Anthropology / ethnology / social studies

This issue explores the crossroads, contacts and contrasts between two fields of musical knowledge: ethnomusicology and popular music studies.

In this essay, Thierry de Duve leaves the aesthetics and history of the art to approach, under the religious prism, two anthropological questions that the mutation of the symbolic order in progress makes pressing: the difference of the sexes and the future of the politics of emancipation.

New monograph, devoted to Haegue Yang's "Mesmerizing Mesh" series, which dwelves into "Sacred Paper Cutting", a Korean shamanastic ritual which has inspired many of her recent projects.

An artist book by Luca Trevisani, overwriting in the mode of a palimpsest Piero Camporesi's Bread of Dreams, an Italian cult classic of "food" anthropology.

An multidisciplinary approach of the war by its traces.

A manual for academic teaching and learning contexts.

An investigation into the origins of artistic creation, more than 40,000 years ago (a film by Pascal Goblot, with Daniel Buren and a group of specialists in prehistoric art, philosophers, anthropologists and archaeologists, narrated by Virginie Ledoyen).

138 records of artist’s books, catalogues, posters, invitation cards and ephemera (with an essay by Jan Meissner).

Blind spots of the ubiquitous digital—a critical and loving glossary: 138 entries to explore the unspoken aspects of new technologies, artificial intelligence and other aspects of digital.

This book introduces camera-based practices at the intersections of artistic and ethnographic research that critically examine the means of their own production and social embeddedness.

A political anthropology of music that is resolutely critical, reflective and accessible, based on a study of the world of Burkinabe rap.

A volume that gives a voice to artists, writers, witnesses and experts, all invited to reflect upon the question of the Portuguese fishermen's culture and the rapid transformation it experienced, accompanied by a vinyl compilation containing undisclosed original recordings of Portuguese fishermen's songs and contemporary compositions.

This volume gives a voice to artists, writers, witnesses and experts, all invited to reflect upon the question of the Portuguese fishermen's culture and the rapid transformation it experienced.

Far from modernity: the first overview of the French photographer famed for his portraits of marginal cultures, in acclaimed photobooks such as Surfers and Yes Rasta.

Unseen images of the Great Depression from the famed chronicler of the African diaspora.

The analysis, history and reception of the Canterbury music scene between the late 1960s and early 1970s.

A series of drawings made during a field visit by the filmmaker, writer and artist Ahmed Bouanani. Here ethnographer and illustrator, Bouanani analyzes the construction of Berber jewelry by sketching a taxonomy and a geography of formal symbolism of Berber groups in Morocco.

An experience of observation of contemporary African migratory approaches and new theological movements of Christianity on the continent and in particular in Morocco, through texts of researchers but also various testimonies and documents.

Elizabeth Povinelli's anthropology of the otherwise locates itself within forms of life that run counter to dominant modes of being under late settler liberalism. In these essays, she considers the emergence of new worlds and the extinguishment of old ones, seeking to develop a social imaginary that can sustain radical potentiality without turning a blind eye to our deep interdependence.

An anthropologist's view of contemporary African creation.

From the prehistoric biface to the telephone interface, whose lightning diffusion concretizes a new anthropological threshold for humanity: a theoretical articulation of current global issues from prehistory, thought as the privileged site where to rest the questions of the technique, the language and the image, between archaeology of the media, anthropology, geology, biology and science-fiction.

The second issue of the annual review of the École des arts décoratifs de Paris, devoted to the question of the vulgar, explores through creations, portfolios, interviews, fictions and theoretical texts the polysemy of this word which embodies all the tensions of our time.

An anthropologist's view of contemporary African creation.

The Nietzschean notion of superman and the very real effects of the virtual, the networks, the digital image and the video game in human interrelationships: a striking essay resulting from the posthumously defended thesis of Benjamin Lavigne (1981-2020), which draws up a singular, committed and rigorous critic of the technological foundations of contemporary society.

A collective research on the memory of the places to the test of wars and conflicts through representations of landscapes, as they are reworked by means of contemporary art, cinema or literature.

The ecologies of experimental cinema in the Anthropocene age.

A new approach to psychological suffering, integrating non-Western knowledge with that of psychiatry and psychoanalysis, in order to rethink the cultural and linguistic heritages and crossings that constitute a plural universal.

A political and aesthetic critique of racial capitalism and modes of social experimentation in the form of resistance to the colonial commons.

The Nietzschean notion of superman and the very real effects of the virtual, the networks, the digital image and the video game in human interrelationships: a striking essay resulting from the posthumously defended thesis of Benjamin Lavigne (1981-2020), which draws up a singular, committed and rigorous critic of the technological foundations of contemporary society.

An essay to account for the architectonics of Aby Warburg (1866-1929) by resituating his work within his project of general anthropology of expression: Lara Bonneau shows, from a text as little known as it is important, that the invention of iconology, which made the art historian famous, was underpinned by an ontology drawing on various sources, philosophical, psychological and biological as well as historical.

Various approaches (historical, philosophical, psychoanalytical, but also artistic) on the experience of confinement, from incarceration to sanitary lockdown.

A collection of three films on rock art, in America, Brazil, and China, proposed by Jean-Luc Bouvret.

The purpose of this issue "Experts / Non Experts. Participative Knowledge Construction in Popular Music: Controversies and Historiography" is to offer a retrospective and critical reflection on popular music studies' initial vocation, to bring to light repertoires that are seldom studied and even sometimes discredited.

First translation into French of a work by the Japanese sociologist and feminist Chizuko Ueno, who questions the relationship of women to historical tragedies, violence, war and terrorism, rejecting all forms of violence, both state and domestic, as well as domination.

Historical exchanges and common ground (of agreement or dissension) between literature and anthropology.

A series of interdisciplinary contributions around the political and social dimensions of ecology and its implications in the humanities and social sciences, artistic practices and design.

From the observation of a society of capuchin monkeys and thought experiments borrowed from theater, Zaven Paré, artist and researcher in interaction design, specialist in theater and robotics, attempts to dismantle the pitfalls of anthropomorphization, in an attention that seeks to preserve the irreducible character of an interspecific copresence.

An in-depth research project by Elena Mazzi in dialogue with the Mapuche spiritual leader, silversmith and activist, Mauro Millán and Argentinean artist, Eduardo Molinari, about the cultural resistance of the Mapuche people to neo-colonialism in Chile.

A collective book that proposes to question human and non-human existence in the current social context, spanning different cosmogonic views.

A polyphonic investigation that reveals the potential of fictional and philosophical suggestion of the animation of things, questioning the persistence of forms of animism within the project of modernity, in the horizon of a questioning of the anthropocentric foundations of the Western culture.

Issue dedicated to music as work.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

An album of “synthetic exotica & pseudo-ethnographic music”.

A study and translation of a fundamental text on the “art of the insane” in Russia, re-establishing a whole section of Western history of the interest of psychiatrists in the relationship between creation and madness.

A polyphonic genealogy of the concept of contemporary African art.

David Graeber's interviews (with Mehdi Belhaj Kacem, Nika Dubrovsky, and Assia Turquier-Zauberman) redefine the contours of what an anarchist morality could be today.

A collective and transdisciplinary reflection on the notion of distraction, thought both as the stigma of our societies and as its antidote.