Cinema

The reception of Jean-Luc Godard's oeuvre by American visual artists.

Art and moving images.

Reference monograph, with an essay by Okwui Enwezor, images of the most recent exhibitions and public interventions, as well as a selection of the artist's emblematic installations and press works since the mid-1980s.

Interviews.

The history of art in the context of universal exhibitions since the late nineteenth century to Charles de Meaux's visual and sound installation for Yeosu 2012.

Artist's book.

This monograph features in depth essays on the collective's work as well as an annotated image section, which highlights bankleer's recent projects and deployments.

An imaginary conversation between two filmmakers that evokes memories from the conflicts between Israel and Lebanon, and the way the memory and the testimony inevitably mix fiction and documentary (available in English edition).

Painter Gerhard Richter and filmmaker and writer Alexander Kluge composed a collection of 39 stories in connection with the history of the 20th century and the month of December, illustrated with 39 photographs.

Documenta 4 in film.

Documenta 5 in film.

New monograph.

A film by Robert Milin to question the conditions and implications of “art in the suburbs.” (with Sylvie Blocher, Thomas Hirschhorn, Didier Marcel, Guy Tortosa...).

Artists' book.

Seven texts on seven films by the French visual artist and filmmaker.

Artists' book.

A litterary tribute to Jean-Marie Straub and Danièle Huillet by the director, screenwriter and writer Vincent Nordon.

A litterary tribute to Jean-Marie Straub and Danièle Huillet by the director, screenwriter and writer Vincent Nordon.

An anthology.

A comedic and poetic tell about a man back from the dead to haunt humans. The posthumous novel of Raoul Ruiz, achieved shortly before his own death.

Three films about Hucleux.

New perspectives on Marguerite Duras' cinematographic works and a young generation of videographers / filmmakers.

First comprehensive monograph dedicated to Canadian artist (photography, video and sculpture), with about 250 images, five essays and an interview.

Artist's book (an hallucinated portrait gallery of most of the characters created by Brice Dellsperger for his film remakes) / first substantive study of his work, with an essay by Marie Canet.

A tribute to one of Germany's most radical, experimental, and progressive voices, with contributions from over thirty internationally renowned curators, artists, critics, theorists, directors, and practitioners.

A story built on dream fragments inspired by subcultures (video games, Z movies, Quentin Tarantino, Robert Rodriguez).

Monograph based on two films by Keren Cytter.

Artist's book (available in English edition).

The book discusses Mario Pfeifer's recent 16mm film installation Reconsidering The new Industrial Parks near Irvine, California by Lewis Baltz, 1974. This installation, consisting of two synchronized, looped, and parallel projected films, takes it point of departure from the first monograph of Baltz's work, published by Castelli Graphics, New York in 1974.

First monograph (video installations, mechanical, electronic, light and sound devices, living or naturalized animals, sculptures, performances, photographs and drawings...), with two essays and a conversation with the artist.

A book appearing as a result of Knut Åsdam's 2010 exhibition at Bergen Kunsthall, and the production of his two new films Abyss and Tripoli (both 2010).

Poor Man's Expression examines the relationship between film, video, technology, and art, with a particular focus on the reciprocal influences between conceptual art and experimental film.

New expanded and subtitled edition: nearly four-hour program consisting of twelve films, five documentaries, unpublished documents as well as original video works by the artist.

Designed from photographs of Decrauzat's films, this artist's book offers an experiment of retinian excitement echoing the syncopes of the reel. Each copy was bound together following a random repartition system and is therefore unique.

A musical, pictorial and cinematographic journey, as many sensitive interpretations of the domain of Certes in Gironde. Through the prism of Ernest Valeton de Boissière, inventor of the place and transmitter of the social utopias of the 19th century.

A performative and choreographic exploration of social conventions and modern narrative strategies (mainly developed in the media and advertising fields) that shape our representation of reality.

A performative and choreographic exploration of social conventions and modern narrative strategies (mainly developed in the media and advertising fields) that shape our representation of reality (available in English edition).

French translation of Manovich's major book The Language of New Media, the first systematic and rigorous theory of new media.

Catalogue of the first collective exhibition by Auguste Orts, which came about on the basis of the frequent letters the four members exchanged about their work

A selection of Parreno's films and collaborative projects.

Six Keren Cytter's scripts for films.

A sound and visual construction between two static shots on the axis of a street lined with bungalows: the crossroads of a busy street, with trucks and cars; the main street of an average city in North America, the immersion of the camera into the highway flows...

A static shot of a railroad bridge with a suburban train in one way then another, evoking the positioning in space and the passage of time.

The camera explores a port area and progresses along the sand or gravel mounds, between two static shots on a double drawbridge downtown. A film about the juxtaposition, separation and collection of elements.

The camera follows the walls of a warehouse and pauses before each closed opening, producing a series of "paintings" that punctuate shots of the city, its organization and flow.

A sound, linguistic and visual composition unfolds from a meeting room located in the heights of a skyscraper at La Défense in Paris. A film about the inside/outside relationship, the built environment as the natural environment for men.

Three buildings beside water, a map of a North American city, the flow of a highway with distant hills in the background, a slow passage on a suspension bridge towards a business center: a film about the passage of time and displacement.

A few piano chords on warehouses shots where human presence is discreet. A film about economy, its organization and its laws, the prima of the structure on what animates it.