Contemporary art

An encounter between dance and visual arts.

This first monograph, richly illustrated with images and texts, offers a broad overview of the diversity of Marie-Ange Guilleminot's work spanning four decades.

This recording (2002) captures the two instruments central to Conrad's practice at the time: his self-built Long String Instrument and his amplified violin. He performed hidden behind a large sheet, and the nature of what unfolded behind it was never disclosed to the audience.

Special issue on performance and sound art.

This publication brings together artists, theorists, and writers primarily from Africa and its diasporas to explore a constellation of experimental and contemporary approaches to ever-evolving discourses and practices of decolonization.

Outta Love documents Angela Brandys's new series of large-scale textile works, conceived in 2024–25 and made from her own wardrobe—designer clothing torn apart, reduced to their baseline fabric, and reassembled into images drawn from the Renaissance tradition.

A review and extension of Vincent Grange's artistic explorations of queer spaces and cultures.

First monograph.

A new approach to Kounellis's work, focusing on the evolution of his painting practice over nearly seven decades.

Reference monograph.

New monograph.

An overview of the unique work produced by the studio for artists with disabilities that has been active in Fribourg since the late 1990s.

Silent speeches is a book on the non-compliant force of sound in contemporary art and a career-spanning catalog focusing on the employment of music, songs, and silence in the work of the artist duo Pauline Boudry & Renate Lorenz.

An account of a pilgrimage amid the sacred and the profane through the cemeteries of the Swiss Confederation, to pay tribute to the memory of illustrious figures from the worlds of poetry, literature, religion, painting, fashion, sport, philanthropy, cinema and psychoanalysis.

An investigation into the repertoire of performative gestures emerging from the work of German artist Ulla von Brandenburg and the practice of her troupe of performers.

First monograph.

La Gauchère is an illustrated book that chronicles several years of research on left-handedness. It calls for left-handedness to be viewed as a creative force, beyond the pejorative connotations commonly attributed to the term and to those who are mal à droite (uncomfortable with right-handedness and awkward).

Reissue of a primordial work in the history of the art of the countries of North Africa and West Asia, a major reflection on the artistic currents of the Arab world in the 20th century which responds more than ever, thirty years after its first publication, to the need to decolonize the knowledge.

Reissue of a primordial work in the history of the art of the countries of North Africa and West Asia, a major reflection on the artistic currents of the Arab world in the 20th century which responds more than ever, thirty years after its first publication, to the need to decolonize the knowledge.

The mythologies and ecologies of water, the poetics and politics of voice through film and other arts.

Issue 1 of the journal of psychoanalysis and interdisciplinary discussions, focusing on the theme of vertigo.

A collection of critical reflections on the role of digital tools in artistic practices, and on how networks are redefining our sensibilities, our imaginations, and our ways of living together.

The second book in the "Brookinette" children's book series (published by Brook), We Look Alike is a book for little ones and older children alike that tells the story—through the drawings of Dutch artist Kinke Kooi—of encounters, friendship, and little mistakes, featuring a cast of snails, flowers, fruits, and ladybugs.

A photographic and conversational study of public sculptures embedded within Jeddah's urban circulation.

A collection of sketches and research notes, texts, transcriptions of sound works, and visuals that document Dominique Petitgand's sound work.

An interview conducted on December 18, 1974, with photographer Peter Hujar about an ordinary day in his life, released to the public half a century after it was recorded.

This book offers the first comprehensive overview of Anna Franceschini's practice. Organized around recurring themes, its associative structure reflects her interest in repetition, transformation, and unstable images.

New monograph.

An immersive journey through the woven metal and linen sculptures created intuitively by the Belgian designer and textile artist.

A monograph centered on a series of recent oil paintings on linen by Calvin Marcus, that depict magnified renderings of the artist's flesh, extending Marcus's investigation of media, process, and the abject in the familiar.

An ambitious publication by the artist duo mountaincutters, offering an in-depth insight into their multidisciplinary practice.

The second volume of the defiinitive reference work on Belgian artist Philippe Van Snick, richly illustrated and featuring in-depth essays, offers a comprehensive overview of the artist's oeuvre, and new insights and discoveries about his work.

A collection of works selected by Ai Weiwei that traces the artist's career, in tribute to his father, the poet Ai Qing, and the Belgian poet Emile Verhaeren.

A dialogue between masterpieces from the collections of the Centre Pompidou, Kanal, and other significant Belgian public and private collections.

The second volume of the journal investigating movement-based listening practices that take the forms of militant inquiry and political education, edited by the international sound art and popular education collective Ultra-red, is dedicated to the "Learning Circles for Palestine."

Through a series of manipulated and recontextualized images, Aletheia Casey reflects on the environmental and personal impact of the unprecedented wildfires that ravaged New South Wales, Australia, and examines the relationship between colonialism and climate change.

This publication is one of the catalogues accompanying Sharjah Biennial 16, each dedicated to the Biennial's curatorial propositions. Edited by Zeynep Öz, this volume explores the relationship between publication and exhibition-making.

This publication is one of the catalogues accompanying Sharjah Biennial 16, each dedicated to the Biennial's curatorial propositions. Edited by Megan Tamati-Quennell, Ihi expands on her curatorial framework, exploring Indigenous knowledge systems, ancestral relationships, and the ways in which contemporary artistic practices carry memory, identity and cultural continuity across time and place.

This publication is one of the catalogues accompanying Sharjah Biennial 16, each dedicated to the Biennial's curatorial propositions. Edited by Alia Swastika, this volume expands on Rossestrata, a curatorial framework named after the Rosetta Stone that explores how feminist perspectives and nonlinear readings of bodies and texts can reshape curatorial and educational practices.

Jeanne Hubert explores a place of passage—the shoreline—through her drawings.

Designed in collaboration with the artist, this monograph provides a comprehensive overview of Benoît Piéron’s work from the late 2000s to the present.

In For I am a Sign, an artist's book for children, Ryan Gander collaborates with his non-verbal son, Baxter, to explore the intersection between verbal and non-verbal language.

Performance in the United States as told by those who practiced and theorized it (texts by Al Hansen, Allan Kaprow, Anna Halprin, Carolee Schneemann, Emmett Williams, George Brecht, John Cage, Jonas Mekas, Robert Watts, Yvonne Rainer).

Performance in the United States as told by those who practiced and theorized it (texts by Carl Loeffler, Chris Burden, Claes Oldenburg, Jean Toche, Joan Jonas, Jon Hendricks, Lucinda Childs, Merce Cunningham, Meredith Monk, Vito Acconci, Wolf Vostell).

Globalized popular culture as a starting point for a new way of thinking about art and visual culture.

D. N. Rodowick examines the complex relationships between contemporary art and cinema, around questions of movement, image, time, and history.

Celebrating Jacques Villeglé's centennial, this retrospective publication—designed as a black-and-white album/magazine (complete with a sheet of colorful stickers to place on certain pages!)—traces nearly sixty years of work by a "flâneur," a collector of posters torn down by anonymous hands.

An essay on the figure of the writer-

This issue 0 of the annual magazine dedicated to ceramics and related arts unfolds like a day, from morning until evening. But behind this day lies another, more expansive one: that of a life, from birth to death.

One of Phill Niblock's final compositions, commissioned by bassist Robert Black, completed in late November 2023, based on recordings of acoustic bass and bass clarinet performed by Neil Leonard and Robert Black under Niblock's direction in 2021.