Feminism

First French translation of the Kusama's psychedelic novel, published first in 1978 during the exile of the artist in New York.

First monograph of the artist, presenting her figures of unfired clay, which grotesquely exaggerate the characteristic traits and trademarks of female sexuality.

Various artists and authors use two writers' correspondence as a primary source to develop an artistic and literary falsification.

Art and glamour as spaces for transformation of the self.

An essay to demonstrate Fourier's fundamental role in the emancipation of women and the transformation of society, "for the sake of imagination, of permanent interaction between sensitivity and reason."

Poem by Sherrie Levine; texts by Susanne Anna, Christian Bernard, Michel Assenmaker, Erich Franz and Susan Kandel.

The texts in Group.sex discuss political groups and languages, abstract radicalism and art, feminism and bohemianism, social hierarchies, and telematic friendship.

An artist's book focusing on the question of copy (reproductions of Huysmans and Degas' works).

A collective manifesto for feminist art schools.

An overview of Agnès Varda's work, from her films to her visual works: collages, video art, installations and photographs (especially those made in Portugal in the 1950s).

The third volume of the Wattis Institute's annual reader is informed by themes found in the work of Cecilia Vicuña, including ecofeminism, indigenous forms of knowledge, poetry and politics, dissolution and extinction, exile, dematerialization, regeneration, and environmental responsibility.

First monograph of Roma artist Małgorzata Mirga-Tas: an attempt to expand the Polish and European iconosphere and art history with representations of Roma culture.

A history of feminist gesture and performance since the 1960s and 1970s in California through an interview conducted by Carole Douillard with art critic Amelia Jones and two pioneering American artists, Barbara T. Smith and Susan Lacy.

An unprecedented insight into Louise Bourgeois' art by Jenny Holzer.

Monograph gathering together a selection of works by Miriam Cahn and the texts of authors such as Alberto Salvadori, Luigi Fassi, Carolin Emcke, Dieter Roelstraete, Estelle Hoy and Francesca Recchia.

What happens when feminist and queer care ethics are put into curating practice? What happens when the notion of care based on the politics of relatedness, interdependence, reciprocity, and response-ability informs the practices of curating?

The second volume of the Wattis's annual reader, ​A Series of Open Questions.

The first issue of the Cahiers du centre national du graphisme (National Graphic Design Center), around the relationship between graphic design and feminism (new edition).

Newly remastered by Rashad Becker for this vinyl edition, “Echo” finds Félicia Atkinson synching her feelings into a watercolour suite of solo keys, voice and field recordings, unfurling 40 minutes of new breathtaking music.

Four essays and one conversation with contemporary artists and curators from different backgrounds and origins (Jerusalem, Lebanon, Kuwait, USA, Egypt) discussing their experience of becoming mothers as professionals in the arts, its reality and effects.

This reader revisits the formidable legacy of Russian revolutionary,  feminist, political refugee and diplomat Alexandra Kollontai (1872–1952) in light of current feminist struggles. Includes the first English translation of the 1977 biographical play Kollontai by Swedish writer Agneta Pleijel.

The reprint of Pati Hill's 1979 book, composed of images and texts by Hill through which she intended to contextualize and explain her working methodology to Jill Kornblee, her New York gallerist.

Retrospective monograph documenting the exceptional yet little-known journey of Cathy Josefowitz (1956-2014), painter, designer, dancer and musician.

Art and feminism in Italy in the Seventies.

A study by Elisabeth Lebovici on the late contemporary artist and IFP co-founder Philippe Thomas. Lebovici's essay examines Thomas's strategy to cede and fictionalize authorship through the multiple lenses of gender, reproduction, subjects' multiplicity, and the artist's tragic disappearance.

The long-awaited facsimile publication of Dorothy Iannone's 1969 cookbook.

Publication focusing on Cantor's final project Pinochet Porn (2008–16)—an epic experimental film taking the form of a soap opera about the intimate life of people under the military dictatorship of Chile. A dramatic, transgressive and explicitly feminist work, embodying and radically extending Cantor's multifaceted artistic practice.

The films of Ana Mendieta.

The 10th issue of the art and research magazine is dedicated to Italian pedagogist Maria Montessori.

Collection of recent essays and poems in which the American poet and critic examines issues of genealogy and influence, the poverty and privilege of place, architecture's relationship to language, and feminist economies of writing, reading, and art making.

Ricocheting quietly between photographic landscapes, drawn abstractions and poetic recollections, this artist's book assumes the form of a deferred performance. Serving as a kind of response to the French artist and experimental musician's recent sonic and visual output, the book comprises a series of film stills shot during her travels to New Mexico and Arizona, overlaid with a collection of at once crude and delicate drawings made in Australia.

Atkinson's most ambitious musical work to date, Hand In Hand combines 80's sci-fi anxious aethetics with today's transparency of digital sounds. Placing the voice at the epicenter of the recording, the French artist and musician convokes fiction, composition and abstraction in the manner of Joan La Barbara, Robert Ashley, or Delia Derbyshire.

This artist's book gathers an uncompromising collection of 200 found images and original work from Felicia Atkinson, composing a rasterized visual score.

French artist Félicia Atkinson teams up with New York-based experimentalist Jefre Cantu-Ledesma with Comme un seul narcisse—an epistolar conversation of post-modern times.

An audio recording of the American artist performing a German folk song while masturbating.

Animals questions through a poetic approach the modernist apprehension of time and locomotion, in the realm of today.

Through archival research, this first monographic publication focuses on Ukeles's work ballets—a series of seven grand-scale collaborative performances involving workers, trucks, barges, and hundreds of tons of recyclables and steel—which took place between 1983 and 2012 in New York, Pittsburgh, Givors, Rotterdam, and Tokamachi.

First published in German in 1987, this is artist and writer Jutta Koether's meditation on painting. In novella form, f. follows several disembodied female characters as they consider velvet, coral, the curtain, money, color, red.

A concrete / post-digital oratorio in 5 parts.

This LP inaugurates a new series of vinyl-only releases based on the extraordinary Logos archives. Here, never released before recordings from live sessions at Logos Foundation, in 1974, 1979 & 1981, featuring Max Eastley, Feminist Improvising Group, COUM, Derek Bailey, and the Logos Ensemble.

Facsimile of a book of drawings made between 1979 and 2010.

A collection of texts by Voltairine de Cleyre and Emma Goldman, two visionary anarchist women at the turn of the twentieth century.

A new reading of the work of a major American and international artist, well known for her depictions of the female body, of society's attitude to women and particularly for her pioneering work as a performance and video artist in the cause of feminism, in the context of artists' reactions to major world issues and a return of the historical genre in art today, underlining her unflagging commitment to the recording of history as it happens.

Susan Hiller's postcard alphabet.

Symmetrical portraits of female characters and unidentified creatures cut in black paper.

Comprehensive monograph.

Twenty-three portraits (emblematic paintings from 1959 to 2006).

Reference monograph.

Reference retrospective monograph (available in English edition).