A hybrid edition (a vinyl record with a newspaper and an insert) extending the artist's research on the links between sound, architecture and the history of spiritism.

For its 20th anniversary, Keplar presents an absolute milestone in the history of IDM and ambient music for the first time in its definite form.

A series of in situ improvisations on Mount Tamborine in Australia.

An investigation of dubplate decay and the tactile relationship to the disc.

The definitive edition of Fennesz's breakthrough album, newly mixed by himself.

Klara Lewis returns to Editions Mego with a surprising live set recorded in 2018. Expanding her exploratory vision into haunted realms of unheimlich sound, Live in Montreal consists of a single piece with three distinct discernible sections.

Editions Mego welcomes Powell to its roster with a bizarre and strangely emotive new album of synthetic computer works entitled Piano Music 1-7.

Editions Mego welcomes Powell to its roster with a bizarre and strangely emotive new album of synthetic computer works entitled Piano Music 1-7.

The first vinyl LP release from Fluxus pioneer Alison Knowles (remastered edition transferred from original tapes, with an expansive 20-page booklet).

Two pieces based on Milan Knízak's canonical text Aktual University, dating from 1967, containing ten short lectures outlining the university's character—On Conflict, On Dreams, On Revolutions, On Love, On Belief, On Art, etc. These lectures were to serve as inspirational schemes for lectures, seminars and discussions held at an ideal university.

A long form composition of six movements from Maurice Louca, with the Lebanese improvisational group A Trio, featuring Anthea Caddy, Khaled Yassine, and Christina Kazaryan, between Arabic music and psychedelic folk.

Following Palo Alto's previous Difference and Repetition – A Musical Evocation Of Gilles Deleuze 2LP/CD this limited 7'' edition features The Tears of Nietszche on side A with Richard Pinhas as guest musician and Vecteur d'abolition on side B with the voice of Gilles Deleuze.

Three pieces for speaking pianist by the American avant-garde musician, politically committed composer and virtuoso pianist Frederic Rzewski (1938-2021), performed by Stephane Ginsburgh (for whom two of the pieces were composed).

A staircase drips, not with water but with sound: book / CD dedicated to Fritz Hauser's impressive "sound drawing" for the Vincent van Gogh Foundation in Arles.

Dedicated to the widely loved character of Jack McCoy, portrayed by Sam Waterston in Law & Order, For McCoy finds Eiko Ishibashi further exploring the unique space she has carved out in recent years, bringing together musique concrète techniques, ECM-inspired jazz, lush layers of synths and hints of pop into immersive and affecting structures.

The first new album in over 40 years by American composer, pianist, and digital audio pioneer Loren Rush: Bay Area experimentalism meets 20th century classical modernism.

Jean-Marie Massou's double album presenting, in a raw way, the recordings made at the end of the 1970s in a giant tank.

The third collaboration between Félicia Atkinson and Jefre Cantu-Ledesma—their first album produced together in the same studio: an electroacoustic, poetic, fluid and sensitive dialogue between the two experimentalists.

Built from deconstructed layers of texture, tone, and arrhythmic percussiveness, Andrew Pekler & Giuseppe Ielasi's 'Palimpsests' distills 6 years of work into 9 splintered, airy reimaginings of minimalism—each surprising, creatively rigorous, and startlingly beautiful—that rest at the outer reaches of contemporary electroacoustic practice and musique concrète.

The new magistral piece from Phill Niblock, played by the Arditti String Quartet, David Watson and the Phoenix Ensemble Basel.

With six songs in forty-five minutes, Blend The Horse! adds new influences (Broadcast, Radiohead, Tropical Fuck Storm) and brings together opposites dear to The Snobs: electric and electronic, melodic and hypnotic, noisy and pop.

A series of compositions using environmental sounds and field recordings from the five continents.

One of Ghédalia Tazartès' final recordings, with Rhys Chatham, in 2018-2019.

The biography of the singer and performer Mikami Kan, figure of the Japanese underground scene, with two unreleased concerts on CD.

FLEE's new project focuses on the music of the pearl fishermen of the Persian Gulf and aims to honor the memory of the divers, their culture and their music, through a 2XLP compilation and a 240 pages long book in Arabic and English.

FLEE's new project focuses on the music of the pearl fishermen of the Persian Gulf and aims to honor the memory of the divers, their culture and their music.

FLEE's new project focuses on the music of the pearl fishermen of the Persian Gulf and aims to honor the memory of the divers, their culture and their music.

A territorial project but also a collective, musical, social and political experience of listening and exchange.

The new magistral piece from Phill Niblock, played by the Arditti String Quartet & David Watson.

The new magistral piece from Phill Niblock, played by the Phoenix Ensemble Basel.

A 1975 unreleased Strumming performance in Antwerp.

Spanning 1966-1993, Mémoire Magnétique Vol. 2 is a revelatory collection of short and secret music by electronic music pioneer Bernard Parmegiani.

A beautiful reflective album built around the piano as a central element and inspired by the sound of whispering.

Mark Leckey finally presents the soundtrack to his autobiographical allegory 'O' Magic Power of Bleakness', a mind sluicing fantasy/autobiographical narrative inspired by folklore and half-remembered tales of teenage life growing up in the Wirral, a personal history woven into screwed 808s, ringtones, sacred chimes, smudged synths, sirens and levitating ambience that sounds like nowt else.

An absorbing sound collage album that emerged out of the production material of the film, The Works and Days (of Tayoko Shiojiri in the Shiotani Basin) by C.W. Winter & Anders Edström, with musical excerpts from Tim Berne & Bill Frisell, Tony Conrad, Graham Lambkin, Mary Jane Leach, Alvin Lucier, Phill Niblock, Folke Rabe, Éliane Radigue, and Akio Suzuki.

Tetsuo Furudate's new album, featuring Keiko Higuchi and Olga Magieres.

A work for underwater performance that literally immerses the listener into an acoustical substance, released in Sub Rosa's Early Electronic series.

Two compositions conceived mainly from researches on the inaudible and the unspeakable, as part of a series devoted to the representation of infraliminary sound phenomenons of the reality, of everyday life.

Algorithm as material and writing.

This album draws its sounds from improvisations generated by a violin, a few dozen freshly awakened birds, highly reverberant spaces, a voice saying words of Roberto Juarroz and Paul Verlaine, the nostalgia of childhood westerns, a viola mounted with electric guitar strings and the memory of those who left too soon.

A sensual and abstract album by the Finnish composer Marja Ahti, one of the most interesting electroacoustic musicians our time.

The first new album in over 40 years by American composer, pianist, and digital audio pioneer Loren Rush: Bay Area experimentalism meets 20th century classical modernism.

A project by contrabassist, composer and theorist of experimental and improvised music Christopher A. Williams, inspired by Kantian proposals for perpetual peace, applied to collective musical composition and performance.

Five rare pieces from the minimalist "rhythmic drone" period of the early 1980s of the ensemble founded by Paul Panhuysen, Remko Scha and Jan van Riet, reissued for the first time.