Fluxus

A collection of texts and interviews, some previously unpublished, covering a period of 40 years, with rare illustrations.

A dialogue between two avant-garde figures, one poetic, the other musical.

30 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments, with new essays and articles, original photos and other documentation.

30 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments, with new essays and articles, original photos and other documentation.

The first ever vinyl release to attend to James Tenney's legendary "Postal Pieces", marking the first ever appearance of five of the suite's works on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson.

A limited edition repress of the remastered album "Descending Moonshine Dervishes" by Terry Riley, originally recorded live in Berlin in 1975 and released by Kuckuck in 1982.

This book recounts Jean-Jacques Lebel's long and tumultuous passage through the powerful laboratory of ideas and experiments of surrealism that was the journal Front Unique (1955-1960), which heralded and sometimes prefigured his future protean activities in the fields of art, poetry and militancy (anticolonial and libertarian).

An exploration of sound, space and time using found objects and flute. (new remastered version by Lawrence English of the piece recorded by Akio Suzuki in Berlin in 1994).

Experimental poetry, historical avant-garde, contemporary music, dance, visual arts, intermedia: the sixth issue of Jacques Donguy, Sarah Cassenti and Jean-François Bory's avant-garde artistic and literary journal, with Frédéric Acquaviva, Antonin Artaud, Philippe Boisnard, Bernard Bousquet, Augusto De Campos, Hélène Defilippi, Cassandra Felgueiras, Pascal Le Gallois, Raoul Hausmann, Eduardo Kac, Chris Korda, Thomas Laroppe, Alvin Lucier, Made In Eric, Richard Meier, Simone Osthoff, Nam June Paik, Céline Paul, Diamantino Quintas, Biño Sauitzvy, Raoul Vaneigem.

Julien Blaine's rebellious confidences, between the political and the poetic.

Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

Some of the earliest works by American composer Phill Niblock, including three never before released pieces: "Index" (1969), "Tenor," and "Boston III" (both from 1972). Until now, it's been impossible to encounter Niblock's compositions from earlier than the 1960s, a reality thankfully rectified by the long overdue publication of this LP on Alga Marghen.

Julien Blaine's new collection of poetic, visual and typographic experiments.

New approaches to Iannone's unique work.

Unreleased tapes from the 70s and 80s.

The album includes Milan Knížák's 1973 private recording BROKEN MUSIC, released as a multiple of forty copies by Armin Hundertmark in 1983 on Edition Hundertmark, and a live version of BROKEN REBROKEN, performed in January 2020 at the Museum of Czech Music in Prague by Milan Knížák, Petr Ferenc (aka Phaerentz) and Opening Performance Orchestra.

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

Two mesmerizing works for carillon, the keyboard-controlled bell tower derived in the 16th century.

This publication by avant-garde artist and cultural icon Yoko Ono combines never-before-published texts and invitation pieces written in 2016–2018 with drawings from the “Franklin Summer” series she started in 1994 (new edition).

A text by the painter, writer and poet, begun in 1959 as a student and finalized half a century later.

An hour-long piece in four parts, scored for four cellists, featuring Tyler J. Borden, Laura Cetilia, Charles Curtis and Judith Hamann.

An ideal introduction to Lucier's late music.

Comprehensive documentation on the vast and daring interdisciplinary project conceived and staged by the Swiss artist John Armleder, a programme of exhibitions comprising invitations to other artists as well as presentations of different collections, for the Kanal-Centre Pompidou spaces.

For countertenor, parrots, different voices & dead electronics.

Unreleased tapes from the 70s and 80s.

A book and CD homage to the New Zealand-born American composer Annea Lockwood.

A newly unearthed recording of an interview between Sun Ra and composer, sound and intermedia artist and Fluxus associate Charlie Morrow recorded at his New York studio in 1989. This outstanding voice-only recording develops more like a kaleidoscopic sermon than any standard interview.

29 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments (with a 72 page booklet with texts and pictures).

18 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments (with a 24 page booklet with texts and pictures).

Three perspectives (philosophical, sociological and artist's word) on the meaning of the avant-garde, and its relationship to the counter-culture.

Two performances from 2020 and a selection of 1980s recordings by Japanese Fluxus artist Takako Saito.

Two unpublished texts that demonstrate the extent of the writing work that Marcel Alocco has been producing for over half a century.

First reissue since its initial 1969 release of New York minimalism and drone pioneers La Monte Young and Marian Zazeela's first full-length album, popularly known as "The Black Record" or "The Black Album".

First reissue since its initial 1969 release of New York minimalism and drone pioneers La Monte Young and Marian Zazeela's first full-length album, popularly known as "The Black Record" or "The Black Album".

First recording: a cascade of sounds and words, recorded one after the other as they arose in the mind, consists of songs and poetry from diverse sources as well as original works by the artist.

An exhibitions book including 2 CDs with new pieces by Phill Niblock performed By Stephen O'Malley, Deborah Walker, Kasper Toeplitz, Franck Vigroux, David Maranha and many others.

A major archival discovery: a stunning document of the only performance by the trio of Tony Conrad, Arnold Dreyblatt and Jim O'Rourke.

Maurizio Nannucci's "auto(biblio)biography" (artist's book).

The continuation by all means of an elementary poetry which develops always and still new poetic devices to restore the world.

A collection of letters (from 1957 to 1995) that the famous brothers Jonas Mekas and Adolfas Mekas sent from America to Semeniškiai village, their homeland, all addressed to the most important addressee of their lives—their mother, Elzbieta Mekienė.

An anthology that traces the long legacy of interdisciplinary experimentations at the intersection of walking, listening, and soundmaking (new edition).

Available for the first time since its original 1980 release on ALM-Uranoia, New Sense of Hearing documents a collaboration between Takehisa Kosugi and Akio Suzuki, two luminaries of Japanese experimental music in the lineage of Fluxus.