Art & temporality

A comprehensive documentation on Ruth Ewan's installation at CAPC, a tangible plastic version of the revolutionary calendar.

The publication presents a collective project lead by artist and researcher Verina Gfader.

The complex architectures of the new “memory palaces”, from libraries, archives and museums to the IT structures, databases and server farms that feed the flow of data on the network.

The ToiletMartin PaperParr wall calendar 2020 features photographs conceived by Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari, a back-to-back of images made in collaboration between the three artists. In a hotly anticipated follow-up to the first ToiletMartin PaperParr magazine, this calendar presents a selection of the best images conceived by the three artists.

Comprehensive monograph.

A visual and poetic proposal that looks back on the different journeys and collaborations realized by Marco Godinho during the preparation of his installation for the Luxembourg pavilion of the Venice Biennale 2019.

Artist's book.

The temporality of curatorial processes and research practices.

The historical-memorial narrative in comics, from Art Spiegelman to Marjane Satrapi, as a new form of representation of History, between individual and collective memory.

Artist's book, based on Peter Voigt and Arno Fischer's project developed for the Marx-Engels-Forum in Berlin.

Philosopher Ludger Schwarte presents a critical essay against the notion of contemporaneity in art and pleads for a renewed temporality: an art of futurity.

Soil Affinities explores the connections of (post)colonial history and the movement of plants for agriculture, from Aubervilliers, a northern suburb of Paris, to formerly French West Africa (Mali and Senegal). This publication and Uriel Orlow's eponymous project retrace the lines and networks of earthly connections between plants and humans through images, maps, texts, and interviews conducted in France, Senegal, and Mali over the span of two years.

Drawing together discourses on contemporaneity and new materialisms, this book examines a material conception of temporality that makes it possible to develop a critique of the philosophical discourse on presence. Claiming that “there is no now,” Ebeling develops an archaeology of contemporaneity according to which the traces of the contemporary can only be secured through visual or material operations, not historical ones.

This artist's book gathers a series of scripts for public speeches made by Mark Geffriaud since 2011. These toasts' scripts are composed of notes and indications, as well as images to be broadcast or reproduced during the performance.

This artist's book gathers a series of scripts for public speeches made by Mark Geffriaud since 2011. These toasts' scripts are composed of notes and indications, as well as images to be broadcast or reproduced during the performance.

The ToiletMartin PaperParr wall calendar 2019 features photographs conceived by Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari, a back-to-back of images made in collaboration between the three artists. In a hotly anticipated follow-up to the first ToiletMartin PaperParr magazine, this calendar presents a selection of the best images conceived by the three artists.

Reference monograph.

An essay by Frédéric Valabrègue on the American avant-garde artist, one of the main actors of the Fluxus movement.

This catalogue documents a collective project intitiated by curator Natasha Ginwala entitled The Museum of Rhythm: a speculative institution that engages rhythm as a tool for interrogating the foundations of modernity and the sensual complex of time in daily experience. Deriving from an eponymous exhibition, the publication includes visual documentation of the exhibition as well as essays.

A philosophical and artistic questioning on the singularity of the notion of time in contemporary dance.

This artist's book is based on a namesake project of video installations and art objects exploring the transformation of the image within time and space. With texts and drawings by curator Vitaly Patsyukov.

Catalogue of the namesake exhibition dedicated to artists' calendars, featuring a text by the project's curator Marie Boivent, interviews with Matthieu Saladin and Claude Closky, plus a selection of works with explanatory notes.

This unique, small format companion to the exhibition “Revolution Every Day” is inspired by the tradition of Soviet tear-off calendars. The book has 365 calendar pages with daily entries featuring a range of images and texts drawn from primary and archival source materials that explore the historical and experiential dimensions of revolution. It presents short essays and original contributions from curators, artists, and scholars, and illustrations of all of the works in the exhibition.

Weekly tear-off calendar featuring 52 drawings of a cartoon dog in a wide range of situations expressing the feelings and conceptions that our modern society associates with Sundays.

