Performance / happening / action art / body art

This recording is the sonic counterpart to Dutch artist Paul Panhuysen's last visual work Oog & Oor—a colorful design whose structure was built from sudoku puzzles. Panhuysen used the same principle to compose these sudoku-based pieces in collaboration with carillonneur Rosemarie Seuntiëns.

A conversation with French performer Benjamin Seror with Keren Detton, Julie Pellegrin and Eva Wittocx. Together they look at Seror's recent projects and influences, and discuss the notions at the core of his practice (inaugural title of the “Digressions” series initiated by La Ferme du Buisson in collaboration with Captures editions).

A collection of essays on art and literature—most of them unpublished in French—by the American poet, performance artist, and critic.

Catalogue documenting two projects by the Colombian artist—a photo essay and an artist's book—focusing on immigration and family ties.

This monographic catalogue presents a series of works by artist Minouk Lim which draws on the tragic events of the 1950 Korean war and their aftermaths. Based on installations, sculptures, videos, and performance pieces, Lim's visual language mirrors a nation's refusal to face up with its history and initiates a reflective process to come to terms with the past.

First of two issues dedicated to the notion of risk in art.

First performance of the original 60-minute composition for string quartet in 4 parts, recorded at the Nitsch Foundation in Vienna in 2016. With Anne Harvey-Nagl and Diane Pascal on violins, Marta Potulska on viola, and Mara Achleitner on cello.

Founded by Marinella Senatore, the School of Narrative Dance is an international initiative which proposes an alternative system of education, based on emancipation, inclusion, and self-cultivation. The School implements multidisciplinary projects focusing on storytelling and choreography. This publication documents a workshop at MAXXI, Roma, involving more than 300 people for five months.

First survey of the Canadian artist's writings, including a series of new and recent poems, scripts from his videos, and four fictocriticism texts published in IMPULSE magazine between 1980 and 1989.

Connectivity and artistic practices.

A critical analysis of Hijikata Tatsumi's Butoh dance.

A collection of original essays focusing on the specific interaction of dance and drawing during the second half of the 20th century.

A collection of original essays focusing on the specific interaction of dance and drawing during the second half of the 20th century.

First monograph.

British artist Monica Ross (1950-2013) left behind forty years of socially engaged, feminist, and performative artwork, which has had a deep effect on contemporary art and society. This fully illustrated publication documents Ross's works from 1970 to 2013.

Inferno's eight issue features an in-depth review of the news in contemporary art (interviews with Maurizio Cattelan, Matt Mullican, Xavier Veilhan, Kader Attia, Provoke exhibition, Agnès Martin's retrospective…), performance art (interviews with Jan Martens, Xavier Le Roy, Boris Charmatz, Martin Faucher and the Montreal FTA Festival, Utrecht Spring Festival) and literature (interviews with Pierre Michon and Olivier Cadiot).

A complete survey of performance arts between Canada, Peru, Taiwan, Portugal, Germany, and Slovakia.

Issue of the Cahiers du Centre Dürrenmatt Neuchâtel dedicated to French artist Jean-Christophe Norman with essays by Jean-Michel Espitallier, Patrice Joly, Frank Smith, Ulrich Weber, and an original work by Norman inspired by Swiss writer Friedrich Dürrenmatt's library.

The history of the emergence and appropriation of the score in extra-musical domains (theater, dance, performance).

I Want reviews the eponymous duo's double-projection film installation examining issues of gender, sexuality and performativity—and inspired by the words of punk poetess Kathy Acker and convicted whistle-blower Chelsea Manning.

A richly documented publication (written contributions by artists and a thousand illustrations) celebrating a decade of art performance at French independent art-space Le Generateur.

The new organic soundtrack creation by Francisco López inspired by trance rituals.

Art magazines as exhibition objects and spaces.

The first monograph to offer an overview of Cointet's enigmatic and influential oeuvre.

The first monograph to offer an overview of Cointet's enigmatic and influential oeuvre (available in English edition).

Religious crimes, Rosetta spacecraft, Hillary Clinton, workers' struggle in France, Calais jungle: a critical commentary of the news by poet Julien Blaine.

