synthesis of historical utopias and a snapshot of the 1970-1980's poetic scene.

New monograph: Josephine Meckseper's work exposes the paradoxes of consumer culture through the combination of mass-produced objects with images and artefacts of historical and political events.

Special section “The New Look: Art and Fashion Photography” featuring Philip-Lorca diCorcia, Heji Shin, Petra Collins, Laurie Simmons, among others, Summer 2016 Previews of 45 shows worldwide, Jonathan Rosenbaum on Jacques Rivette, Rhea Anastasia at Hauser Wirth & Schimmel, A Cinema of Resistance: Jean-Marie Straub and Danièle Hulet, Brian Dillon on Yan Xing, plus exhibition reviews from New York, Chicago, Cologne, Warsaw, Auckland, Sao Paolo, and more.

New monograph.

Richard Serra, Mary Heilmann and Terry Winters on Ellsworth Kelly, Thomas Eggerer on Monika Baer, Douglas Crimp talks with Thomas Beard about “Queer Cinema before Stonewall,” Maggie Lee on her video Mommy, sex and art from Fragonard to Manet, Claire Bishop on Peter Fischli & David Weiss, and exhibition reviews from Los Angeles, London, Düsseldorf, Paris, Beirut, Hong Kong, Rio de Janeiro, and more.