Video art

The first of a four-chapter publication series by Ugo Rondinone, this catalogue documents the installation Vocabulary of Solitude—an arrangement of his works inspired by the color spectrum. The centerpiece comprises forty-five life-size sculptures of passive and contemplative clowns, who together describe the anguish of human solitude.

This double LP includes four unreleased selections from Fox's eponymous sound performance based on the great pavement labyrinth at Chartres Cathedral—which the artist saw as a metaphor for his own life in between health and sickness.

Instruments is the catalogue accompanying Ismaïl Bahri's exhibition of the same title at the Jeu de Paume. It is also his first monograph. Bahri's oeuvre, which dates back to the 2000s, is like a precise and sensitive record of events and experiments; its often mechanical kinetics are particularly evocative of the film process. His experiments are based on the tiny nuances and minute developments that occur when simple things are brought into contact with each other. They demand an acuteness of gaze that leads one to question the limits of perception and the visible.

This recording brings together two pioneers in their respective fields, sound artist Christina Kubisch and video artist Fabrizio Plessi. Two and two is the outcome of a Fluxus-oriented multimedia performance inspired by the natural elements.

Catalogue dedicated to the late American artist: an influential photographer, writer, filmmaker, theorist and critic whose works have been a unique reference in debates and conversations about photography, art and politics for over 40 years. The publication includes a historical and analytical text by curator Marie Muracciole, as well as a 20-page photographic booklet.

First monograph by New York-based Thai artist Korakrit Arunanondchai, this publication is the first extensive presentation of the artist's video trilogy Painting with History, which ambitiously addresses a digital native's relationship with art history, spirituality, globalization, technology and self-promotion.

Catalogue of the Ars viva Prize who has been awarded annually since 1953 to young artists living in Germany whose work stands out for its innovative potential and high artistic quality. The recipients of the 2017 prize are Jan Paul Evers, Leon Kahane, and Jumana Manna.

The new novel by Keren Cytter: an incomplete guide for life.

First publication ever to provide a complete survey of the artist's oeuvre to date: like Prouvost's art, the book is fast-paced and full of quick turns and surprises. It includes a series of essays, a conversation between the artist and her model Barbara Steveni, and a complete list of her works and exhibitions.

The first monograph to focus exclusively on Paul Sietsema's paintings and drawings.

A collection of musical works from the seventies by the Canadian multidisciplinary artist.

A Step Towards the Sea tells the relationship between the artist and Italy through a selection of installation views and video works. The accompanying DVD includes an unreleased film and a documentation on every actions carried out in Italy by Signer since the 1990s.

A dialogue between the works of contemporary artist Amie Siegel and the historical spaces of the Villa Stuck in Munich (monographic catalogue).

Part monograph, part artist's book, a publication accompanying Ulla von Brandenburg's eponymous video work—a “danced film” dedicated to color.

The artist's own archive of phantasmagoria: a unique collection of objects and ephemera relating to magic, the paranormal, occultism, pseudoscience, technology as well as their cultural and media portrayals (new edition).

Comprehensive catalogue focusing on the ongoing series of monolithic stone figures the artist has been modelling since 2013.

For the past twenty years, Edith Dekyndt has been redefining the interdependence of the artwork and its exhibition context by relocating her work's experiments in a more extended spatiality and temporality—that of the world's ecosystem. This catalog offers a selective approach of her work on the occasion of a joint exhibition at Le Consortium and Wiels.

This volume, published in parallel to Exhibiting the Moving Image, extends the inquiry into the history, theory and practice of exhibiting artists' cinema, video, installation as well as advertising films, by focusing on the domains of performance and of the “expanded arts.”

An acoustic portrait of the Salton Sea in the Southern California desert developed as part of a joint project by Bonnetta and photographer Ron Jude.

Niki, Lucy, Lola, Viola collects screenshots of a desktop-performance made by Petra Cortright where virtual erotic dancers perform on various backgrounds. As a result, the pages of the book look like continuous digital collages; synthetic and painterly landscapes populated by the strippers posing for the viewer.

