Institutional Critique

An “experimental monograph” (conceived by Heimo Zobernig) which offers a sidelong journey through the multi-facetted body of workmade by the Austrian artist since more than 30 years, which also offers a novel line of thinking about the layout of an artwork, and gathers a selection of “historical” texts and new commissioned essays.

A facsimile of the sketchbook made by the two artists for their first duo exhibition.

Artist's book.

A conversation between the artist and the architect.

The film of a trial for crime against art.

Can your monkey do the dog is the title for this book conceived jointly by Josh Smith and Christopher Wool. Thanks to digital imaging, they created together a series of pieces; one of them proposed an image from his corpus, which the other one reworked, by adding or removing elements. A new "layer" was each time superimposed on the previous one, without any constraint or mutual censorship regulating the alternating interventions.

Art and public spaces in the city.

Art as theory of the practice and practice of the theory.

Poetry and space for Marcel Broodthaers—a critical essay.

This small monograph follows the set-up of Daniel Buren's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

Catalogue.

Artist's book (photographs taken on the road).

Daniel Buren writes on his friend Robert Ryman to highlight some questions raised by his oeuvre and by his own work.

Unpublished text accompanied by a leaflet with 8.7 cm stripes.

A conversation between the sociologist and the artist: a sociology of art at the service of a political project.

The book presents an exhibition at The Consortium, Dijon, and reproduces 16 postcards.

Catalogue.

This publication provides an in-depth exploration of the artists joint project Olt, focusing on a 1967 promotional campaign by the French oil company Elf. The book highlights Mosset and Sauvage's common interest in graphic design and roadside art, and features a text by Jill Gasparina on the circle as a symbol of visual modernity, as well as an interview with the two artists.

A comprehensive look at the public artworks that Daniel Buren has made using ephemeral materials.

Luis Camnitzer plays the Drawing Room Confessions.

A collection of texts in which a number of art historians and other professionals reflect on the artists' practice.

Facsimile edition of an unpublished artist's book by Marcel Broodthaers from 1968 referring to Stéphane Mallarmé's poem “Un coup de dés jamais n'abolira le hasard.”

Monograph / catalogue documenting recent, actual and future exhibitions dedicated to Mosset's latest works or to a whole radical and minimalist œuvre.

The history and contemporary reassessment of the Institutional Critique movement.

Olivier Mosset's writings and discussions.

Reproduction of the artist's book published in 1975.

Exhibition catalogue.

16 colour postcards

1970 artist's book: Buren explains and positions his work with commented plans.