Cinema

Over 300 watercolors inspired by the film Rambo II (artist's book).

The first monogaphic study dedicated to French-Lebanese filmmaker and photograph Jocelyne Saab and her works from 1970 to 2015.

This volume, published in parallel to Exhibiting the Moving Image, extends the inquiry into the history, theory and practice of exhibiting artists' cinema, video, installation as well as advertising films, by focusing on the domains of performance and of the “expanded arts.”

The publication brings together extensive material from Hamlet, mise-en-scène, an homage to Jack Smith presented at Portikus in 2012, along with recently restored and never-published stills, drawings, and writings by the American filmmaker related to his film Hamlet in the Rented World (A Fragment) (1970-73).

An extensive publication, documenting the process and final outcome of Powered A-Hole Spanish Donkey Sport Dick Drink Donkey Dong Dongs Sunscreen Model, a sensational and excessive exhibition by the two controversial artists which takes the form of a “Gesamtkunstwerk” pointing the multifaceted excesses of contemporary art production and commodification.

This box gathers the three volumes of the publication the Serralves Museum of Contemporary Art began in 2008, in the framework of the major exhibition dedicated to the director, on the occasion of his 100th birthday.

The aim of the volume Exhibited Cinema is to reconstruct the history of cinema in exhibition contexts and to trace its archeology, through original essays by researchers, curators, artists and filmmakers.

Artist's book (drawings).

Jean Epstein's complete writings.

Jean Epstein's complete writings.

New monograph, with texts by Quinn Latimer and an extensive interview with the artist by Adam Szymczyk, also including a catalogue raisonné of Auder's video works.

A monographic book presenting the cumulative result of a three-partite project by Daniel Gustav Cramer and Haris Epaminonda.

A series of essays and close readings of Steyerl's films from the past ten years.

Artist's book: a deconstruction of a 16 mm film shot by Haris Epaminonda in Cyprus, embarking on a new set of associations between image and subject, source and information, meaning and abstraction.

First monograph.

An experimental film by Oswald Wiener (1965)—copy signed by the artist.

The art of filming.

Interviews with Jean-Marie Straub & Danièle Huillet conducted and recorded by Thierry Jousse.

An anthology of films by the Australian sound poetry / film-maker / artist group.

Theory, Spectacle and Film in the thought of Guy Debord and Raoul Vaneigem.

Comprehensive monograph.

This book brings together authors, filmmakers, curators, critics, theorists, art historians, collaborators, and Stephen Dwoskin's film lovers, invited to parse the American filmmaker's work.

Interviews.

In Hito Steyerl's writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in.

Interviews and images of the work of the Los Angeles-based artist Paul Sietsema.

An imaginary conversation between two filmmakers that evokes memories from the conflicts between Israel and Lebanon, and the way the memory and the testimony inevitably mix fiction and documentary.

The annotated facsimile of the original Portuguese edition of Aimé Césaire's fundamental anticolonial text from 1950, banned during the Portuguese dictatorship (but clandestinely published by Filipa César's father in 1971).

Artist's book (a detailed and distanced description by Peter Wächtler of his experience as an extra on Bryan Singer's film "Valkyrie").

Jean-Marie Straub and Danièle Huillet's writings, from 1954 onward.

A musical project that investigates the perception of the otherness of the world of the crippled and their right to their own self-expression.

A typographic composition inspired by Shining accursed writer's manuscript in which only appears one sentence, constantly repeated: “All work and no play makes Jack a dull boy.”

A survey of Canadian multidisciplinary artist's work (photographs, films, video installations, sound works), from 1960 to the present day.

A book based on the photographic research for Korine's latest directorial project of the same name (limited edition).

The Earth, its surface, the transformation of matter, through time and cultures (with Pierre Gonnord, Šarūnas Bartas, Michael Nyman, Naoya Hatakeyama, Theo Angelopoulos, Eleni Karaindrou, Rick Owens, Mona Hatoum, Steve McCurry, Lawrence Durrell, Kenro Izu, Juliaan Lampens, Max Richter...)

First monograph dedicated to Franco-marocan video-artist's films (installations or movies), dealing with the notions of movement, relation and distance, on the borderline between visual arts, documentary, and cinema.

Conversation with filmmaker, visual artist and farm worker Pierre Creton.

Three musics for films and installation—one of the most beautiful albums by Simon Fisher Turner.

A triptych tribute.

The first retrospective monograph on Marcopoulos' work.

A reflection on the tensions and social uses of contemporary forms of representation on the basis of an exercise in critical analysis focussing on the multifaceted artistic practices of two international artists (catalogue of the exhibition at the Jeu de Paume, Paris, April - June, 2009, with texts by the artists and four philosophers).

A small collection of some works done by McFetridge for Spike Jonze's film adaptation of the book Where the Wild Things Are.

Artist's book.

The making of Pierrick Sorin's video works (catalogue).

Presenting new installations and films by one of the most significant and innovative choreographers working in the area of contemporary dance today.

The original filmscript for the last movie of a prodigy film director, producer, screenwriter and author.

A series of portraits of the musician, guitarist, rapper, producer, and actor Adam Keefe Horovitz, member of the Beastie Boys under the name Ad Rock.

A one-off title by Ari Marcopolous combining old and new photographs in a unique body of work, thought to create a larger picture of Marcopoulos' work.

A filmed portrait of David Toop through his records collection (from Pan Sonic to Australian frogs recordings), a conversation about hidden connections between different kinds of music, and about the fine line between music and non music.