A vibrant stage adaptation of Louis Calaferte's book by Virginie Despentes accompanied by the rock band Zëro.

Éric La Casa probes his inner sound environment through the recording of his Parisian apartment, an artist's studio and the empty spaces of a museum.

A piece of industrial musique concrète composed in the studios of GRM, created from field recordings of a vinyl record pressing plant: a mise en abyme of the record as an object.

A timeless collection of 9 evocative minimalist soundscapes, available on vinyl again (remastered by Giuseppe Ielasi) after 10 years.

In October 2013, Charlemagne Palestine, Mika Vainio and Eric Thielemans got together for the first time, meeting each other at Les Ateliers Claus in Brussels, for a 4 day residency and 2 live performances. The music of the residency takes, edited by Thielemans, mixed and mastered by Frederic Allstadt, is now released on Matière Mémoire and Godbear, Charlemagne Palestine's archival music label.

The new Tom James Scott record, the first document of his solo work since 2017.

Springing from a decades deep body of work, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improvisor Okkyung Lee returns with Yeo-Neun, her first outing with Shelter Press, and arguably her most groundbreaking and unexpected album to date.

Six pieces exploring multi-phonic spaces on the clarinet and alto saxophone, spaces linked to breath and the sonic landscapes developed by the amplification.

A highly psychedelic electroacoustic piece from 1981 built on fractal patterns in the studios of the Groupe Musiques Vivantes de Lyon, and another one composed almost four decades later, based on birdsong and forest sounds.

Teruyuki Kurihara's full-length album on Mille Plateaux is inspired by nature, particularly the cycles of "destruction and creation", characterised by industrial and experimental music cast in minimalist fashion.

The meeting between the double bass player and singer Fantazio and the workers of a centre providing care through employment in Paris.

A previously unreleased concert recording from 1983 by Das Moabiter Duo (Sven-Åke Johansson and Thomas Kapielski). An eclectic improvisation associating drums, electronics and concrete music, offering a snapshot of the experimental Berlin scene of the 1980s.

Four compositions by the electronic musician from Quebec, conceived during his studies at the Conservatoire de Musique de Montréal, from 2017 to 2019.

Vinyl record unique for each edition, accompanied with a 36 page booklet with 16 drawings by Stéphane Thidet.

The Canadian artist's second album features two immersive pieces that explore ideas of compositional drift: The Nonsuch is inspired by nocturnal hallucinations while In Praise of Blandness builds on sinologist François Jullien's concept of “blandness”.

First duo album with Quentin Rollet (saxophones, synthesizer, electronics) and Romain Perrot (keyboards, electronics, voice).

LP plus DVD with full-length movie (125 minutes) of Balafon music of the Lobi people, recorded in and around Gaoua, Burkina Faso, on a two-week journey in June 2014, by Dirk Dresselhaus (alias Schneider TM), Julian Kamphausen and Arved Schultze. Packaged in a full-colour gatefold sleeve with DVD tray, with numerous photos and an extensive interview with Dresselhaus.

An accordion and two turntables for an abstract musette.

The first vinyl edition of Shea's classic album, celebrating the 25th year of its release: a crafty piece of complex narrative audiocollage, combining samples and acoustic instruments, inspired by Chinese philosophy, easy listening, and experimental music.

A more than strange novel by the German writer and director Hanns Heinz Ewers (1871-1943), accompanied by a new musical piece by Nurse With Wound on a mini CD.

Box set comprising five books, a vinyl and a supplementary dust jacket, each highlighting different practices and transformative developments occurring in the realm of writing and speaking today as triggered by digital communication.

Frédéric Acquaviva's new record—A QR code record without record limited to 100 copies: a 69 minutes opera for voices (with Joël Hubaut, who also wrote the text, Dorothy Iannone and Loré Lixenberg), dead electronics and video.

First time release of these live-recordings by Phill Niblock from 2007 and 2019 (organ, played by Hampus Lindwall, and tapes).

First official solo album of Claire Bergerault, Stick Slip is an incredible cloud of frequencies where voice and accordion twist the space like an electronic music with psychoacoustic effects. A light and intense record at the same time, always on this acoustic border which makes the inner ear resonate like a mini oscillator.

A piece created in 2013 that is a step towards applying spectral techniques in an electroacoustic environment.

Vast cross-composition by Jean-Yves Bosseur and Benjamin Bondonneau created for the Bordeaux ensemble le Un. A wild thought towards Claude Lévi-Strauss and his notion of "bricolage".

Mads Emil Nielsen continues his Framework series, a collection of open, hand-drawn graphic scores and recordings. The series includes Nielsen's own subjective translations of the visual material and sound pieces accompanied by visual notations, and collaborations—in this case with Andrea Neumann, Jan Jelinek and Hideki Umezawa.

The encounter of the rock band Melmac with the poet Anne-Claire Hello.

First monograph dedicated to the radical Swedish painter, draftsman, sculptor, and precursor of sound arts (audio CD included).

This double LP forms a tribute to Pizzica, an antique music from Southern Italy, used to heal people suffering from tarantism, a mysterious disease caused by a spider. It includes field recordings of musicians-exorcists in the 1950's in Puglia, and six reworks by contemporary electronic musicians.

A radio novel inspired by the author's previous publication, associating infuences from sound fictions, experimental music, sound poetry, and rap.

The first album of Ophelia, a band composed of the artist Emilie Pitoiset and two members of Aluk Todolo, Shantidas Riedacker and Matthieu Canaguier.

Three unreleased field recordings from August 1990, documenting a sound installation made from a damaged piece of the Berlin Wall.

An intimate audio archive of the British novelist, coupled with a 18-track sonic portrait of Burgess by invited artists and musicians.