Louise Bourgeois, Adel Abdessemed, Jan Fabre, Judy Chicago, Andres Serrano, Sara Favriau, Camille Henrot, Tino Sehgal, reviews of Angélica Liddell and Nadia Lauro plays, Brussels Kunstenfestival, festival d'Avignon, festival TransAmeriques…

Organised in 8 “episodes,” Brandon LaBelle's reference monograph guides us through a number of his installation works and scripts from 2003 to 2014, raising questions of space and community, and further, to the direction of the social and its political potential. Three essays and an interview, as well as the recording on CD of a recent live performance, complete the book.

This artist's book presents a series of polaroids taken from inside a moving car's trunk portraying a dream-like sunbathed Los Angeles landscape, or indeed, an image that is now firmly imprinted in the collective imagination—asphalt, cars and palm trees silhouetted against expansive skies.

This reader is the result of a series of public events, performances, and workshops which examined performative patterns and subvertive power in comedic and cartoonist practices.

In specially commissioned essays, as well as interviews, archival material, and new texts by the artist, this first monograph addresses the in-depth investigation of Plender's research and artwork into educational models and their relation to social organization.

A manual / first monograph on Lara Favaretto's works comprising iconographic documentation and complementary essays by critics and specialists.

My House is a Le Corbusier / Broken English is a two-sided book containing two different projects by Cristian Chironi. Intersecting and diverging, both projects raise questions surrounding communication, reading and interpretation and concomitant linguistic and socio-political implications. The double-cover book is divided into two specular sections so the reader can choose to begin with either of the projects.

The publication is the first comprehensive review of Oskar Dawicki's oeuvre. Trained as a painter, it was his practice as a performer and as a post-conceptualist with a singularly fatalistic slant that brought him into the public realm.

Homeschooling (parental education) is at the center of the performance and video work by Angela Marzullo, who, in analyzing critical texts from the '60s and '70s, recreates them involving her two daughters as protagonists. The publication presents a decade of Marzullo's works, highlighting the evocative value and content of images and text.

A selection of notes on Cally Spooner's forthcoming novel—shaped as a map of potential starts, plots and snippets of dialogue between possible characters.

Counterculture & cyberculture: exploring human potential from psychotropic substances to technological advances.

Special Trans-and Posthumanism Issue: curator's key by Anselm Franke, 1992's “Post Human” group show, Hans Scheirl's Dandy Dust, eating the future: a roundtable, how to become an alien, portraits of Ian Cheng, Stelarc and Hannah Perry, Bernhard Willhem on the perfect body of the future, Transformers: an essay by Bryan Droitcour, Elisa Ambrogio's music videos, Guyotat's Eden Eden Eden…

This first monograph on French-Algerian artist and performer Carole Douillard spans her entire work from the end of the 1990s and invites us to reflect on her performative and non-material practice, interrogating the forms and issues of contemporary performance.

This publication is based on the albums the artist conceived during his tenure at the Bauhaus, and presents, for the first time, photographs and documents, personal as much as artistic, on this key moment of the modern period. It is also the first opportunity to discover this primary material, in a format reproducing the original albums.

Canadian native art today

A complete documentation on Marnie Weber's first feature film, a strange kind of carnival that emerges from the American cultural repressed.

The big book of the LAC (Lieu d'Art Contemporain), the first private cultural center of the Reunion Island and an essential artistic place in the Indian Ocean.

A DVD-book which documents Korean artist Kimsooja's transfigurational installation at the Centre Pompidou-Metz, as part of the France-Korea year.

First monograph.

A critical and visual testimony about a cultural and artistic exchange project between the two cities of Quebec and Bangkok.

A rich and diverse panorama of football gestures selected from newspapers' photographs dating from 1990 to 2010. The aesthetic classification of these gestures opens to wider reflections on sport as choreography and artistic performance.

With Marie and William, Alex Cecchetti attempts to transpose the performative gesture in the space of the book.

The publication addresses performative artistic strategies as a lived practice of resistance in Latin American countries such as Argentina, Brazil, and Chile.

The publication documents a project developed by artist Brandon LaBelle which attempts to instigate conversations between sound and architecture through a set of audio recordings of the artist's apartment in Berlin.