Music > experimental / contemporary / electronic / electroacoustic / improvised music

Black Box 3, which showcases a more sample- and grid-based side of the Danish musician/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.

A wild improvisation session by the Belgian experimental rock band born from the meeting of five artists with mental disabilities, with the guitarist and co-founder of Sonic Youth.

A wild improvisation session by the Belgian experimental rock band born from the meeting of five artists with mental disabilities, with the guitarist and co-founder of Sonic Youth.

A collection of theoretical texts by the German composer: a valuable testimony of his research on the musical link between sound and body.

A double-creation with four hands, surprising, intelligent and sensitive, between minimal experimentations, avant-garde pop and dissonance.

With their sixth studio album, Oiseaux-Tempête unveils a new facet of its mythology through a dense work that carries darkness towards the light of day, that rumbles, calms down and warms up again. Like the silhouette of a lighthouse that reveals itself as its torch rises and shines, the powerful beauty of What On Earth (Que Diable) radiates into an expanding musical cosmos.

In Average Human Heart, inspired by Eduardo Galeano's The Book of Embraces and Jorge Luis Borges's Ficciones, Ross Bolleter offers more than 100 vignettes (or "left hand stories") primarily on music and musical experience.

A lush, abyssal, labyrinthine and generous album, produced by Christophe Bailleau with a group of sound artists and invited accomplices.

A wonderful sophomore collaborative work pieced together over two years of changing seasons, ideas, moods, and feelings.

Jonathan Scherk's first solo LP immerses us in a highly distinctive world of plunderphonics-sampledelica-variations acousmatiques that's impossible to classify while feeling familiar nonetheless. Following a strict two-minute format, thirteen complex sound constructions offer a range of experiences—as if the neurosciences had developed an acoustic formula capable of triggering illusions of memory.

An original meeting, powerful and explosive, between Charlemagne Palestine, Eric Thielemans and Oren Ambarchi.

A poetic story written in the form of an unanswered correspondence by the musician Félicie Bazelaire.

Discographisme maison / Homemade record sleeves is a project collecting and assembling a series of record sleeves. They were all reworked and customized by unknown artists who used the original cover as a support or a source of inspiration... This collection echoes an intimate, marginal and overlooked experience, which can be replaced in the history of iconography and pop music.

The sophomore album by the Istanbul born and raised, Berlin based electronic music composer and sound artist Hüma Utku: a series of sonic essays based around themes of psychological phenomena, which can be read as a musical enquiry into the human condition.

The sophomore album by the Istanbul born and raised, Berlin based electronic music composer and sound artist Hüma Utku: a series of sonic essays based around themes of psychological phenomena, which can be read as a musical enquiry into the human condition.

Riding the razor's edge between bristling electroacoustic wizardry and the constrained structures and harmonic interplay of musical minimalism, "Immanent in Nervous Activity" is Die Schachtel's new release from the creative partnership of Giovanni Di Domenico and Jim O'Rourke, joining the conversant vision of two of the most striking voices within the field of contemporary sound.

A series of ghostly ink drawings and scanographs by eRikm, accompanied by a mixed sound piece, with sound texts freely inspired by fragments of stories about the universe of the Yokai, these ghosts and supernatural creatures that inhabit Japanese mythology, between hypnotizing soundscapes and bewitching instrumental devices.

1st time on vinyl for the Eno-produced ambient classic "The Sinking of the Titanic", Gavin Bryars' first major composition written between 1969 and 1972, inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage.

A collection of 77 texts by Jason Kahn, each text written in response to a field recording made by the sound artist in Zurich in February-March 2020 (CD with the 77 sound recordings included): a poetic and sonic cartography that reflects the constitution of the place by the way it "sounds".

