Curatoring / exhibition practices & history / museology / scenography

An historical study on the legitimation process of drawing in contemporary art and curatorial practices.

Theater of Exhibitions analyzes “art after the end of art,” questioning whether inherited frameworks of making, theorizing, and exhibiting art still apply to contemporary practice.

Art and the City 2.0.

A documentation on Claude Closky's artwork commissioned by the Paste association as part of the New Patrons program.

In 69 / 96, Fredi Fischli, Niels Olsen and Bob Nickas enter an inter-generational dialog about exhibitions that is both personal and art historical, presenting works from 1969 and 1996 (catalogue).

Summer Winter East West discusses Martin Beck's engagement with display not only as a tool of presentation but also as a form of communication—within and beyond the realm of the exhibition.

L'Écart et l'Accolade gathers 23 texts of various kinds dedicated to contemporary artists, artistic practices, the art critic, exhibitions and curatorial activities.

This study of the origin and creation of the FRACs (Regional Funds of Contemporary Art) between 1981 and 1986 reviews the history and assesses one of the flagship measures of French decentralized cultural policy.

This third volume reviews the last two tours of the first mobile contemporary art museum for children. From September, 2013 to January, 2015, the MuMo crossed the roads of France and Spain, covering 118 stages to meet 117 400 children from 620 classrooms. The book contains a photographic essay illustrating the words of the participants, children and adults.

“Livre VI” of the (SIC) journal takes the form of a book by Dutch-speaking Belgian philosopher Dieter Lesage (director of RITS | School of Arts). “Art, Research and Politics. Essays in Curatorial Criticism (1999-2014)” spans fifteen years of Lesage's critical interventions in the field of art, politics, and culture, analyzing and unraveling curatorial rhetorics and strategies which during that period marked the so-called art world.

An exploration of the concept of the museum from an artistic and outside perspective.

The never-before-published selection of Carlo Scarpa's writings and illustrations (photographs, architectural plans, sketches, etc.): an invaluable tool to understanding exhibition history and the importance of the architectural conception of exhibitions.

Uses and Utopias – The Exhibition in the Pre-Revolutionary Russian Avant-Garde: an essay on the exhibition practice in Russia in the years 1910-1920, and in particular on the relationship between exhibition and public space in the projects of the historical avant-gardes.

A questionnaire (interviews with international artists, architects, and curators of the contemporary art world, such as John Baldessari, Suzanne Cotter, Bice Curiger, Chris Dercon, Charles Esche, Liam Gillick, Jacques Herzog, Thomas Hirschhorn, Rem Koolhaas, Hans Ulrich Obrist, Thierry Raspail, Beatrix Ruf, etc.).

A book that documents an oral presentation given by Pierre Bal-Blanc to a jury of professionals, as part of his application to curate the 7th Berlin Biennale. Devised as an exhibition in several acts, the session adheres to the rules of a score performed by its author or by a third party.

A collection of textual and visual essays stemming from a series of lecture-performances in which artists and curators experimented with various strategies of reprise in the fields of publishing, visual arts, animation, new technologies and the law.

The history and posterity of François Mathey (1917-1993), a singular curator with the destiny of a romantic hero, a major figure in the promotion of contemporary art and a pioneer of artistic heritage.

The fourth title in the “Archives” series, which is dedicated to landmark exhibitions and curatorial practices, and provides sources and moving images to the growing field of research of curatorial studies and exhibition history.

The novel by Brian O'Doherty, written from the perspective of the Chevalier d'Eon (1728-1810), who lived as both man and woman, French spy and European celebrity, reveals the radical modernity of one of the eighteenth century's most mysterious figures.

An A-to-Z of the exhibition.

This publication investigates the historical accumulation and commodification of artefacts and the representation of the human body as seen on ethnographic photographs. New material developed out of artistic research in the Weltkulturen Labor is presented together with unpublished scientific photography. Extended conversations between internationally renowned anthropologists, art historians, curators and artists offer new connections between past and present. Foreign Exchange responds to current interest in the remediation of ethnographic collections, colonial history, historical archives, and interdisciplinary curatorial practice.

Interview with Emilio López-Menchero around a commissioned work executed by the artist as part of the New Patrons program.

The collection of "critical dreams" made and transcribed by the art critic and curator Jean-Max Colard between 2005 and 2013, nocturnal side of his regular writing on art activity.

Complex relationships inside art, culture, political economy, immaterial production, and the public realm today.

A multidisciplinary reflection on a new type of engagement of art in democracy, renewing relationships between creation, culture and society: 47 contributions by international thinkers and actors of the art world (with 9 movies on DVD).

The catalogue of a cycle of exhibitions that took place over the course of four years, from a reflection on the notion of the “mediation” of artworks (withDavid Lamelas, Benoit Maire, Dominique Petitgand, Giasco Bertoli, Robert Breer, Esther Ferrer, Felix Gonzalez-Torres, Ben Kinmont, Jirí Kovanda, Martha Rosler...).

A summer of art.

This issue of the magazine of Palais de Tokyo underlines the importance of the recently defined curator figure and sheds light upon current exhibition practices he developed (360 pages, including a special issue of the American journal on curatorial practices and exhibition making The Exhibitionist)

A new model of action to invent new modes of art production and exchange by establishing a direct dialogue between the artist, the citizen-commissioner and the cultural mediator, outside the museum and apart from the art market.

An anthology (1975-2000).

Exhibition history (Paul Thek at Moderna Museet 1971/72).

The history of art in the context of universal exhibitions since the late nineteenth century to Charles de Meaux's visual and sound installation for Yeosu 2012.

Documenta 4 in film.

Documenta 5 in film.

A sociological approach to new practices in public art commissioning.

A new model of action to invent new modes of art production and exchange by establishing a direct dialogue between the artist, the citizen-commissioner and the cultural mediator, outside the museum and apart from the art market (available in English edition).

A pioneering and masterly study of the history of art markets in Italy (covering the fields of painting and scultpure, but also architecture, applied arts and performing arts), which demonstrates the possibility of an economic history of art linking social or political mechanisms and symbolic or patrimonial issues.

Focused on a series of exhibitions entitled The Opening—marked by the fact that all the paintings presented were produced at the galleries during the exhibition openings—the book documents all six events via text and snapshot-like images.

Everything you ever wanted to know about Hans Ulrich Obrist but were afraid to ask has been asked by the sixteen practitioners in this book.

An exhaustive documentation on La Maison Forestière Wilfred Owen, a commissionned work by Simon Patterson inaugurated in 2011 as part of the New Patrons program.

Interviews with 10 Italian curators.

Visible documents a research project by Cittadellarte-Fondazione Pistoletto in collaboration with Fondazione Zegna. The publication highlights nine curators, who showcase forty-one ways of making art.

The collection of texts on contemporary art by Jean-Christophe Ammann.

This publication provides in two illustrated volumes a basis for developing theory and praxis of gallery education: an ideal resource for people working in the fields of curating exhibitions, youth work and cultural policy. The first volume gives a comprehensive and richly illustrated survey of formats and models of education and collaboration with the public at documenta 12.

This publication provides in two illustrated volumes a basis for developing theory and praxis of gallery education: an ideal resource for people working in the fields of curating exhibitions, youth work and cultural policy. The second volume focuses on a theory of gallery education, its methods and contexts, and reflects theoretically on examples presented in volume 1.

A reader about exhibition display.

Nicolas Bourriaud's most recent essay: a radicant thought extended to modes of cultural production, consumption and use, against the multiculturalist critical model.

The bestseller publication dedicated to pioneering curators and presents a unique collection of interviews by Hans Ulrich Obrist.