Anti/postcolonialism

Traditions of realism are brought together with the decolonial and ecological concept of "planetarity" to understand a new realism in contemporary art.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

How the transition to fossil fuels entailed an intensification of ongoing processes of racialization.

The latest chapter of Eritrea-born artist Dawit L. Petros's long-term investigation of the impact of Italian colonialism and its subsequent imprint on the visual cultures, populations and built environments of Africa, Europe and North America.

Joint artistic research, between Switzerland and Brazil, around ideas of consumption and exhaustion, the legacies of colonialist expropriation and its monocultural ideologies, besides the infrastructures of export and displacement, across both countries and their intertwined historie.

A revelatory conversation that, grounded in lived experience, traces the racist structures of the discourse landscape and offers alternative ways of understanding solidarity.

Sonia Boyce engages with the artist and sound theorist Brandon LaBelle, who guides us through the artist's poetics, considering sound as a form of radical inclusion, a medium capable of generating interaction, narratives and new understanding.

This book recounts Jean-Jacques Lebel's long and tumultuous passage through the powerful laboratory of ideas and experiments of surrealism that was the journal Front Unique (1955-1960), which heralded and sometimes prefigured his future protean activities in the fields of art, poetry and militancy (anticolonial and libertarian).

A glossary of themes running through the work of Élisée Reclus (1830-1905), reflecting the contemporary relevance and diversity of the anarchist geographer's thought.

The notion of primitivism rethought to highlight the role of the African referent in the development of the artistic and literary avant-garde in Europe.

Talisa Lallai's artist book Post Tropical follows the concept of a travel magazine: it offers unique photo spreads of tropical objects, interspersed with critical essays and reprints of travel advertisements, to point to the presence of colonialism in the contemporary Global North.

Informal Inclusion poetically unveils the violence of a world, our own, that is the offspring of our forgotten colonial world, and is crossed each day by migratory processes that transform the social and geographic fabric thanks to the paradoxically "inclusive" power of the dynamics that are generated in the marginal spaces.

New monograph.

An "ABC of the arts in transition" examining the ecological turn of the arts, the outcome of long-term collective research into the fundamental elements running through the art world and, more generally, the aesthetic and social universe in the current ecological crisis.

Initiated by Tunisian artist, architect and scenographer Chedly Atallah, whose practice explores geopolitical changes in the Arab world through history, architecture and mythological narratives, Matar, Matar, Matar is an artistic investigation into the time of representation and memory, with water as a metaphor for remembrance.

A chronicle of the recent transformations of art schools, from the point of view of a teacher, at a time when these spaces are both threatened by increasingly fragile and uncertain public policy management, and at the same time more than ever spaces where the word opens up, practices change and art finds itself in direct contact with the most avant-garde movements in society.

The first volume in a series devoted to the archives of German artist, author and curator Marion von Osten (1963-2020), around the MoneyNations project, transversing between art, theory, and activism.

A collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities.

This double issue aims to provide an "out of placeness" by looking beyond Western-centricity to a transnational, pluralist horizon, exploring the new imaginaries created by artists and thinkers from the "Global South", from Brazil to the Democratic Republic of Congo.

Fascism, neo-colonialism and capitalism.

A complete documentation on a multimedia exhibition by Berlin-based artist Ixmucané Aguila, giving voice to voiceless descendants of victims of genocide in Namibia.

A collective work to highlight the unique perspective of Pierre Guyotat, one of the greatest authors of the French language and a major figure in the memory of the Algerian conflict, on the war of independence and post-independence Algeria.

Dealing with the hauntings and echoes of Austria's colonial past, Belinda Kazeem-Kamiński—visual artist, writer, and recipient of the Camera Austria Prize 2021—sets the stage for the what-if, while confronting viewers with the violence of the Western gaze.

An overview of John Akomfrah's work, with contributions by Julia Grosse and Nelly Y. Pinkrah, an interview with the artist, along with a foreword by Sebastian Baden.

A journal of critical and political poetry

Exhibition catalogue of filmmaker, visual artist, and writer Pedro Neves Marques's solo project "Vampires in Space" at the Portuguese Pavilion, 59th International Art Exhibition – La Biennale di Venezia 2022.

Saidiya Hartman traces the history of the Atlantic slave trade by recounting a journey she took along a slave route in Ghana. Following the trail of captives from the hinterland to the Atlantic coast, she reckons with the blank slate of her own genealogy and vividly dramatizes the effects of slavery on three centuries of African and African American history.

In Perpetual Slavery, Ciarán Finlayson investigates the relationship of art to freedom in the work of Cameron Rowland and Ralph Lemon, who both utilize imagery of labor haunted and structured by the historical experience of slavery.

First monograph.

On the themes found in the work of Lorraine O'Grady: Black female subjectivity, intersectional feminism, institutional critique, music, and translation.

A wide-ranging panorama of La Réunion's artistic scene, through the works of 34 artists and texts by five authors, art historians, poets, and researchers: an exciting exploration of artistic creations that question postcolonial society, migration, displacement, cultural hybridization, as well as our understanding living together.

In this compelling rethinking of curatorial practice, renowned museum director, curator, and writer Bonaventure Soh Bejeng Ndikung proposes that Pidgin languages and pidginization as a mode of being and doing offer a decolonialized reinvention of communicative practices.

New monograph.

A vinyl release composed by Alexandre Babel in close collaboration with artist Latifa Echakhch, featuring significant contributions from the Berlin based musicians Rebecca Lenton, Theo Nabicht, Jon Heilbron and Nikki Schlierf. The record is meant to accompany the eponymous exhibition at the Swiss pavilion of the 59th Venice Art Biennale.

A critical investigation into the material heritage and entangled histories of Western encyclopedic museums.

What comes after end-of-world narratives: visions of just futurity and multispecies flourishing.

A journey through the United Fruit Company's photo archive and its documentation of corporate expansion into the Caribbean.

First monograph of the Kenyan artist.

A manifesto for the decolonization of art book fairs and publishing.

This comprehensive publication focuses on the artwork and activism of Helsinki-based visual artist and researcher of Swiss and Haitian heritage Sasha Huber.

A multidisciplinary and polyphonic portrait of Kiwanga's practice and thinking.

A multidisciplinary and polyphonic portrait of Kiwanga's practice and thinking.

A transnational and transhistorical investigation carried out in the heart of museum and artistic practices between France and Senegal in the 1950s to 1970s, inviting us to decentralize our views in order to consider the globalized history of art of these years in a new light.

The Arabic edition of Ahmed Bouanani's book on the history of Moroccan cinema from 1907 to 1986, published for the first time 33 years after it was written: a hybrid text with prodigious inspiration.

The reprint of a document containing the script of Skip Norman's film On Africa (1970).

Natascha Sadr Haghighian charts modes of strategic ignorance and recognition that operate in structural racism.

The current ecological crisis brings about a new relational landscape: an unprecedented collapse of distances creates interspecies promiscuities and a crisis of the human scale. In Inclusions, Nicolas Bourriaud proposes that artists are the anthropologists of this new era.

A collection of texts by fifteen contemporary Brazilian authors who approach the notions of care and privilege from a transfeminist, anti-racist and decolonial critical perspective.