Literature

A philological and theoretical rereading of the late work of Johann Georg Hamann (1730-1788).

Children and childhood in modern literature.

A comparative analysis of the poetic creation of the second half of the 20th century, under the aegis of the notion of non-dualism, redefining the epistemologies of action peculiar to the poetry of the 1960-80s but also, in perspective, of the extreme contemporary.

The writings of the artist Marcel Alocco, painter, writer and poet, presented in the chronological order of their writing, from 1963 to 2001.

This new issue of the CNES' creation magazine collects the individual mythologies of forty-five authors, artists and art critics and draws a subjective and engaged relationship to the space environment, often experienced as beyond the reach of ordinary mortals.

The seventy-three sonnets, unpublished in French, written by Walter Benjamin in memory of his friend Fritz Heinle, a poet who committed suicide at the age of 19, in despair or in protest against the advance of the First World War (bilingual edition).

A singular analysis of Italian poetic modernity and its relationship to reality, by the poet and theorist Gabriele Belletti.

Koma Kapital speaks of the violence of our society and the world of work on our individualities, and their ability to either shape us, or destroy us.

Koma Kapital speaks of the violence of our society and the world of work on our individualities, and their ability to either shape us, or destroy us. The limited edition, numbered from 1 to 20 and signed, contains an original artwork by the author (drawing on paper).

This poetic document is based on the archives of the personal procedure files of a military court in Algeria between 1954 and 1963. These files are exempt archives that the author, also a historian, was one of the first to consult. In line with objectivist literature, this book gives one the opportunity to read the words of French justice in Algeria.

Ted Dodson's thoughtful and experiential second collection of poems.

Two short stories by Lucien Jean (1870-1908), accompanied by a mini CD slipped into the book: an unpublished atmospheric piece, recorded for the occasion, by Lee Ranaldo.

19 poems and 23 chronicles of improvised music concerts (Albert Ayler, Sophie Agnel, Raymond Boni, Hélène Breschand, Steve Dalechinsky, Joëlle Léandre, Seijiro Murayama, Jean-François Pauvros, Barre Phillips, and many others).

An essay on the political dimension of Rimbaldian poetry.

An unpublished tale by Raoul Ruiz.

An unpublished tale by Raoul Ruiz.

Ahmed Bouanani's book on the history of Moroccan cinema from 1907 to 1986, published for the first time 33 years after it was written: a hybrid text with prodigious inspiration.

The first book written by Pierre Escot at the beginning of the 1980s, never published before, intertwines several stories in poetic and narrative fragments.

A collection of narrative texts articulated around the narrowness of a Parisian dwelling and the daily life of its occupant.

Collection of poems influenced by experimental poetry (Tarkos, Pennequin, Quintane...).

The fertile exchanges between French and American poetry since 1968.

A series of photographic performances by Fabienne Létang, confined to her studio, with texts by Liliane Giraudon, Amandine André and A.C. Hello.

From Pantin to Paris-North Station, via "somewhere in Latin America": an implosive writing for a mapping of violence. Both a poetic document and a choreographer's notebook.

An essay on the love relationship between Sade and Renée Pélagie, his wife, followed by an anthology of letters from Sade to Renée Pélagie.

An essay on the love relationship between Sade and Renée Pélagie, his wife, followed by an anthology of letters from Sade to Renée Pélagie. The limited edition, numbered from 1 to 20 and signed, contains an original artwork by Liliane Giraudon (drawing on tracing paper).

A tribute to William S. Burroughs.

The musical adaptation of Joseph Ponthus' eponymous book by Michel Cloup (Diabologum), Pascal Bouaziz (Mendelson, Bruit Noir) and Julien Rufié (Michel Cloup Duo), between rock, reading, chanson and electronics.

Each of the stories that make up this collection of narratives has as its starting point a phrase that must be taken literally, in its literal sense. The writing then develops its poetic and imaginary potentialities.

A tiny collection of three short stories by Chinese author Can Xue that immerse readers in a world where reality and absurdity collide.

The unpublished story, reproduced in facsimile, of the journey to Paris of Frédéric Bruly Bouabré (1923-2014), Ivorian poet and artist, "prophet", creator and inventor of the Bété alphabet, who writes a "report" of his encounter with the Western world on his return from the opening of the mythical exhibition "Magiciens de la Terre".

Thulani Davis' collection of poetry about music.

Entonnoir de Nous: a machine misunderstands two humans over several years, and unwittingly writes a book of poetry.

Book / sonic sculpture.

Drawings and texts by Olivier Bringer (series of 30 drawings and 12 unpublished texts printed on Munken paper).

Denis Lavant reads/says the poem Vents by Saint-John Perse (1946), accompanied by Quentin Rollet (saxophones) and Patrick Müller (electrosonic). With the participation of Romain Perrot (guitar).

The first ever anthology of feminist poetry from Russia.

This volume focuses on all of Emmanuel Hocquard's activities, in order to highlight his importance, and to situate him in a history of contemporary poetry in which he was one of the main protagonists.

This book gathers the texts (rare or unpublished) conceived as scores of Michèle Métail's oral publications since 1973.

This book gathers the texts (rare or unpublished) conceived as scores of Michèle Métail's oral publications since 1973. This limited edition, numbered from 1 to 20, contains a signed collage.

Experimental poetry, historical avant-garde, contemporary music, dance, visual arts, intermedia.

The “chronicle of a sideration” written during the lockdown between March and June 2020, accompanied by a textual contribution by Julien Coupat et alii.

Unlike previous Gerhard Rühm editions on Tochnit Aleph which portrayed his phonetic poetry and longform radio-plays, the pieces on this edition are more conceptual, actionistic and (mostly) sound-based works recorded between 1962 and 1987.