Music

Two works recorded 14 years apart, registering the behaviour and characteristics of environmental and instrumental sound resounding within multiple parking garages.

Four excerpts from a duo concert by Arthur Clees (drums) and Jan Jelinek (live electronics).

Four purely electroacoustic pieces recorded between 1994 and 2002 by the Argentine composer and theorist.

Out of the Grid presents a critical selection of 100 Italian zines from 1978 to 2006 that display a broad spectrum of social, political, aesthetic, and technological changes in the use of language and communication strategies across the territory of self publishing.

Two monumental pieces for flutes and additional voices.

Trances, Jules Reidy's follow-up to the celebrated World in World (2022), gathers twelve tracks shifting between fragment and epic, returning to familiar phrases between forays outward into uncertain expanses. Through its exploration of the cyclical movements of grief and emotional turbulence, Trances produces a sonic world as raw, absorbing, and surprising as anything Reidy has created to date.

Classic DAUU 1995 debut album, first time on vinyl.

Univers Zero's first new album since 10 years, a major new contribution to the discography of the band celebrating its fiftieth anniversary.

The story of Jesus, or that of a fin-de-siècle anarchist, by the sapphic poet Renée Vivien (1877-1909), accompanied by a new piece by Nurse With Wound on CD.

The penultimate Blank Forms anthology presents new, in-depth interviews with musicians Theo Parrish, Amelia Cuni, Akio Suzuki, and more.

Lucy Railton trusts in the nuance of her own creative instincts on an intensely modern, quietly radical second for Modern Love.

A project exploring the sounds of glaciers, captured in crevasses, glacial torrents or moraine folds using microphones, hydrophones and seismic sensors.

A long-distance correspondence reflecting on the infravoice of a blue whale and other so-called “silent” subjects.

From his early days with Henry Cow, Fred Frith was seen as a brilliant instrumentalist and improviser, but what has been overlooked is what a first-rate composer he is. This recording offers both aspects. His most complex orchestral composition and two selected improvisations with the Ensemble Musiques Nouvelles.

The second collaboration between Stephen O'Malley and Anthony Pateras, this time entirely acoustic, based around an acoustic guitar and prepared piano: a music that seems suspended, captivating by its almost organic coherence and modal simplicity, behind which resonances and subtle plays of pitch develop.

Archival documents and new writings on the intermedia collaborations of avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry.

An exploration into the complexity of sounds drawn exclusively from glass (reissue of the record released in 1970, remastered by Lawrence English).

The recording from Carl Michael Von Hausswolff and Erik Pauser's tumultuous and inspiring tour of the USA in 1991, with a book tracing the adventure and documenting the context of the time.

One of the deepest drone albums ever recorded: nine trombones, didjeridu and Tibetan bells fill the massive two million gallon cistern with dense sonic reverberations that are both haunting and healing.

The first vinyl edition of Let the Darkness Fall, a forgotten corner from the vast discography of Suzanne Langille & Loren Connors, joined here by David Daniell and Andrew Burnes (of the Atlanta-based group San Agustin).

A split album as part of the GRM Portraits series bringing together two pieces by French sound artist Eve Aboulkheir, and by Lasse Marhaug, a figure from the Norwegian experimental scene.

A split album as part of the GRM Portraits series bringing together two pieces by the French bassoonist and the Norwegian composer.

The complete version of electro-acoustic composer Ákos Rózmann's epic masterpiece 12 Stations presented for the first time in its entirety as a deluxe 7CD set.

Where Ben Vida's music has previously explored the sound of text at the outer register of electronic composition, here, in collaboration with the Yarn/Wire quartet and the vocalist Nina Dante, the voice and the words it works to inhabit are placed back at the time-scale of a song.

29 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments (with a 72 page booklet with texts and pictures).

18 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments (with a 24 page booklet with texts and pictures).

A work engaging with the materiality of sound, the essence of cloth, and the symbiosis of the machine and handmade by transposing weaving draft notation into graphic scores and rhythmic sequencing.

First monograph in French: from Rod Stewart to the Industrial Revolution, Art is Magic collates all of acclaimed artist Jeremy Deller's cultural touchstones into one lovingly curated volume, balancing these artistic inspirations with examples of Deller's visionary work.

In a long conversation about the guitar(s), Philippe Robert and Noël Akchoté sift through the history of the instrument and its practice, from the Renaissance lute to the 12-string, from the Stratocaster to the tabletop guitar surrounded by utensils and effects, from the blues to free improvisation.

Recital presents As Above, So Below, a new album from French multi-instrumentalist Delphine Dora, centered around mystic piano and voice recordings.

The Dedalus Ensemble revisits the three pioneering works of ambient music.

The Dedalus Ensemble revisits the three pioneering works of ambient music.

A vinyl release composed by Alexandre Babel in close collaboration with artist Latifa Echakhch, featuring significant contributions from the Berlin based musicians Rebecca Lenton, Theo Nabicht, Jon Heilbron and Nikki Schlierf. The record is meant to accompany the eponymous exhibition at the Swiss pavilion of the 59th Venice Art Biennale.

Through a concise set of spatially-connected field recordings, Philip Samartzis' Atmospheres and Disturbances registers the changes in high altitude ecologies caused by increasing global temperatures.

Remastered vinyl version of Oren Ambarchi's landmark release, one of his most beautiful records, at once dense, deep and luminous.

The music of "Senzatempo", by Italian duo Ozmotic and guitarist, composer and electronic musician Christian Fennesz, moves in balance between composition and improvisation. It is a symphonic work for an imaginary orchestra in which melodies, counterpoints, dynamics and sonorities define a structural breadth reminiscent of classical music.