Painting

Eight artists, among the many who have been profoundly marked by the work as rare as it is decisive of James Bishop (1927-2021), share their perspectives on the American painter.

The essential place of writing in the work of Josef Albers (1888-1976), one of the most important artists, painters and educators of the 20th century.

A critical and nuanced overview of the figures of the sleeping in the art and thought of the Renaissance, a source of inspiration for artists—Mantegna, Dürer, Brughel, Michelangelo or Tintoretto—as well as theologians, doctors and philosophers (from Aristotle to Zwingli, via Augustine and Montaigne), beyond the negative definition and the traditional condemnation of inactivity and unconciousness.

Liu Xiaodong's series of paintings from the Texas-Mexico border.

New large-scale paintings and site-specific floor poster installation relating to youth culture movements, revolving around the states of bewilderment, uncertainty, and alienation, as well as enthusiasm and hope, that accompany the process of growing up.

The facsimile edition of the visionary sketches and notes of the surrealist master for Brian Gibson's horror film Poltergeist II.

This catalogue brings together a series of contributions taking as inspiration Polys Peslikas's painting at the Cyprus Pavilion at the 57th Venice Biennale, in 2017.

The female nude by Ida Tursic & Wilfried Mille (signed serigraph printed at 120 copies).

The male nude by Ida Tursic & Wilfried Mille (signed serigraph printed at 120 copies).

The new collection of drawings by the Portuguese artist.

Music Book is a 64-page facsimile artist's book by Sarah Cain, comprising a series of colorful abstractions painted directly over a collection of vintage sheet music.

Devoted to the late work of José Clemente Orozco (1883–1949), a pioneering artist who founded the Mexican Mural Renaissance with Diego Rivera and David Alfaro Siqueiros, that illustrates the artist's career-long interests in human history and politics, surrealism, symbolism, abstraction and the human form, this catalogue also puts into dialogue the echoes of the painter's influence found in contemporary practices in the city of Guadalajara, where he has left an undeniable mark to our day.

Tal R's collages from his eclectic collection of images and objects (artist's book).

The first official monograph project around Ramsès Younan, a major figure and member of the Egyptian surrealists group, this volume gathers an exhaustive catalogue of Younan's paintings, drawings and visual experimentations with an anthology of critical essays about and by the artist.

Catalogue bringing together four virtuoso artists in excess, overflow and debauchery.

The first comprehensive monograph of the highly accomplished Albanian artist Edi Hila.

Seven American artists share their invaluable perspectives on the decisive work of Simon Hantaï.

A historiography of impressionism: a historical and critical study of the writing of impressionist history as a documentary (de)monstration.

The volume New England brings together a series of portraits by Liu Xiaodong of homonymous subjects. The project represents the artist's search to portray a generation of young Chinese professionals who have moved to London to try and follow their dreams.

Unpublished photographs taken by Josef Albers during his travels to Mexico with Anni in the 1930s and 50s.

The writings of the artist Marcel Alocco, painter, writer and poet, presented in the chronological order of their writing, from 1963 to 2001.

The first “Cahier Enseigne des Oudin” (Enseigne des Oudin's booklet) highlights three periods of Marcel Alocco's work in two volumes, emphasizing the scale of a mythological tale printed in every image the artist and poet has offered over a fifty-year period, through his Patchwork Painting and the ornamented unweaving on the canvas surface.

The first study of all the archives and documents relating to the artist's museum created by Martin Kippenberger.

An extensive overview of Olivier Mosset's six-decade painting practice.

A number of more or less benevolent considerations on the work of Jacques Halbert.

Four artist's posters.

The work of Ceija Stojka (1933-2013) is considered today an invaluable testimony on the deportation and the holocaust of the Romani people during the Second World War. For the very first time, this publication considers equal to her graphic work the notes she wrote on the back of her drawings and paintings.

A retrospective of Anne Van der Linden's paintings and drawings from 2015 to 2020.

An extensive overview of Olivier Mosset's six-decade painting practice.

New monograph, documenting a large-scale installation that reflects the artist's dreamlike aesthetic, his ongoing exploration of notions of movement, transition and vulnerability, and mythological narratives, offering a rare glimpse into Clemente's forays into the field of sculpture.

A rich selection of archival material along with critical essays and the series of paintings and spatial intervention that Fredrik Værslev especially produced for his exhibition at the Kunstnerforbundet in Oslo.

Dieter Roelstraete deciphers the series of national flags painted by Norwegian artist Fredrik Værslev.

“Just painting, without any pattern-pretext nor anecdote”: the first monograph of Moroccan abstract painter Fouad Bellamine.

A study that explores the complex relationship between nationalism, traditionalism and the critique of modern culture in France in the decades preceding the First World War.

A reconstruction of the vast network of images and texts that give shape to Italian fascist totalitarianism.

Across the pages of this issue of Flash Art, there are three words that resonate throughout: coexistence, identity, and protest. While codes to define new standards of identity are being rewritten, populist authorities still distrust the idea of a diversified coexistence of individuals, inciting resistance in physical and digital realms and spreading confusion about who or what to follow or unfollow. This issue invites readers to pay attention to the stereotypes that infect our gaze.

A series of still lifes and interior scenes by the Swiss artist.

Rafael Pérez' sketchbook presented in this publication was created in his studio in December 1992 in Dielsdorf, Zurich, as a Christmas present for his wife Ursula. Only minor alterations to the pagination, size and dedication have been made.

Steve DiBenedetto's drawings.

Why does a painter like Delacroix paint so many religious subjects?

First monograph.

Six films around six exhibitions by Cécile Bart, closer to the aesthetics of an artist's film than a documentary, introducing the viewer to the proximity of the works.

This book surveys the work made in the last few years by Portuguese artist Ana Manso.

This issue of Flash Art comes with a new brand identity, introducing a seasonal publication schedule starting from fall 2020. A new logo also heralds this change: an apparent return to the visual identity of Flash Art, albeit revised and updated with an evolving graphic layout and doubled page count and contents to offer readers a more in-depth, discursive experience. This issue explores the dynamic hybridization of the languages of contemporary art, focusing on the theme of the curatorial process—the exhibition as a moment of reflection and revelation with infinite potential for investigation.

This luxurious monograph presents a wide selection of works by Izumi Kato, Japanese painter and sculptor known for his mysterious representations of human figures with primitive aesthetics, alongside exhibition views. It is accompanied by four original critical texts and a poem by the artist.

The current state and future of painting in the digital age.

New monograph.

Artist's book.

Catalogue of Ambera Wellmann's first monographic exhibition in a public institution, presenting a set of about ten recent paintings, several of which were created for the occasion.

Six American artists share their invaluable perspectives on the decisive work of Martin Barré, a major figure in French Abstraction of the late 20th century.