Sculpture

Espace is a magazine dedicated to all art forms associated with spatiality. Its 114th issue focuses on the representation of the face in the arts. Contents include an opening text by Jacques Py, “The Native Mask as an Object to Read Identity” by Alexia Pinto Ferretti, “The Double-dealing of the Contemporary Face” by Marion Zilio, “Biometrics, Identity, and the Potential Of the Visage” by Vincent Marquis, “The Face: the Other Of the Portrait?” by André-Louis Paré, “Events” and “Public Artworks” Sections, exhibition reports and book reviews.

4-volume box set gathering six of the artist's most iconic photographic series. This special publication brings an end to a research on the notion of document that started in 1999 (limited edition of 700 signed copies).

The Open Hide offers a concise overview of the diverse accomplishments of Danish artist Asger Jorn. The volume comprises over 75 images of Jorn's work, each with complete provenance, exhibition and literature history. A comprehensive biography of the artist is also included, along with photographs and other archival material.

L'Incroyable is a monographic magazine dedicated to an artist's teenage years and his cultural background. This second issue focuses on Jim Shaw's Californian youth between the late 1950s and the beginning of the 1970s.

Richly illustrated publication recounting the life of French sculptor Étienne Hajdu.

New monograph: a photographic documentation on the site-specific works Under the Water at the Centre Pompidou Metz and gallery Kamel Mennour, completed with visual archives covering over thirty years of practice (1979-2015), and a focus on the artist's roof installations from 1995 to 2015.

An artistic dialogue between German artist and computer composer Florian Hecker, and the late American sculptor John McCracken.

A photographic attempt to capture the elusive nature of the Californian landscape.

This richly illustrated monograph documents a series of sculptural works engaging with the histories of 20th-century architecture, design and art—particularly the heritage of the Black Mountain College and the international Modern Movement.

New monograph.

A manual / first monograph on Lara Favaretto's works comprising iconographic documentation and complementary essays by critics and specialists.

Catalogue of Vezzoli's double project at Museion: as guest curator, presenting an exhibition of the Museion collection, and as artist, with the first complete retrospective of his sculptural work.

First bilingual comprehensive monograph on Wang Yuyang, these volumes delve into Wang Yuyang's practice, focusing particularly on his eponymous solo show at the Long Museum in Shanghai in 2015.

A journey through the visual universe of Fabian Marti, whose mystical photograms celebrate the alteration of consciousness through substances and shapes.

Conceptualized by Nina Canell and Robin Watkins, this monograph accompanies the artist's first solo exhibition in Asia and consists of ten short new texts around which fragments of communication with the authors have been punctuated by observational photographs and sculptural documentation. Contextualized by both recent and earlier works, the exhibition and book considers sculpture as a medium of storage, transmission and reception.

Special feature on Fetishism (ready-mades, the aesthetics of commodity, Benoît Pype and Kapwani Kiwanga, interview with Musa paradisiaca…), “Events” section honours artist Mathieu Lefèvre, essay by Jean-Alexandre Perras and Érika Wicky on Tate Britain's exhibition “Sensorium,” exhibitions and books reviews…

New monograph.

Echoing his exhibition in the Château de Versailles, Xavier Veilhan opens the doors of seven modernist houses, from California to Europe. Through his contemporary works he creates a dialogue with the singular architecture of these places (original soundtrack by Nicolas Godin / Air).

This monographic catalogue focuses on the artist's ongoing Kassetten (cassettes) series, initially begun in 2012. Spanning back to 1996, the book features abundant documentation of the various manifestations of the works, visual references, and other recent sculptures as well as texts by Lulu co-founder Chris Sharp.

An examination of the relationship between Antoine Bourdelle and Alberto Giacometti, thus also exploring the more general history of heritage and artistic education under modernity.

Since the set up of Xavier Veilhan's The Monster in the center of Tours in 2004, the statue has been subject to various cultural appropriation by the locals. This book aims to document both the development of the project as part of the New Patrons program as well as the life of the statue within the city.

A complete documentation on Marnie Weber's first feature film, a strange kind of carnival that emerges from the American cultural repressed.

First monograph dedicated to Virginia Overton, whose minimalist sculptural practice emergeas a direct response to her physical presence in the exhibition space.

Fourth and final volume of the anthology (1975-2000), focusing on painting, sculpture, installation, and architecture.

Thirty-seven texts by Tom Burr.

This issue addresses the notion of (counter-)monuments with essays on National Identity, Immersion Serving Memory, Optical Protocols, Alexandra Pirici's Soft Power, The Kai Dikhas Gallery, Thomas Hirschhorn, The Memorial to the Victims of Communism…

Major monograph on Phillip King, whose work has been essential in the revival of British sculpture in the early 1960s through experiments with abstraction, construction and color. This book gathers various texts and an interview, exhibition views, and a complete illustrated chronology over 300 pages.

Bruce McLean plays the Drawing Room Confessions.

Richard Wentworth plays the Drawing Room Confessions.

Alexandre da Cunha plays the Drawing Room Confessions.

Based on Brancusi's photographic archives, this publication reflects on the sculptor's influence on Minimalism and installation.

The Four Seasons Forever is the catalogue of Sam Falls' one year show which presents 13 sun-printed photograms of vinyls on colored textiles exhibited in a dramatic stage-like atmosphere, with parts of Vivaldi's masterpiece playing according to the season (artist's book, the first in a series published in limited editions by Flash Art).

Special “Migrations & Borders” issue: texts by Bernard Schütze, Geneviève Chevalier, and Michael Blum, Milutin Gubash by Chantal T. Paris, François Morelli by Bernard Lamarche, interview with Aram Han Sifuentes, Dominique Sirois-Rouleau's essay on outdoor art, the usual features…

The second volume of Sculpture Unlimited looks at the influence of new technologies on the practice of sculpture.

A reference book, the first in French dedicated to the work of Pino Pascali, a central figure of Arte Povera and art of the 1960s.

The first book entirely dedicated to the sculptures of multimedia artist Doug Aitken, this volume offers an overview of his 3D works and includes a specially commissioned text by acclaimed novelist Steve Erickson.

Comprehensive monograph: this first retrospective publication gathers together Mančuška's work, which combined different media—literature, film, theater, installations, video, and text—was exhibited widely, from the second half of the 1990s to his last unrealized projects from 2011.

New monograph.

Monograph / artist's book: a broad selection of Mirjam Thomann's work from 2006 to 2015.

First monograph.

Artist's book.

Special feature on Ecology, Nicolás Uriburu, interview with Edith Brunette, Kochi-Muziris Biennal, Ariane De Blois on the sculpted body, exhibitions and books reviews…

Comprehensive monograph.

Twelve international artists forge a reflection on the meaning, the potential and the new experimental approaches in sculpture today.

A large survey of Monika Sosnowska's sculptural work.

Formal Economy is the first comprehensive survey of Marte Eknæs' practice, presenting her sculptural works, drawings and collages as visual narratives and fictional landscapes.

Catalogue / artist's book.

A lavishly illustrated monograph, structured around an extensive and thorough discussion between Lionel Estève and Herman Byrd, that works as an entry gate to the artist's work, which interrogates the multiplicty of infinity and reality.

Renowned French art historian and philosopher Georges Didi-Huberman conducts a careful analysis of Cube—Giacometti's only abstract sculptural work.

Catalogue.