Video art

Joint artistic research, between Switzerland and Brazil, around ideas of consumption and exhaustion, the legacies of colonialist expropriation and its monocultural ideologies, besides the infrastructures of export and displacement, across both countries and their intertwined historie.

An anthology of texts by Jean-Michel Bouhours on photographer and filmmaker Paolo Gioli, a key figure in the Italian avant-garde of the 1970s.

First monograph on cinema duo Caroline Poggi and Jonathan Vinel.

First monograph, documenting the filmmaker's work as a whole, at the intersection of independent cinema, contemporary art, photography and installation.

A tribute to Derek Jarman manifold and vital practice.

A tribute to Derek Jarman manifold and vital practice.

Sonia Boyce engages with the artist and sound theorist Brandon LaBelle, who guides us through the artist's poetics, considering sound as a form of radical inclusion, a medium capable of generating interaction, narratives and new understanding.

This volume brings together visions, experiences and critical interdisciplinary methodologies that have been instrumental in the development of the language of moving images since 2010.

An epistemological reflection on sensitive forms of research writing at the crossroads of art, design, anthropology and ergonomics, based on singular inquiry-creation projects.

With Postproduction, the third and final issue of In Medias Res, Fluentum's research project on the history of its premises concludes by literally taking stock of both the production of and productivity inherent in moving images.

A significant contribution to the understanding of the work of artist and filmmaker Cauleen Smith, by art historian Romi Crawford, who analyzes how Smith recastsfilm history, in a pivotal period of her career.

An extensive investigation on the ecosystem of Europe's largest asbestos quarry in Balangero (TO) and the dense network of relations between human and land.

A large survey of Marc Hurtado's cinematographic, musical, poetic and plastic work, with texts by some thirty authors, artists, critics, poets and musicians from all over the world (Lydia Lunch, Pascal Comelade, Nicolas Ballet, F.J. Ossang, Kris Needs, Nick Soulsby, Nicole Brenez, Vincent Deville, Romain Perrot, Alexandre Breton, Marie Möör...).

An exploration of Lynn Marie Kirby 's work through a collection of writing, essays and interviews (Etel Adnan, Lynne Sachs, Jalal Toufic, Alexandra Grant, Trinh T. Minh-ha...).

A comprehensive survey of acclaimed artist Ariane Loze's videographic oeuvre.

Some of the earliest works by American composer Phill Niblock, including three never before released pieces: "Index" (1969), "Tenor," and "Boston III" (both from 1972). Until now, it's been impossible to encounter Niblock's compositions from earlier than the 1960s, a reality thankfully rectified by the long overdue publication of this LP on Alga Marghen.

This book on the films of Anton Vidokle features essays and conversations by theorists, curators, and artists exploring the themes of technological immortality and resurrection informed by Cosmist philosophy.

New monograph.

The twelfth album by DAAU is the soundtrack to a series of short, abstract animation films by Rudy Trouvé, who also acted as a creative director during the recording process.

Photographer and filmmaker Manuel Wetscher brings together in an artist's book a unique archive of photographs by his father Richard Jenewein, discovered years after he died of AIDS. A universal family album documenting childhood, which questions the evocative power of an altered narrative and deals with the effects of a taboo and the poetic force of images.

An immersive book experience: with numerous special printing features, this luxurious accordion-fold volume documents and embodies Aitken's exploration of mirrored surfaces in architecture.

Massa Confusa is a combinatorial codex cataloguing João Maria Gusmão's recent material transformations in the studio, featuring an accompanying text by the artist and faithful reproductions.

After Laughter Comes Tears, in its exhibition and book forms, brings together artists from different generations who are experimenting with the idea of the performative.

The publication is the first institutional monograph on the multimedia practice of artist and director Ali Cherri. It aims to highlight the constellation of ideas, themes, and formal concerns running through his most recent, highly significant projects.

Dreaming Alcestis is an artist's book by artist and filmmaker Beatrice Gibson, conceived as an accompaniment to her holographic film installation of the same name.

Retrospective monograph: a journey through over two decades of intersectional and queering practices in film, performance, sculpture, community work, and textiles.

Five pieces of musique concrète recorded in the GRM studios between 1971 and 1974 by the composer and pioneering video artist.

Combining archive material with a wide selection of photographs of body paintings produced by the duo in the 1970-1980s, this publication retraces the evolution of gender identities and the treatment of the female body in visual culture from the 1950s to the present.

A monograph dedicated to Nicolas Cilins’ films between 2011 and 2020.

Artist's book: a "cinematographic" display of previously unpublished visuals by Olivier Sévère, reflecting the phenomenon of mirage, the appearance and disappearance of images, and the presence and absence of water. A text by anthropologist Sophie Brones accompanies the narrative of these Tunisian desert landscapes.

Cinema as a method of investigating the visible and a journey into the theoretical thinking of images.

B for the birds is a singular book that aims to rethink the film-form as an open cartography of its lines of enquiry, desire and fabulation.

An overview of John Akomfrah's work, with contributions by Julia Grosse and Nelly Y. Pinkrah, an interview with the artist, along with a foreword by Sebastian Baden.

The most comprehensive publication to date on Korakrit Arunanondchai's practice.

A dialogue between Camille Henrot's images and Estelle Hoy's texts, a visual and verbal exploration of melancholy, failure, injustice, and hope.

A rested development is a collaborative sound and moving image work that used chance as a process to develop a sequence of autonomous elements that intersect and diverge in their unfoldings.

The music composed by Federico Chiari for various film and video works by the artist Diego Marcon.

A polyphonic examination of the Italian artist's project for the Centro per l'arte contemporanea Luigi Pecci in Prato, the largest display of the artist Diego Marcon artworks in an Italian institution, reviewing some of the central themes of Diego Marcon’s research.

A sound postcard by eRikm: an instant composition recorded on CD, somewhere between sound performance and radio creation, accompanied by a booklet of photographs.

Exhibition catalogue of filmmaker, visual artist, and writer Pedro Neves Marques's solo project "Vampires in Space" at the Portuguese Pavilion, 59th International Art Exhibition – La Biennale di Venezia 2022.

Navigation and montage in Harun Farocki's work.

Recorded in Lary 7's legendary apartment studio Plastikville over nearly a decade, Larynx is the first full-length retrospective of the East Village icon's hybrid music and engineering practice.

The recording of a literary interpretation of a performance by the artist Pablo Pijnappel.

The screen age: art and video.

First monograph in French: from Rod Stewart to the Industrial Revolution, Art is Magic collates all of acclaimed artist Jeremy Deller's cultural touchstones into one lovingly curated volume, balancing these artistic inspirations with examples of Deller's visionary work.

A re-examination of Yvonne Rainer's Parts of Some Sextets, a radical performance and pivotal piece in the American choreographer's career, which led her to theorize her conception of dance in the 1960s, before being revived in 2019.

This catalogue accompanies the eponymous Turner Prize winner's extensive solo exhibition at the Schirn Kunsthalle Frankfurt, presenting both new works and works shown in Germany for the first time.

The temporal dimension of the image.