The publication brings together extensive material from Hamlet, mise-en-scène, an homage to Jack Smith presented at Portikus in 2012, along with recently restored and never-published stills, drawings, and writings by the American filmmaker related to his film Hamlet in the Rented World (A Fragment) (1970-73).

An extensive publication, documenting the process and final outcome of Powered A-Hole Spanish Donkey Sport Dick Drink Donkey Dong Dongs Sunscreen Model, a sensational and excessive exhibition by the two controversial artists which takes the form of a “Gesamtkunstwerk” pointing the multifaceted excesses of contemporary art production and commodification.

First issue of Frédéric Acquaviva and La Plaque Tournante's audio / video hybrid magazine, including a CD with music by Frédéric Acquaviva and Phill Niblock, a DVD with performances by Tomomi Adachi, Bernard Heidsieck, Katherine Liberovskaya, Jacques Lizène, Alvin Lucier, Loré Lixenberg, and Alex Mincek, posters, and documents.

The aim of the volume Exhibited Cinema is to reconstruct the history of cinema in exhibition contexts and to trace its archeology, through original essays by researchers, curators, artists and filmmakers.

A photographic documentation, with some critical essays, of the artist's exhibition at Galleria Borghese where three multimedia works are displayed on freestanding structures inspired by the paintings of Caravaggio: a meditation on our fondness for contemplating images of mortality or death, and the different ways of manipulating viewer experience.

New monograph, with texts by Quinn Latimer and an extensive interview with the artist by Adam Szymczyk, also including a catalogue raisonné of Auder's video works.

A monographic book presenting the cumulative result of a three-partite project by Daniel Gustav Cramer and Haris Epaminonda.

A series of essays and close readings of Steyerl's films from the past ten years.

Artist's book: a deconstruction of a 16 mm film shot by Haris Epaminonda in Cyprus, embarking on a new set of associations between image and subject, source and information, meaning and abstraction.

Ten texts written by Peter Wächtler between 2011 and 2013.

Artist's book based on the eponymous work by Franco-Algerian artist Mohamed Bourouissa, a series of photographs and a video made with the help of a prisoner from the jail in which he is held, an exchange via SMS and MMS using a mobile phone smuggled into the prison establishment.

First monograph.

First major publication on Ed Atkins' work.

An experimental film by Oswald Wiener (1965)—copy signed by the artist.

Schlecker by Rafa Castells displays a selection of pictures documenting the artist's day-to-day life. This first monograph also stands as an aesthetical essay on the symbolic effects of light and colour—offering a luminous discourse on photography and life.

An anthology of films by the Australian sound poetry / film-maker / artist group.

Reference monograph: a complete overview of the production of French artist Camille Henrot, awarded Silver Lion of the 55th Venice Biennale, over nearly 10 years, with about 400 images, two essays and an interview.

Comprehensive monograph.

Interviews.

Interviews and images of the work of the Los Angeles-based artist Paul Sietsema.

An imaginary conversation between two filmmakers that evokes memories from the conflicts between Israel and Lebanon, and the way the memory and the testimony inevitably mix fiction and documentary.

The annotated facsimile of the original Portuguese edition of Aimé Césaire's fundamental anticolonial text from 1950, banned during the Portuguese dictatorship (but clandestinely published by Filipa César's father in 1971).

First monograph: a survey of the Belgian artist's work over more than 35 years.

Artist's book (a detailed and distanced description by Peter Wächtler of his experience as an extra on Bryan Singer's film "Valkyrie").

A musical project that investigates the perception of the otherness of the world of the crippled and their right to their own self-expression.

A survey of Canadian multidisciplinary artist's work (photographs, films, video installations, sound works), from 1960 to the present day.

A loose-leaf artist's book working as an extension and exegesis of Bürner's film Leaves.

A book based on the photographic research for Korine's latest directorial project of the same name (limited edition).