On the occasion of Seasons, Maurizio Cattelan's exhibition at GAMeC, art historian Lisa Parola, investigates how contemporary art can redefine the idea of the monument.
The ToiletWalter PaperChandoha Calendar 2026 presents 13 photographs of sweet, polyamorous and sleepy cats by the American photographer Walter Chandoha and the artistic duo and animal lovers of Toiletpaper.
"I hate all the words" by Luca Scarabelli and Michele Lombardelli's Untitled Noise, the eight instalments in the celebrated Die Schachtel's "Decay music" series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche.
The original score composed by Paolo Spaccamonti for the eponymous theatrical production directed by Valerio Binasco and produced by Teatro Stabile di Torino. The music, both haunting and subtle, mirrors the play's minimalist and intense staging, immersing listeners in an evocative soundscape that blends ambient textures with guitar-driven melodies.
A collection of walking and writing exercises to put our perspective about self and what is other to self, as well as the relations between things, even beyond the human, into question.
New electromagnetic recordings by Christina Kubisch: a suite of pieces focusing on the electromagnetic sound qualities of trams, buses and related infrastructure.
The English translation of Il viaggiatore insonne, poet legend Sandro Penna's final collection, coupled with illustrations by the American artist Louis Fratino.
A photographic journey through the city of Genoa, exploring the past of historic buildings, the contemporaneity of the first modern museums, and Franco Albini's interiors.
An artist book by Luca Trevisani, overwriting in the mode of a palimpsest Piero Camporesi's Bread of Dreams, an Italian cult classic of "food" anthropology.
The music of "Senzatempo", by Italian duo Ozmotic and guitarist, composer and electronic musician Christian Fennesz, moves in balance between composition and improvisation. It is a symphonic work for an imaginary orchestra in which melodies, counterpoints, dynamics and sonorities define a structural breadth reminiscent of classical music.
Global Tools 1973–1975 documents and narrates the story of the eponymous experience of Radical Design and its multidisciplinary school program "without students or teachers."
A sound creation based on the texts and voice of Giampiero Cane performed by himself and manipulated by the composer Daniela Cattivelli, who electronically projected them into a chaotic flow.
Built from deconstructed layers of texture, tone, and arrhythmic percussiveness, Andrew Pekler & Giuseppe Ielasi's 'Palimpsests' distills 6 years of work into 9 splintered, airy reimaginings of minimalism—each surprising, creatively rigorous, and startlingly beautiful—that rest at the outer reaches of contemporary electroacoustic practice and musique concrète.
Autobiography by Nathalie Du Pasquier is a collection of materials that often return during her art practice, "materials constantly reused in different ways."
Mesmerising 1992 performance from the Dhrupad master vocalist Amelia Cuni, accompagnied by renowded vina player Gianni Ricchizzi and Helmut Waibl on pakhawaj.
The 2022 Toiletpaper wall calendar features food-themed photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their cult and obsessive image-only magazine.
A “minimal encyclopedia” for ideas and visions beyond the pandemic,
that also contributes to a polyphonic and polysemous vision of contemporary Italian artistic production.
169 fundamental free jazzrecords recommended in 180 pages by Maurizio & Roberto Opalio (My Cat Is An Alien) and Philippe Robert, from must-have classics to indispensable curiosities.
A photo book by Jacopo Benassi that brings together images in which the artist portrays and documents his own intimacy over a 25-year period, from the day he announced his homosexuality: a human journey comprising meetings that have left an indelible sign on his personal story as an artist.
Oh mio cagnetto is the artist's first book of writings, conceived as an artwork. It is a collection of 81 little poems that revolve around the missed and mourned figure of a puppy.
Giovanna Silva explores the architectural heritage of the Philippines, illustrating the relationship between architecture and history, through the architectural exuberance of a power long marked by corruption and nepotism.
This catalogue embodies the entire creative career of Marisa
Merz (1926-2019), the only female artist from Arte
Povera. Commissioned texts and selection of her most iconic
works accentuate a recurrent theme in the artist's work: the exploration
of the face and the human figure.
This album contains seven compositions, created by the Opening Performance Orchestra, Blixa Bargeld, Luciano Chessa and Fred Möpert. All the pieces relate to the theme of Futurism and employ intonarumori, instruments invented and used more than a century ago by the Italian Futurists in their noise compositions.
This album contains seven compositions, created by the Opening Performance Orchestra, Blixa Bargeld, Luciano Chessa and Fred Möpert. All the pieces relate to the theme of Futurism and employ intonarumori, instruments invented and used more than a century ago by the Italian Futurists in their noise compositions.