Vanda Spengler; contemporary Arabic poetry: Rana Al Tonsi; interview with percussionist Lê Quan Ninh by Jérôme Noetinger; interview with David Chiesa and Nina Garcia, two of the 26 figures of the UN ensemble; interview with Lebanese musician, oudist and vocalist Youmna Saba; interview with Marion Camy-Palou by Michel Henritzi; Thierry Monnier (1972-2022) by Pali Meursault; RG Rough; 66 album reviews...

Listening as the basis for social, bodily and passionate movement and transformation.

A collective improvisation as part of a creative research academy focusing on listening as a philosophical, artistic, social and somatic issue.

Since 2002, Berlin based musicians Tony Buck and Magda Mayas have been developing their duo music as SPILL, recording, touring and occasionally collaborating with international guests. Having spent the last 20 years establishing their unique approach to the piano and percussion combination, SPILL celebrates this milestone with the release of their 5th album Mycelium.

The third release on Corvo Records by sound researcher and conceptualist Stefan Römer, a soundtrack for one of his experimental films as well as a new addition to his meta project "Deconceptualize".

The French musician and producer transforms the layering of different times into a free-flowing pulse that sounds both nostalgic and mysteriously ahistorical.

This dense 11 disc retrospective of Pauline Oliveros' early and unreleased electronic work includes her very first piece made for tape in 1959.

Actualising the concert of Archie Shepp–Bill Dixon Quartet at the 8th World Festival of Youth and Students in Helsinki 1962, Free Jazz Communism contextualizes the politics of free jazz music in light of global decolonisation movements, anti-war activism, structures of racial capitalism, and forms of avant-garde music (new augmented edition).

A major addition to the body of carefully hewn solo work Crys Cole has released over the last decade, offering up two side-long suites of her radically intimate approach to sound.

Black Truffle continues its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music.

An anthology introducing the first of a series of albums based on the concept of "aquapelago", with Sugai Kei, Andrew Pekler, Mike Cooper, The Dead Mauriacs, Babau, Vica Pacheco, Yannick Dauby, Sculpture, Francesco Cavaliere and Tomoko Sauvage.

A dialogue between the visual artist Margherita Morgantin and two musicians and sound makers.

The art of the tuning fork: the manifesto of the sound artist, performer and composer Nicolas Bernier.

A book of poems by the composer of musique concrète.

Lu Yang, LaTurbo Avedon, Lawrence Lek, Marco Cadioli, A genealogy of the metaverses, The metaverses performed sounds, Ars Electronica 2021...

The 1982 debut album of the fictional and conceptual girl band comprising Colin Lloyd-Tucker and Simon Fisher Turner is a series of musical vignettes, blending processed guitars, sheets of synthesizers, echoey pianos, and washed-out vocal snippets to surprisingly varied effect, like the score of an unrealized arthouse film.

The second album of the fictional and conceptual girl band comprising Colin Lloyd-Tucker and Simon Fisher Turner, originally released in 1983 on their own imprint, Papier Maché, full of meandering guitar, technically tighter and more refined, and with a more ominous tone, than the debut Silence & Wisdom.

Six unreleased piano pieces by Milan Knízák, written between 1991 and 2021, played by Czech piano virtuoso Miroslav Beinhauer.

This release highlights Leo Kupper's earliest compositions with his GAME machine - Générateur Automatique de Musique Electronique (Automatic Generatorof Electronic Music) constructed during the 1960's. Purely electronic sounds into new structures, Leo Kupper shows through his 4 tracks a real spirit of renewal.

Dark-folk songwriter Chantal Acda and beyond drums-percussion musician extraordinaire Eric Thielemans propose, after Phillip Glass, a new score for Koyaanisqatsi, re-actualising the incredibly beautiful, raw, rhythmic and touching images of this 80-ties cinematographic masterpiece.

Two previously unreleased recordings of Peter Rehberg (1968-2021), live performances given at the GRM which, each in their own way, vividly illustrate the extent of his sonic palette.

A masterstroke of contemporary musique concrète and auditory conceptualism, dense with metaphor, allegory and meaning.