Graham Lambkin (of Shadow Ring fame) returns with a long awaited epic double LP, Aphorisms, his first major solo outing since 2016, continuing his synthetic-naturalist approach to sound-making, twisting disparate and unique elements together to create the sensation of a coherent sonic space.

Graham Lambkin (of Shadow Ring fame) returns with a long awaited epic double LP, Aphorisms, his first major solo outing since 2016, continuing his synthetic-naturalist approach to sound-making, twisting disparate and unique elements together to create the sensation of a coherent sonic space.

Recorded in Lary 7's legendary apartment studio Plastikville over nearly a decade, Larynx is the first full-length retrospective of the East Village icon's hybrid music and engineering practice.

The experiments of three musicians with different backgrounds who improvise together around continuous sinusoidal waves, between minimal and rock sensibilities.

Andrew Black aka blackbody_radiation's debut album gathers six ghostly drones, created with the help of sound masking, fully in line with the aesthetics of Jan Jelinek's Faitiche label.

Over the course of 40 minutes, the guitar treatments of composer, multi-instrumentalist and label head (Black Truffle) Oren Ambarchi (he also plays an audobon bird call) and the percussive work of Eric Thielemans perfectly merge in an outstanding improvisational session.

Unreleased tapes from the 70s and 80s.

Josh Mason's first vinyl outing since 2019, a pivotal release thoroughly shot through with the humidity, warmth, and "end of the line"-ness of the state of Florida.

Two discreet works by Carl Michael von Hausswolff and Erik Pauser that sit somewhere between field recording, chance composition and experimental soundscape.

Repress of Coil's final studio album and absolute masterpiece, re-cut from original Peter Christopherson approved masters.

The first release of celebrated London-based Canadian composer Cassandra Miller's music on vinyl, presents a pair of compositions for voice and ensemble that exemplify her gently absurd, strikingly beautiful, and utterly unique work.

A previously unheard archival recording of the legendary improvising ensemble Musica Elettronica Viva (Alvin Curran, Frederic Rzewski and Richard Teitelbaum), captured in concert at Bard College, New York in 2012.

A true homage to the low end: six unashamedly melodic improvisational workouts created almost entirely with heavily filtered bass harmonica and electric bass, silky smooth, luxurious, odd and compelling.

Repress of the Lebanese trio's 2014 album, born from Raed Yassin and Charbel Haber's love for the music of quintessential Egyptian guitarist Omar Khorshid, disassembling and re-configuring the work and style of the iconic guitarist's innovative take on Arabic music.

Lisbon based keyboardist João "Shela" Pereira's new strangely haunting album.

More than a decade after the release of "Land Lines", the mythical Humboldt County, California based duo of Brian Pyle and Merrick McKinlay reappears seemingly out of nowhere with "Atheistsaregods".

An audio time-travelogue, based on found reel-to-reel tapes of pre-recorded slideshow commentaries from the 60s and 70s, collected by Mark Vernon over the past twenty years.

A book and CD homage to the New Zealand-born American composer Annea Lockwood.

A newly unearthed recording of an interview between Sun Ra and composer, sound and intermedia artist and Fluxus associate Charlie Morrow recorded at his New York studio in 1989. This outstanding voice-only recording develops more like a kaleidoscopic sermon than any standard interview.

New expanded edition of an essential text for defining the thought of composer Pierre Henry (1927-2017): a musical biography in the sense of a diary and an autobiography in forty-two sequences that accompanied him in various forms between 1977 and 2005 (audio download link included).

The second in a series of archival releases dedicated to presenting music by XKatedral affiliated composers working within the realm of slowly evolving harmonic and timbral music, featuring exclusive music from Kali Malone, Jessica Ekomane, Mats Erlandsson, Theodor Kentros, Wilma Hultén, and Maria W. Horn.

370-page book + CD chronicling of a solo tour through North America in 2022, exploring the state of the DIY experimental music scenes.

"Woodwind Multiples" features four pieces for multiples of the same instrument: four bass flutes, nine oboes, nine clarinets, and seven bassoons. Each piece works closely with the unique sound of each instrument, combining pitches that create other, sometimes unexpected, tones, primarily combination and interference tones, as well as rhythmic patterns.

The restored and remastered vinyl reissue of a sound performance by American writer Kathy Acker and French noise/experimental band Nox, published in 1987, with a poster and a previously unpublished set of documents, letters, texts and photos.

Matching expansive ambience with environmental sound, Chihei Hatakeyama's new album continues Field Records' exploration of Japan and the Netherland's shared approach to water management.

A sound piece by choreographer and performer Mette Edvardsen in collaboration with her daughter, Iben, based on the performance of the same name.

A Circle of Grey is an electroacoustic composition blending philosophical contemplation on transience, impermanence and musical exploration.

LP debut of the Dutch vocalist Janneke van der Putten. Her voice emerges from deeper grounds, shaping the acoustic aura of architectural and natural spaces, exploring the limits of vocal techniques through site-specific performances.

The complete version of electro-acoustic composer Ákos Rózmann's epic masterpiece 12 Stations presented for the first time in its entirety as a deluxe 7CD set.

Ákos Rózmann's Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer's studio and at EMS in Stockholm. Like most of Rózmann's compositions, Mass is a long-form work with a duration of around seven hours. 

An electroacoustic piece composed between 1984 and 1989, inspired by the ancient theory of the four elements and exploring the notions of matter and its transformation.

Where Ben Vida's music has previously explored the sound of text at the outer register of electronic composition, here, in collaboration with the Yarn/Wire quartet and the vocalist Nina Dante, the voice and the words it works to inhabit are placed back at the time-scale of a song.

A split on 4 sides gathering 10 musicians, poets and poetesses around texts written and read by Gilles Furtwängler.

An artistic research project led between 2019 and 2022, investigating how 3-D electroacoustic composition and sound-art can evoke and provoke a new awareness of our outdoor sound environment.

29 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments (with a 72 page booklet with texts and pictures).

18 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments (with a 24 page booklet with texts and pictures).

Three "night music" pieces by Czech composer Petr Bakla, centered around the piano.

Post-rock by a chamber music ensemble from Belgium, mixed by Steve Albini.

Post-rock by a chamber music ensemble from Belgium, mixed by Steve Albini.

Hypnotic instrumental improvisation-based explorations by the trio from Cairo featuring Maurice Louca (Alif, Bikya), Sam Shalabi (Land of Kush, Shalabi Effect) and Alan Bishop (Sun City Girls, The Invisible Hands, Alvarius B.) are propelled by North African percussion loops and shimmering keys, a West African tinged free jazz guitar and a driving Krautrock-style acoustic bass.

The recording of a literary interpretation of a performance by the artist Pablo Pijnappel.

A collective musical experiment based on the vast sound archives of the Museum of Ethnography in Geneva.

Leaving aside temporarily his practice of Revox and magnetic tape played live, Jérôme Noetinger proposes two drones: a monolithic vibration, enriched by sputtering and a few electronic elements, and a piece playing with the grain of sound matter, gradually densified before a long lull in a kind of white noise.

Giuseppe Ielasi's first album released on Oren Ambarchi's Black Truffle label continues the renewed exploration of the guitar that marks much of his solo work over the last few years: a major new work from a quiet master of contemporary experimental music