Conceptual art

Catalogue / retrospective monograph.

A selection of Xerox printed preliminary works by artists—based on the 1966 book by Mel Bochner following the iconic conceptual art exhibition “Working Drawing And Other Visible Things On Paper Not Necessarily Meant To Be Viewed As Art”.

First monograph.

Reference monograph designed by the English artist, focusing on the projects of the last five years, with a new theoretical framework and full description of numerous projects.

This publication, conceived by Peter Downsbrough, includes three unpublished texts and constitutes a real artist's book. The limited edition is accompanied with a box set signed and enhanced with the stamp of two parallel lines, as well as an original work, folded and inserted in the book.

40 scenarios of films, highlighting the relations between Sarkis' pictorial work, cinema and music, with an original artwork signed by the artist.

This publication reunites a selection of critical writings for the most part printed in magazines or exhibition catalogues: a reinterpretation of Conceptual and Minimal art, as much as a testimony of the 90's art scene.

Box gathering the two volumes of the catalogue Consciousness. Meditation. Watcher on the Hills, published for the world tour of the exhibition by On Kawara.

Conditions, procedures, framing and circulation of art works.

This publication, conceived by Peter Downsbrough, includes three unpublished texts and constitutes a real artist's book. A work on the notion of position and centring which questions the relationship between space and language.

40 scenarios of films, highlighting the relations between Sarkis' pictorial work, cinema and music.

The complete and illustrated songbook (audio CD included).

Roman Opalka explains a pictorial work about the existence of the artist himself (the limited edition of the book contains a signed and unique photograph of a section of the artist's bust).

Details shows a succession of scenes filmed in static shots, appearing behind words letters cut on a black screen, giving the word the function of the frame and therefore rephrasing the link between language and image.

A video creation by one of the most famous representatives of conceptual art, exploring relations between language, time and space.

Art as theory of the practice and practice of the theory.

A fully illustrated, artist-designed catalogue.

Roman Opalka explains a pictorial work about the existence of the artist himself.

An impersonal autobiography (artist's book).

Two studies on the link between language, art and reality in Marcel Duchamp's work.

Poetry and space for Marcel Broodthaers—a critical essay.

First publication of Le Va's scrapbooks.

In Hurting Horses, the artist uses a distinct literary style from one chapter to another, from autobiography to historical essay, from satirical parody to the fantastic, from letter to fiction, from detailed report to visionary daydream. These masterly pieces of literature are haunted by the great American foundation myths and establish a series of crucial links from myth to history, from history to art, from art to nature.

This small monograph follows the set-up of Daniel Buren's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

A collection of over 120 propaganda leaflets that have been dropped by the US Army on Afghanistan and Iraq.

Monograph with texts by Eva González-Sancho, Michel Gauthier, Line Herbert-Arnaud and Richard Klein, exploring different aspects of Downsbrough's work (movies, maps, space...).

A new approach of Duchamp's keywords.

German artist's "word-images" (early works).

Monograph.

Reference monograph.

A video triptych.

Catalogue.

Script of the movie by Liam Gillick, adaptation of Underground Man - Fragments of Future Histories, by Gabriel Tarde (1896).

An urban journey.

Reference monograph.

Artist's book: an invitation to travel by way of a mappemonde punctuated by lines and photographs of city spaces.

Marcel Duchamp met Lydie Sarazin-Levassor at the end of March 1927. On 7 June, they were married. Francis Picabia acted as a witness and the ceremony was filmed by Man Ray. On 25 January 1928, they divorced. Lydie Sarazin-Levassor tells the story of their marriage, presents us with “her” Marcel, and relates her encounters with Jacques Doucet, Constantin Brancusi, Henri-Pierre Roché, Man Ray and Kiki de Montparnasse, Jean Cocteau, the Ballets Russes, the Duchamp family, Jean Crotti, Mary Rumsey, Katherine Dreier and Robert Desnos, and describes the atmosphere at the Villons' (in Puteaux, just outside Paris), the Picabias' (at Mougins, in the South of France) and the Sarazin-Levassors' (in Étretat, on the Normandy coast).

Marcel Duchamp “laid bare” by Marc Décimo who talks about the creative process in this essay on the father of conceptual art.

Artist's book (photographs taken on the road).

The writings of a major artist of the 70's NY scene.

A reflection initiated by Veit Stratmann on the sometimes conflictual relationship between the artist and public space.

A b/w movie realized in digital video, on the road and between machines.

Documentation on selected works by Jens Haaning and texts.

Kawara's Date paintings, telegrams and books from the One Million Years series.

Monograph on the conceptual artist' early works.