This publication documents the first iteration of Belgian artist David Claerbout's project Olympia, a digital simulation of the Olympic Stadium in Berlin.

Three interconnected essays on typography.

Searching for the present: an account of contemporaneity by the Dehli-based trio Raqs Media Collective.

Mimicking the codes of fashion magazines, this artists' review gathers contributions reflecting on the aspects of memory and time in clothing.

This publication documents a site-specific work by Elisabetta Di Maggio at the Museum Portego of the Querini Stampalia Foundation, in the framework of the Venice Biennale. Ivy plants invade the palace's private rooms and create a relationship with past and present time, placing the viewer inside a visual alienation.

This study offers a reflexion on the complex temporality in the series Breaking Bad. The author develop her theories through examples coming from the show's various visual elements and masterful temporal and narrative structuring.

A complement to the project presented by the Vancouver-based artist at the Canadian pavilion for the 2017 Venice Bienniale, this publication includes over two hundred drawings by Farmer, at once perfectly readable and traumatic, and a glossary compiled by curator Kitty Scott.

A collection of texts by researchers, artists and critics, exploring Morgan Fisher's filmography in relation to his other artistic practices.

Since 2008, Walead Beshty photographs the art people he works with at every stage of his projects. This first volume features a gallery of black and white portraits spanning from 2008 to 2012.

In Diary of a Leap Year, Lebanese artist produces 366 daily collages from political newspapers in Lebanon and the Arab World, as a protest to the violence taking place in this region.

First monograph.

Introductory book to the “Contemporary Condition” series, which brings out some of the key issues relating to contemporaneity as a defining condition of our historical present—and vows to rethink the deep structures of temporalization as we know it.

A collection of texts by researchers, artists and critics, exploring Morgan Fisher's filmography in relation to his other artistic practices.

Notebook from the South African artist featuring fountain pen's drawings and writings with inserted typescripts.

Issue of the Cahiers du Centre Dürrenmatt Neuchâtel dedicated to French artist Jean-Christophe Norman with essays by Jean-Michel Espitallier, Patrice Joly, Frank Smith, Ulrich Weber, and an original work by Norman inspired by Swiss writer Friedrich Dürrenmatt's library.

Limited edition of the notebook from the South African artist featuring fountain pen's drawings and writings with inserted typescripts, and an original work, numbered and signed, printed on various formats (1920's coal mining register, books pages, card stock).

This first comprehensive monograph details over ten years of work by Brazilian, New York-based artist, Valeska Soares.

François Boutonnet's Mnemosyne offers the first consideration of the “Arts of Memory” from antiquity to contemporary art, connecting it to mind mapping in digital culture.

Diary published to celebrate the 5th anniversary of the Summerlake Summer School initiated in 2011 by ESAAA – École Supérieure d'Art de l'Agglomération d'Annecy.

Second in the Book of Air series, this recording is performed by vvolk, a group of 18 improvisers who explore the relation between time and motion: How is the perception of sound influenced by time? How do we relate to time in music as improvising performing musicians?

Second in the Book of Air series, this recording is performed by vvolk, a group of 18 improvisers who explore the relation between time and motion: How is the perception of sound influenced by time? How do we relate to time in music as improvising performing musicians?

A photographic attempt to capture the elusive nature of the Californian landscape.

The birth and life of video art.

Artist's book by French filmmaker Virgil Vernier, Arcana I is the first of a series of books designed to build up an archive of the present time through a collection of emblematic documents from the 21st century produced by media, advertising and Internet. Arcana I gathers images of luxury watches cut out from magazines, with no typographical mention so to reveal the peculiar aura of these objects.

Transcript of a lecture given at the Musée de la Civilisation, Québec, in 1993, in which the scientist Ilya Prigogine suggests an understanding of time that isn't just a measuring variable but a real dimension whose most fertile property would be its irreversibility.