Art brut / “outsider art” / alternative & underground comics

Mapping and drawing, William Kentridge, drawing out of control, Matthieu Cossé, Louise Grislain, André Rouveyre, Charles Le Brun, André Raffray, Adrien Gerenton, Dominique Charnay's cartoons collection, Jochen Gerner, Roxane Borujerdi, Nick Devereux, Diana Cooper, Mark Dion ; artistic contributions by Wolfgang Laib, Matthieu Cossé, Paul van der Eerden, Caroline Jörg, João Vilhena, Sarah Tritz & Anne Kawala...

Viande de chevet (“bedside meat”) gathers the burgeoning work from a collective of United Dead Artists's illustrators, in the same vein as Tendon Revolver publications.

Blexbolex has partnered with German artist Stefanie Schilling for the making of 47 papier mâché masks representing monsters, skulls, demons and animals... A colorful procession of resurrected souls on a Mexican day of the Dead.

This impressive book of over 300 pages gathers a selection of drawings and paintings taken from Laurent Lolmède's personal notebooks from 1988 to 2010.

A philosophical approach to the image in the margins or outer limits of art (from art brut to experimental art and its political extensions).

Silkscreen (120 numbered and signed copies limited edition).

A veritable panorama of Art Brut at an international level, through 180 works selected from Bruno Decharme's collection.

Noviadi Angkasapura frenetically covers paper and bits of cardboard packaging with felt-tip pens, ballpoint pens and pencils, haunting them with the magic of spirits.

The third book by Master of the Underworld Daisuke Ichiba published by United Dead Artists focuses on color, blending red demons with the sulfur of strangling gardens.

A series of works by the duo of painters Les Sœurs Siamoises, who work the images together "like a decomplexed table tennis game, with Indian cactus in the pin-up colors of the forests of the kingdom of Siam".

First monograph.

The catalog of the international exhibition initiated at Les Abattoirs reveals a little-known story that was a milestone in 20th century psychiatry and its new links with art brut and modern art, taking as its starting point the career of the Catalan psychiatrist François Tosquelles (1912-1994).

A selection of works on paper by Swiss visionary outsider artist and healer Emma Kunz (1892-1963), close to geometric abstraction.

Aurel Schmidt's drawings.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to July 2021: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for almost a year...

The meeting between the Japanese group Acid Mothers Temple and the Argentinian group Reynols, a major figure of art brut practices with its trisomic drummer-singer, Miguel Tomasin.

Artist's book.

Compilation realized within the framework of the "Rencontres de Pratiques Brutes de la Musique" by the association Sonic Protest.

The long-awaited facsimile publication of Dorothy Iannone's 1969 cookbook.

Will Sweeney's new graphic narrative is set in a retrofuturistic England ruled by a twisted elite who exploits a population inhabiting decadent urban centers. Monsters populate this strange world, and humanity's last chance lies in the power of the Vorpal Sword—a metaphysical blade of vital creative energy…

An introductory examination of asylum art before the theorization of art brut, followed by a new critical edition of French alienist Marcel Réja's study on the “madmen's art”.

First double album of the "art brut" sound artist Jean-Marie Massou, mixing field recordings, laments and messages to humanity, recorded by himself on his cassette recorders.

First double album of the "art brut" sound artist Jean-Marie Massou, mixing field recordings, laments and messages to humanity, recorded by himself on his cassette recorders.

Reference catalogue that examines the notion of Art Brut in a time of new technologies. The first section of the volume features a selection of essays by specialists; the second and richly illustrated section introduces the works of 28 iconic or emerging artists.

An audio recording of the American artist performing a German folk song while masturbating.

A complete study on Tinguely's Torpedo Institut, an ever-evolving & never-ending iconoclastic exhibition venue shut down after his death – and against his will. Gathering the Swiss artist's latest works, and those of his closest friends (Niki de Saint Phalle, Daniel Spoerri, Ben...), this “total anti-museum” is now reassigned to its rightful place among Tinguely's oeuvre in the form of this exceptional publication.

A new drug on the market: an illustrated kaleidoscopic trip by Arnaud Loumeau.

With Grotesque female creatures, atomic lightbeams, skulls, Pop monsters and ukiyo-e decoration... These polychromic hallucinations of a Master of Psychedelic art were inspired by a near-death experience.

A seminal text (and introduction to some 25000 pages of drawings, collages, autobiographical writings and compositions by Adolf Wölfli), this “short autobiography” of a major figure in the history of art brut is accompanied by a mini-CD containing the two interpretations of Wölfli's graphic scores by Nurse With Wound, first published in 1986.

Somewhere between Hieronymus Bosch and Roald Dahl, Amandine Urruty's frescoes picture a particularly rich wonderland inhabited by anthropomorphic animals. A graphite virtuoso, Urruty uses sfumato technique with abundant details to form her baroque & bubblegum universe.

A series of surgical experiments on creatures with genetic disorders resulting from a hypothetical interbreeding between aliens and humans: a crude transhumanist nightmare by Wataru Kasahara.

Artist Stéphane Blanquet re-draws a collection of (mostly) vintage pornographic pictures. These disturbing diptychs constitute an essential catalog of sexual fantasies and oddities.

An experimental film by Oswald Wiener (1965)—copy signed by the artist.

A series of speechless strips made in Indian ink describing absurd warfare conflicts set in bucolic landscapes.

The Animas Report series, including a supplement booklet.

A tribute to the French artist Jean Dubuffet (1901–1985) and to the typographic strategies with which Dubuffet achieves, on a visual level, his plan to destroy language through books and lithographs.

The series of drawings from “Le lac sombre” (“The Dark Lake”) were inspired by an episode from La Peste Brune (The Brown Plague), a written account of Germany in the Thirties by french writer, theorist and activist Daniel Guérin. There he described his encounter with the Wild Boys, a group from the “Wandervögel” movement, a libertarian youth community which crossed Germany and its history from 1896 to 1936.

Symmetrical portraits of female characters and unidentified creatures cut in black paper.

Variations on the theme of masculine desire: three short comic stories from Ebisu's off-the-wall universe.

Third issue of United Dead Artists' illustrated newspaper.

Special issue: 12 pages / 12 authors. An erotic & nightmarish cover illustration by Stephane Blanquet, a masochistic fantasy by Namio Harukawa, a Metal Monster by Francesco Defourny and many more.

Monograph on Miroslav Tichý's unconventional and artisanal (blurred, underexposed photos, taken with handmade cameras) but powerfully evocative work.

Dark romanticism revisited: Aleksandra Waliszewska' Gothic paintings are a nightmarish blend of European folklore and Mythological influences, macabre characters plunged on the brink of insanity, funeral landscapes, powerful irrational and morbid scenes... “Of bloody dreams, black threats, traps in the forest, tight throat, wasted faces...”.

150 drawings of callipygian women dominating men: Namio Haruka's second book at United Dead Artists still focuses on his obsession for BDSM scenes.

29 highly surreal works by Keiichi Tanaami.

A manifesto of modest art.

Baudouin de Jaer decodes Adolf Wölfli's hermetic and emblematic scores.

A series of drawings illustrating Haldernablou, an homoerotic text by 19-year-old Alfred Jarry and first published in 1894.

A visual narrative based on a series of randomly selected photographs from National Geographic issues: a “dream generator” taking visual motifs from a version of the real world and pushing them into the realm of the subconscious.