Feminism

A chronicle of the recent transformations of art schools, from the point of view of a teacher, at a time when these spaces are both threatened by increasingly fragile and uncertain public policy management, and at the same time more than ever spaces where the word opens up, practices change and art finds itself in direct contact with the most avant-garde movements in society.

The catalogue for Iva Lulashi's exhibition at the Albanian Pavilion of the Venice Biennale 2024, inspired by the sexual revolution advocated by Russian radical thinker and feminist Alexandra Kollonta.

The first volume in a series devoted to the archives of German artist, author and curator Marion von Osten (1963-2020), around the MoneyNations project, transversing between art, theory, and activism.

A lesbian and queer re-reading of Albertine, a central character in Marcel Proust's In Search of Lost Time. A group show constructed as a portrait of lesbian identity.

New monograph, featuring a cohesive body of new work, with large-scale paintings and watercolours.

The first comprehensive monograph devoted to artist Bea Schlingelhoff.

A selection of paintings by Cosima zu Knyphausen over a period of five years, accompanied by an essay by Rahel Schrohe, and a poem of the artist.

A collective publication resulting from a research project led by Sophie Orlando and Katrin Ströbel that takes as its starting point the way in which current geopolitical, economic and social changes induce a renewal and adjustment of artistic strategies, by investing, in an intersectional perspective, contextual thinking and feminist, queer and postcolonial thinking in an artistic and conceptual way.

A selection of original texts by Isabelle Eberhardt (1877-1904), revealing the author's sororal empathy for the condition of the Bedouin women of the Maghreb whom she encountered during her desert wanderings, dressed as a man.

Virginia Woolf and Valerie Solanas inspired a reverie. From there, a text unfolded in slippery formulas and furtive references that sometimes imploded into graphic and visual signs.

Kahlo/Modotti – Forty Years Later is the result of a visit by Laura Mulvey to the Department of Film Studies at the University of Zurich in November 2022. The booklet contains two texts: Mulvey's evening lecture at the Cabaret Voltaire, revisiting hers and Peter Wollen's exhibition and film on Frida Kahlo and Tina Modotti, and Wollen's 2003 essay on the phenomenon of "Fridamania."

Judith Bernstein's Active Figuration series (2000) consists of ink-on-paper drawings created through a trance-like process, exploring the subconscious. The gestural images address the political injustices of their time, depicting figures in existential angst and turbulent relationships. "It's fun, but it's dead serious".

Dealing with the hauntings and echoes of Austria's colonial past, Belinda Kazeem-Kamiński—visual artist, writer, and recipient of the Camera Austria Prize 2021—sets the stage for the what-if, while confronting viewers with the violence of the Western gaze.

First monograph.

A complete documentation of Yayoi Kusama's early performative activities in the Netherlands in the 1960s-70s, through a collection of previously unpublished photographs and written and visual accounts from eyewitnesses, showcasing her unique style and engagement with the emerging sexual revolution.

Reference monograph.

Reference monograph (also available in English edition).

Louise Bourgeois' flowers series, painted in gouache on paper.

Hannah Ryggen Triennale 2022 presents artists and works that can varyingly be seen in the light of Swedish-born Norwegian feminist textile artist Hannah Ryggen's legacy (1894–1970).

Four artist's posters.

Hybridizations presents the most recent work of the French artist ORLAN which reflects, from the aesthetics of ancient Mesoamerican cultures, on the canons of beauty, cultural exchanges, and the symbolic and material powers of native peoples in a globalized world.

Charles Fourier and the origins of feminism.

The restored and remastered vinyl reissue of a sound performance by American writer Kathy Acker and French noise/experimental band Nox, published in 1987, with a poster and a previously unpublished set of documents, letters, texts and photos.

A split album as part of the GRM Portraits series bringing together two pieces by Félicia Atkinson and Richard Chartier.

Catalogue devoted to Niki de Saint Phalle's Tableaux éclatés (Burst paintings), a vast series of paintings composed of cut-out shapes set in motion by motorized devices as spectators pass by, created as an homage to Jean Tinguely (the book's pop-up cover allows to recompose the pattern of a painting using pull tabs!).

An in-depth exploration of the artistic issues at stake in the work of Ad Minoliti, with the aim of deconstructing the binary categories that history and the history of art have tried to retain as "universal".

First monograph.

Félicia Atkinson's new artist's book, bringing together photographs, drawings and poems.

The multiple issues of sexual representations in art / the complex relationships between art and the various forms of pornography.

On the themes found in the work of Lorraine O'Grady: Black female subjectivity, intersectional feminism, institutional critique, music, and translation.

On Patterns reflects the themes in Adelaide Cioni's research: nature, language, craft, performance and abstraction/spirituality.

A re-examination of Yvonne Rainer's Parts of Some Sextets, a radical performance and pivotal piece in the American choreographer's career, which led her to theorize her conception of dance in the 1960s, before being revived in 2019.

First recording: a cascade of sounds and words, recorded one after the other as they arose in the mind, consists of songs and poetry from diverse sources as well as original works by the artist.

A fully-fledged artistic project expanded with writings, poems, and aphorisms by the artist alongside various interviews.

A multidisciplinary and polyphonic portrait of Kiwanga's practice and thinking.

A multidisciplinary and polyphonic portrait of Kiwanga's practice and thinking.

The emancipatory pamphlet by a young feminist against the misogyny of the father of anarchism.

A new series of very large-format drawings, the ideal entry point into the world of Mad Meg.

Giulia Essyad's Blueberry Studies, part of her Blue Period cycle, where blue skin is central.

An unprecedented insight into the artist's 1990s fashion collection.

A film by Gilles Coudert and Damien Faure about the stained glass windows made by Kimsooja for the Metz Cathedral: a dialogue between contemporary art and cultural heritage and between Eastern and Western thought.

A collection of texts by fifteen contemporary Brazilian authors who approach the notions of care and privilege from a transfeminist, anti-racist and decolonial critical perspective.

Marie-Laure Bernadac, a leading expert in Louise Bourgeois's work, invites nine artists from both sides of the Atlantic (Tracey Emin, Camille Henrot, Jenny Holzer, Rachel Whiteread...) to share their views of this major artistic figure of the 20th century (new edition).

First monograph on the durational performance artist Melati Suryodarmo, one of the pioneers of performance art in Indonesia.

The first publication on the archive created by the Swiss writer, painter, activist and prostitute Grisélidis Réal (1929-2005) since the 1970s, containing more than 10,000 documents that trace the international mobilizations for the rights of sex workers and their struggles against exclusion and stigmatization.

A series of reflections on major contemporary issues in the framework of feminism, individual and collective emancipation and self-organization, based on the film Scuola senza fine (1983) by Adriana Monti, figurehead of Italian feminist cinema.

At the invitation of Fabienne Dumont, seven artists from both sides of the Atlantic cast an eye on the work of American painter Alice Neel (1900-1984).

The series of photomontages on canvas made by Eulàlia Grau in the early 1970s, a transgressive response of a young Spanish feminist artist to the authoritarian Franco society that conditions thoughts and bodies.

A journey through the painted work of the Israeli artist, writer, visual analyst, psychoanalyst, philosopher and feminist theorist, through a set of reproductions and texts by Jean-François Lyotard, Nicolas Bourriaud, Noam Segal, Amelia Jones, Precious Okoyomon and Bracha L. Ettinger herself.

The hypothesis of a renewal of the world's habitability, questioning the links between ecofeminism and artistic practices, but also another relationship, more collaborative than separative, to the living world.