Curatoring / exhibition practices & history / museology / scenography

Exploring the relationship between the Situationist International and the museum.

In this post-truth era, how does one navigate the endless information available and choose a viable narrative of reality? In How to Know What's Really Happening Glasgow-based writer and curator Francis McKee looks at various techniques for determining verity, from those of spy agencies and whistle-blowers to mystics and scientists.

This reader brings together the first 8 issues of Postdocument, the magazine on exhibition photography.

Curating A-Z.

The exhibition as a transdisciplinary and transcultural set of spatiotemporal relations.

A special edition dedicated to curating.

The logbook and review of the first two years of the journey of the mobile contemporary art museum for children: 32 000 kilometers in 5 countries to meet 40 000 children, with 250 educational and cultural partner structures...

Ten distinguished contemporary curators answer to a series of key questions related to curating, art and exhibition making today.

The journey of the MuMo, a mobile contemporary art museum in the form of a container traveling by boat and truck to meet the children on the roads of France and Africa.

The performative dimension of the curatorial.

An anthology of writings by curator and writer Raimundas Malašauskas.

A Sourcebook on independent art publishing.

A study that conceptualizes, tests, and practically applies the spatial strategy for the European Kunsthalle.

In the curator's archives (available in English edition).

Essays and interviews by the American curator and critic: a portrait of the American art scene over the last few decades.

A collection of interviews with artists and curators.

The history and contemporary reassessment of the Institutional Critique movement.

Original invitation cards of the independent contemporary art space based in the cultural alternative center Usine in Geneva.

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art since the 1990s.

An anthology of texts on the problematic notion of "alterrnative", based on curatorial and artistic practices.

How to exhibit the architecture? Two Swiss architects answer this question (a conversation with Rémy Zaugg).

In his influential 1986 text, Swiss artist Rémy Zaugg (1943–2005) laid out fundamental ideas on the art museum. For him, the museum is an everyday tool that enables the encounter between viewer and work—raising the question of the kind of architecture appropriate for such a space (available in English edition)

An edited collection of contributions to conversations about the climate crisis and its role in critical discourse.

A critical history of VideoArt Festival Locarno.