Performance / happening / action art / body art

The first publication to provide an overview of Kusama's early performative activities, with unpublished photos and forgotten works from private collections.

Julien Blaine's new collection of poetic, visual and typographic experiments.

In 2020, Julien Blaine, born in 1942, inventories (and offers) what remains in an artist's studio at the end of a lifetime of creation. Le grand dépotoir brings together essays, letters and reflections on his vast poetic enterprise since its beginnings.

Drawing upon traditions of socially engaged poetics, Brandon LaBelle's The Other Citizen presents narratives of contemporary crisis and exclusionary politics—from American teenagers in the maze of neoliberal privatization to those caught between borders of nation-states—outlining the force of a planetary citizenry.

A clothbound companion to Marina Abramovic's tribute to Maria Callas, a performance that recreates the iconic opera diva's famous onstage death scenes.

The composition Radio Music Extended, performed by Opening Performance Orchestra, draws upon the concept John Cage brought to bear in his piece Radio Music from 1956.

The transcription of a lecture by Fanny Drugeon on three installations by Japanese artist Shimabuku.

An anthology of both newly commissioned and reprinted essays, as well as interviews and fiction that reflect on performance today.

Artist's book stemming from a performance by the Swiss feminist artist, featuring newspaper cut-outs evoking the female sex (limited edition).

First monograph dedicated to the work of French visual artist Manon Harrois, built around two interviews conducted by François Quintin.

The catalogue of the first exhibition in France of the Japanese performers' collective contact Gonzo.

Julien Blaine's performance manifesto.

Limited edition, numbered from 1 to 20, with an original artwork signed by the artist.

The catalogue of the duo's exhibition at CAPC, featuring a new site-specific work and a series of performed or filmed actions. A project about situations of reversal, confronting the exogenous realities of the enterprise, the working-class, and the museum.

The performative aspect of the British artist's practice in the form of scores, transcriptions, and photographs (limited box set edition).

Catalogue of the Estonian Pavilion at the 58th Venice Biennale.

New monograph.

A detailed analysis of Franz Erhard Walther's pioneering Werksatz series of wearable fabric sculptures by Erik Verhargen, accompanied by a history of the piece by Thierry Davila.

Publication documenting the award-winning web series Revisiting Genesis by Oreet Ashery. This documentary fiction on mourning in the digital age explores complex issues such as gender and death, digital reincarnation, and women artists.

First monographic catalogue dedicated to multimedia artist Thao Nguyen Phan, whose recent video and visual works explore the agricultural, political, and social issues in rural Vietnam.

A story, between myth and reality, of Caravaggio, by parodic artist Arnaud Labelle-Rojoux.

Limited edition, numbered from 1 to 20, with an original artwork signed by the artist.

First French translation of Clemente Padìn's first poems.

This artist’s book gathers childhood memories, some lived experiences and personal reflections on the family histories and relations, and the ways in which they interweave with geographical locations.

The encounter of the rock band Melmac with the poet Anne-Claire Hello.

Erin Manning expands her research on movement politics to the concept of minor gesture.

The republication in print form of the poems of Art Ensemble of Chicago's founding member breathes new life into a forgotten document of the Black Arts Movement.

An history of the artwork and the image first apprehended as an act and a process.

This lavishly illustrated catalogue comprehensively documents three recent projects by Franco-German artist Ulla von Brandenburg.

An inquiry into the inadmissibility of the artistic exception today, and the importance of atypical individuals in the symbolic economy of a society.

Comprehensive monograph.

An essential book for readers engaged with film and performance, urban cultures and architecture, and Japan's experimental art and its histories.

An original fable at war against the founding books of monotheisms (unpublished text of 1963).

The reissue, in a new translation, of one of the most important essays of Latin American poetry from the historical avant-gardes.

This album contains seven compositions, created by the Opening Performance Orchestra, Blixa Bargeld, Luciano Chessa and Fred Möpert. All the pieces relate to the theme of Futurism and employ intonarumori, instruments invented and used more than a century ago by the Italian Futurists in their noise compositions.

Retrospective monograph, 2007-2018.

A pioneer of time-based media.

John Armleder, Fluxus and the Ecart group.

Inter #131 focuses on rural areas: how is the local reinvented in a context of economic and technological relocation?

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

First monograph dedicated to French artist, videographer, performer and poet Julien Creuzet.

First monograph.

Intersubjectivity is a collection of writings on the presence of language in the visual arts: this second volume investigates the relationship between performance, subjectivity, and human agency within a more global reflection on transhumanism.

First monograph.

All for All! is a trip through All! (2012-2017), a project conceived by Kinkaleri and instigated by the voracious attacks on language committed by William Seward Burroughs. It intentionally strays beyond the limits of theatre and dance, suggesting an outside and setting the possible into motion along an undecidable boundary between the body and language.

A palimpsest reconstruction of French Jesuit missionary Alexandre de Rhodes's (1591–1660) Rhodes of Viet Nam: The Travels and Missions of Father Alexandre de Rhodes in China and Other Kingdoms of the Orient, originally published in 1653 (artists' book).

This LP draws on twenty years of archives recorded by Charles Pennequin on mini-cassettes. Spontaneous recordings of his readings, unpublished solitary monologues, vocal and sound experiments, ambient sounds were selected and edited in the studio by the poet, and thought of as a global composition that goes through different registers and eras of his poetry.

As her first comprehensive publication, this catalogue surveys the multi-facetted oeuvre of the Greek artist/social activist Georgia Sagri. Across performance, video work, and sculpture, she explores the murky relationships between the artist's body and her body of work, subjectivity and persona, original and reproduction with equal parts humor and severity.

Charlotte Birnbaum meets with Gilbert & George to discuss The Meal—a culinary performance organized in 1969 by the British duo, with David Hockney as the guest of honor. Also included here are photos and memorabilia from the singular event (the sixth publication in the On the Table series, that explore the encounter between food and art).